I've
sat down several times with the intention of reviewing this release,
but the disc is a bit of an enigma to me and descriptions would not
come easily. Before production began, Tetsu expressed an interest
in trying something different instead of merely following up previously
existing projects on the Faxlabel. So from one perspective, Namlook
and Inoue set out to make what might have been 2350 Broadway IV or
Shades of Orion IV, and it instead became TimeSquare. Overall, a more
experimental project this time rather then the well-polished deep
chill sessions we're used to when this duo teems up. Track descriptions:
Bypass Mood- A discordant 3-chord cycle repeats without changing much.
Brief chimes and other similar sounds punctuate this starter track
which serves more as a preparation period for the listener then anything
else. At just about 5 minutes, this is the shortest track on the disc.
Free & Flowers- This track combines 4-5 very different elements into
a 25-minute journey. These elements shift slowly to change the track
structure several times without altering the basic tone. Soft sinewaves,
chimes, drums and hi-hats, and spacious drones create a drifting whirlpool
of sound. Before
long, this whirlpool will gain much momentum.
Without
the distant drum sequences and bass pulses, this reminds me a lot
of The Sleeper II from Coil's "How To Destroy Angels" CD, but Free
& Flowers is a lot longer and contains several semi-distinct stages,
and is a bit more active. It
elicits a mood hybrid of dreamstate and deja-vu. 11 Minutes into it
the track shifts into reverie mode: the drums fall out and you are
left floating in an alien landscape of shimmering tones and a group
of other more subtle, difficult-to-describe noises. At about 15 and
a half minutes, the tones also fade out and the focus is left on bass,
atmospherics, and hi-hats which once again draw in the percussion
sequencing. Quasi-bird chirps and tweets abound. Soon, the song shifts
again into a final reverie, this time with background chords and what
sounds like large metallic plates migrating too hi up in the night
clouds to see. Turn- At first, residual sounds from Free & Flowers
gather and regroup, then a new drum sequence is introduced. After
a few moments, things seems to be moving in the "eerie" direction.
The birds are still here. There is a momentary lull in activity, then
weird things start to happen: the drums fade back in but are much
faster BPM-wise then they were before; and more sounds trickle in
from track 2, but they are all out of order and everything starts
to get a bit chaotic. Filters warp drums and things are getting unpredictable
and mixed up. Confusion! And then flowing, glowing beatlessness. Finally,
silence. I've Got Chillness Illness- Someone else do this track...
;) |