Render |
Lassigue Bendthaus |
|
 |
LP |
Austria |
Kk Records |
KK115 |
1994 |
33rpm |
|
deleted |
|
 |
CS demo |
Germany |
---------- |
---------- |
1994 |
|
|
deleted |
|
|
|
A1
|
|
Fiber |
|
5:26
|
A2
|
|
Molecular Modelling |
|
7:56
|
A3
|
|
Blur |
|
4:26
|
A4
|
|
I'm Slowly Morphing |
|
4:33
|
A5
|
|
Render |
|
4:49
|
A6
|
|
JKTV / Otaku (How Many Angels Can Dance On The Head Of A Modem?) |
6:48
|
B1
|
|
Dither |
|
4:54
|
B2
|
|
Harry |
|
4:03
|
B3
|
|
Soul Access |
|
5:36
|
B4
|
|
Alias |
|
4:42
|
B5
|
|
Polaire |
|
6:09
|
B6
|
|
4'33" |
|
-:--
|
|
|
Render |
Lassigue Bendthaus |
|
 |
CD |
Austria |
Kk Records |
KK115 / 390 1115 2 |
1994 |
|
|
deleted |
|
 |
CD |
US |
Restless/Kk Records |
7 72813-2 |
1994 |
|
|
deleted |
|
|
|
1
|
|
Fiber |
|
5:26
|
2
|
|
Molecular Modelling |
|
7:56
|
3
|
|
Blur |
|
4:26
|
4
|
|
I'm Slowly Morphing |
|
4:33
|
5
|
|
Render |
|
4:49
|
6
|
|
JKTV / Otaku (How Many Angels Can Dance On The Head Of A Modem?) |
6:48
|
7
|
|
Dither |
|
4:54
|
8
|
|
Harry |
|
4:03
|
9
|
|
Soul Access |
|
5:36
|
10
|
|
Alias |
|
4:42
|
11
|
|
Polaire |
|
6:09
|
12
|
|
4'33" |
|
-:--
|
|
|
Packaging: |
The Austrian cd comes with a transparent disc inlay tray, allowing an additional picture sleeve to be visible beneath it. The US cd release on the other hand has a standard black disc inlay tray, and comes with a booklet which is a variation (laid out differently, but with the same contents) of the one that comes with the Austrian issuance. |
Recording Info: |
"JKTV" is the acronym for "Japanese Kable Television". |
Credits: |
"all tracks composed and programmed by lassigue bendthaus. additional vocals on `molecular modelling' by tetsu inoue. backing vocals on `blur' and `polaire' by arielle heart. `jktv/otaku (how many angels can dance on the head of a modem?)' co-produced by atomu shinzo. recorded digitally at sel i/s/c frankfurt. mix supervision by pink elln. additional recordings at the breatton hotel studio/new york city. edited digitally at sel i/s/c frankfurt by lassigue bendthaus, except `dither' edited digitally at current sounds/new york city by bob ward." |
|