Date: Fri, 4 Apr 1997 22:27:04 -0500 (EST)
From: Christopher Miller <evil@digital.net>
To: ATOM HEART/LASSIGUE BENDTHAUS LIST <mother@nicar.org>
Subject: (mother) Antiphony.
Hey.
So, has anyone heard anything about that new double-cd compilation on
ASH called "Antiphony"? Or is this just one of those deals again where I
haven't been paying attention?
Basically, I was just wondering what ATOM HEART track was on it.
ynohpitna.
.`--).
o o ._)
christopher miller ==;'
evil@digital.net =='
'
p.s. Has anyone else had any luck finding "Shellglove"?
Date: Sat, 5 Apr 1997 01:24:23 -0500
From: William Perez <will@panix.com>
To: mother@nicar.org
Subject: (mother) del haze news
del haze entertainment
*news april 1997*
*music*
- after establishing their new headquarter in santiago de chile, for the
first time atom heart and dandy jack will play live on the 12th of april
at >planeta< santiago.
- out now on >side effects<: >superficial depth< produced by atom heart.
following the tradition of digital monochromism.
*design*
- for the chilean pop band >jardin secreto< linger decoree will design the
corporate identity of their cd and tape release >el sonido de existir<
out in april.
*communication*
- macos (musicians against copyrighting of samples) internet address:
new URL! http://www.icomm.ca/macos/
- macos mailing list: macos-list@resrocket.com
- new macos e-mail address: mailto:macos@icomm-ca
- atom heart website:
http://www.hyperreal.com/music/artists/atom_heart/index.html
- atom heart booking: infect entertainment.,
attn. kataa, tel: +49-6021/461148, fax: +49-6021/460485
- rather interesting mailorder: emc distribution service,
tel/fax: +496039/45406. mailto:thier@wiwi.uni-frankfurt.de
*new address*
del haze entertainment
calle federico froebel 1792
providencia
santiago
chile
phone: +56-2-2042625
fax: +56-2-3419870
Date: Sat, 5 Apr 1997 02:06:29 -0800
From: gman2@sprynet.com
To: mother@nicar.org
Subject: Re: (mother) Antiphony.
On Fri, 4 Apr 1997, Christopher Miller <evil@digital.net> wrote:
> So, has anyone heard anything about that new double-cd compilation on ASH
> called "Antiphony"? Or is this just one of those deals again where I
> haven't been paying attention?
it's not really a compilation... more of a concept. artists 'interpret' the
work of Disinformation (Joe Banks). similar (at least in theme) to the
_Mesmer Variations_ collection, also on Ash Intl. 2CDs packaged in an
oversized plastic slipcase, with full liner notes and photographs/art.
ANTIPHONY - Ash International UK - Ash 3.4 2xCD
Disk 1:
RLW - unidentified
Bruce Gilbert - national grid (pt. 1)
- national grid (pt. 2)
Kapotte Muziek -
People Like Us - fire at will
Chris and Cosey - stargate
Atom Heart - stage #4
John Duncan and Guilana Stefani - charge field
L.O.S.D. -
Mark Van Hoen - radio land
Disk 2:
S.E.T.I. (Lagowski) - N = N
Anonymous - untitled
Disinformation - headlights
- sound check for the Disobey performance
Zbigniew Karkowski and Eric Lyon
M. Behrens - addition
Mark Poysden - breathsweep
for those unfamiliar with Disinformation, Joe Banks does field recordings
of atmospheric (and low-frequency-band) phenomena, natural and artificial.
he has released three incredible records - a CD (_R&D_), a 12" ("Ghost
Shells"), and a mini-LP ("Stargate"), each bursting with the otherworldly
sounds of the unheard 'quiet' around us.
these interpretations flesh out the spartan (but mesmerizing) originals,
often adding beats or utilizing loops. extreme ambience of the experimental
kind, both extremely grating (Duncan/Stefani; Panasonic's ex-Wire pal,
Bruce Gilbert) and restrained (RLW, sounding much like Lustmord). for the
most part the tracks bear the trademark stamp of the interpreters: People
Like Us is a cut-up looped-and-then-relooped ambient collage. Chris & Cosey
make slooooooow trance-y magic (with the amplified sounds of solar
flares!), Mark Van Hoen adds the sort of bittersweet melodies and jump-cut
breakbeats which typify his more sedate Locust work.
> Basically, I was just wondering what ATOM HEART track was on it.
of course! (:
it's (surprisingly) beatless, like most of the tracks here. very hard to
describe... Disinformation's crackles and hums have been processed into
loop fodder, sequenced with warm synth tones. nearly silent and intricately
detailed. turn it up and hear all the 'excitement' going on. then you'll
hear the faintest of percussive kicks stirring under the surface.... FAR
under the surface. i'm only familiar with AH's more rhythm-oriented work,
so i can't think of a comparison AH album. but Coil/ELPH - or a busier MAIN
- comes close. hard to 'recommend', since it's not very immediate. but
excellent for-what-it-is. this may be Uwe's answer to Bern'd Friedmann's
_Leisure Zones_ LP.
GuerillaG2-G4/ gg
gman2@sprynet.com
Date: Sat, 5 Apr 1997 09:19:16 -0500 (EST)
From: Christopher Miller <evil@digital.net>
To: mother@nicar.org
Subject: (mother) Re: del haze news
On Sat, 5 Apr 1997, William Perez [forwarded what Uwe Schmidt] wrote:
> - after establishing their new headquarter in santiago de chile, for the
> first time atom heart and dandy jack will play live on the 12th of
> april at >planeta< santiago.
So, I am assuming that sel i/s/c is no more? Or was it simply packed
up and moved with the rest of Uwe's stuff? ;}
elihc.
.`--).
o o ._)
christopher miller ==;'
evil@digital.net =='
'
Date: Sat, 5 Apr 1997 10:24:44 -0500 (EST)
From: Christopher Miller <evil@digital.net>
To: ATOM HEART/LASSIGUE BENDTHAUS LIST <mother@nicar.org>
Subject: (mother) WTB: _Keyboards_ magazine (German).
Help.
I was wondering if anyone could please help find me a copy of the
most recent issue of the GERMAN magazine entitled _Keyboards Recording &
Computers_? It comes with a free disc featuring samples donated by Uwe
Schmidt.
So far, all I have to go on is a website:
http://www.keyboards.de
Any leads would be greatly appreciated. Also, if someone could
possibly even pick me up a copy... well that'd be even better. ;}
sdraobyek.
.`--).
o o ._)
christopher miller ==;'
evil@digital.net =='
'
p.s. Thanks Hal.
Date: Sun, 6 Apr 1997 18:27:54 -0500 (CDT)
From: Mark Kolmar <mkolmar@xnet.com>
To: ATOM HEART/LASSIGUE BENDTHAUS LIST <mother@nicar.org>
Subject: Re: (mother) Antiphony.
I got this a few weeks ago. Supposedly it all derives from source
materials by Disinformation (VLF radio recordings, etc.) The tracks cover
a range of approaches. Atom Heart's is quite subdued and subtle, whereas
John Duncan's for example is kinda over-the-top. I don't know if I'd get
it just for the Atom Heart track, but it's a good comp and much of it is
very approachable.
--Mark
Date: Sat, 5 Apr 1997 17:57:39 -0500 (EST)
From: Hal Vx2 <macos@icomm.ca>
To: Christopher Miller <evil@digital.net>
Cc: mother@nicar.org
Subject: (mother) Re: Keyboard zine
Hey Chris.. I'm cross posting this on Mother in case anyone else is
interested.
The Keyboards issue with "Atomherz" is Marz 97 (that's March 97 for the
germanically challenged). It doesn't state the issue number because I don't
think they work like zines here in North America with Issue and Volume
numbers, but maybe it's because I can barely understand the zine itself.
Try contacting the zine directly and ask for a back issue order.
The url is www.keyboards.de and here's their snail mail..
Keyboards
An der Wachsfabrik 8
50996 Koln
Germany
Good luck..
Hal.
Date: Mon, 7 Apr 1997 08:18:58 -0500 (CDT)
From: Mark Coleman <mcoleman@wsnet.com>
To: mother@nicar.org
Subject: (mother) Mini reviews from the weekend
I picked up three new Atom Heart related releases lately and thought I
should put in my $.02. Just a note: I got Trio de Janeiro and Jet Chamber
I from Joe at Etherworld. They were cheap, delivered quickly, blah, blah.
I found Lisa Carbon and friends "Post Techno Swing" in the used stuff at
Wax and Facts in Atlanta (any others in Ala or Georgia on the list?) for
$7.00. (I also found Main's Firmament 2 for $4.00, don't you love it when
that happens)
Jet Chamber I
Now I am a Namlook novice, Psychonavigation, The 4 Seasons and Dark Side of
the Moog IV being my only Namlook discs. But from what I can tell, Namlook
seems to predominate this disc at times. Even if he does, its a great
disc. Laid back, flowing, both with beats and without, I find it a great
disc for some deep listening. I am now curious about JC2 and 3. I know 3
is supposed to be a lot more animated than this one.
Lisa Carbon & friends "Post Techno Swing"
Now Atom Heart sort of loses me when he bows to the some of the narrowing
confines of the dance floor. Thus POD presents AH and some of the Lassigue
Bendthaus discs are the ones I listen to least, even though I appreciate
the complexity of them. I think this disc is bound to be one of the lesser
listened to AH-related discs I own, but it is a good one. You can hear a
lot of things you come to expect from the RI catalog in it, almost in
embryonic form. A fascinating listen from that perspective, and I
imagine our more IDM oriented list subscribers will enjoy it quite a bit.
Lisa Carbon "Trio De Janeiro"
This is by far the most "lounge music" of the RI discs I own, even more
than Ondas. But it is great. Laid back jazz licks predominate, and I have
listened to this disc about a dozen times this weekend. Not exactly
ambient, not at all dance music, I highly recommend this for the people
whose ears perk up when they here Mr Schmidt drop a cool modal run over his
ambience.
Mark Coleman
Bridge Operations/Morning Supervisor
Conference America, Inc.
Voice:334-260-9999
Fax:334-260-0707
EMail:mcoleman@yourcall.com
Reservations:1-800-925-8000
Date: Sat, 12 Apr 1997 21:04:15 -0800
From: Sean Cooper <scooper@best.com>
To: mother@nicar.org
Subject: (mother) si-{cut}.db
while i understand this is a crosspost of the worst sort, i was hoping
those affected would suffer my indulgence in relaying this review of the
new si-{cut}.db record here as another in my line of "if you like recent
atom heart, check this out" reviews. as with previous reviews of bisk,
elfish echo, and nonplace urban field, it's my belief fanatiques of ah will
find much to obsess over here. thank you and, again, apologies.
*_*_*_*_*_*_*_*_*_*_*_*_*_*_*_*_*_*_*_*_*_*_*_*_*_*_*_*_*_*_*_*_*_*_*_*_*_*
si-{cut}.db : behind you (sprawl/suburbs of hell)
while admittedly my rate of acquisition of new music may not be as high as
some of the more, shall we say, _landed_ of the idm crowd, i can with
confidence recommend the new si-{cut}.db recording, _behind you_, as some
of the most amazing music i've heard in the last, oh, six months or so.
si-{cut}.db is, apparently, a collaborative side-project involving none
other than robin rimbaud, aka scanner, who here appears to have "produced
and remixed" all of the tracks, credited to one "d. benford" (info
please?). note: ABANDON EVERYTHING YOU KNOW OR HAVE EVER HEARD about
scanner. regardless of what you may think of his ambient voyeurisms, this
is ambient-electro-jazz-jungle-dub of the naughtiest sort; adopting a
similar tone as some recent mung/bowling green, bisk's _time_, elfish
echo's _sato yumiko_, or the more schizophrenic leanings of atom heart or
berndt friedmann (drome, nonplace urban field, etc.), si-{cut}.db is some
of the most amazing abstract electronica i've ever heard. period. (the lads
over at blue planet are _kicking_ themselves for not landing this one!) at
times the tracks are so chaotic and involved that it's a wonder one is able
to make out anything at all other than noise. however, remarkably, the
music retains a coherence and cohesion from end to end; rimbaud/benford's
arrangements are some of the most accomplished i've heard since black dog's
_spanners_ or recent luke vibert. however, neither is _behind you_ simply
reducible to a derived "more-eclectic-than-you" type of stance, integrating
as it does an astute and at times quite beautiful melodicism drawing vibes,
guitar, deep, warm, evocative synthwork, tympani and steel drums (!), etc
into the mix. the result is a complicated web of compositional amalgams
(read: "songs") that take that crucial step beyond artful self-reference
that so few of the recent crop of cross-pollinators have been able to
manage, a step that leads ultimately to beauty and delight (GOD that
sounded cheesy!). anyway, great record. SC
rating: 9 (<--- this would be a ten if it were available on vinyl)
1. the small music (8.53)
2. behind you (5.58)
3. spectral reach (6.34)
4. one size fits all (8.07)
5. what i have discovered (6.39)
6. arbant (6.00)
7. at all (5.32)
8. tourist zone (6.30)
9. mute point (6.12)
10. spectral reach - scannered (4.48)
11. arbant - scannered (4.36)
*_*_*_*_*_*_*_*_*_*_*_*_*_*_*_*_*_*_*_*_*_*_*_*_*_*_*_*_*_*_*_*_*_*_*_*_*_*
sc
Date: Sun, 13 Apr 1997 09:23:37 -0400 (EDT)
From: Jason J Tar <tarjason@pilot.msu.edu>
To: evil@digital.net, mother@nicar.org
Subject: (mother) Brown+Monotm
Got 'em both yesterday.
Brown: ambient experimental I suppose, not as good as 'Built' but still
very interesting. I like it. The blank 4 minutes at the end of "music"
seems unnecessary, as it made me wait that much longer to hear my next cd
in the changer... (From hearing "Male Box", Brown really isn't what I
expected. That is good I think! ;) I thought it'd be just some techno-y
thing.)
MonoTM: Heard some of it in the car running errands yesterday. Laid back
dirty funk hip hop, I would imagine. Liked it. bouncey. But skimming
through tracks, why is track 5 here? The beatless thing. Good, but does
it fit the theme/feel of the disc? Nope.
Finally I played the follow Chris's lead game, now your turn to dance. If
you ever get the chance (maybe you have already?) try to check out Alec
Empire's "Hypermodern Jazz 2000.5". It's domestic now, and NOTHING like
his other stuff. Almost reminds me of the AHeart stuff. beats that
comegochange in mid track. Ambience overunderinwith the beats. Even some
organ. Just avoid the track "Stepdancer" as that is silly. But do listen.
--
Yours Truly,
Jason J. Tar
peace, hugs and unity
Vampire Rodents (+Ether Bunny and Dilate) page at:
pilot.msu.edu/user/tarjason/VRodents.htm
Date: Mon, 14 Apr 1997 14:40:20 -0500 (CDT)
From: Deckard <njurcin@orion.it.luc.edu>
To: Mother <mother@nicar.org>
Subject: (mother) Atom Heart @ Planet @ Santiago de Chile
. . . . . . ...
Must be n|ce
---------- Forwarded Message ----------
Date: Mon, 14 Apr 1997 13:55:59 -0300 (ADT)
From: "Tim Fothergill F. Ciencias Dpto. Biologia"
<fothegil@abello.dic.uchile.cl>
To: IDM <idm@hyperreal.com>
Subject: (idm) Atom Heart @ Planet @ Santiago de Chile
Went to see Atom Heart and Dandy Jack together on Saturday. When I saw them
here last year they played in a deserted warehouse and there were maybe 50
people there. This time it was in a club which appeared to be a converted
cinema or theatre and there were a couple of thousand people.
The resident DJs (Siddharta, Ricardo Villalobos and Adrian) gave fairly
storming four on the floor sets, if that's your cup of mate de coca.
The show was pretty much the same deal as last time. The only difference
being that there were just the two of them (both of whom seem to have
acquired aversions to hair since then) instead of there being three (I
never did find out who that second German was). For those that don't know,
Dandy Jack is Chilean so this was his home crowd.
Like last time they both used the same machine for the entire performance,
which at 45 minutes was a little short. I don't know what the machines
were, but they seemed to be tapping in rhythms manually and out they would
come. They also seemed to be able to exert quite a bit of control over each
rhythm once they had it going. Each box of tricks seemed to be capable of
handling several at a time. I'm not sure how many but at several points
there must have been at least half a dozen lines going on at once. They
were a lot more dance friendly this time, perhaps because it's easier
improvising between two rather than three. Despite lots of thumping lines
with the odd occasional ambient one on top, they weren't really competing
with the hardcore DJs on before and after. There was no sign of the lounge
stuff that is talked about on the list. Fairly minimal stuff but very
enjoyable. Hope they come back soon.
Tim
In every work of genius we recognise our own rejected thoughts;
they come back to us with a certain alienated majesty.
Date: Mon, 14 Apr 1997 17:15:29 -0400 (GMT)
From: Christopher Miller <evil@digital.net>
To: ATOM HEART/LASSIGUE BENDTHAUS LIST <mother@nicar.org>
Subject: (mother) Jet Chamber 1 vs. Jet Chamber 3.
Hai!
Here's a short thread from the Ambient list (on Saturday):
----------- Forwarded Message -----------
Date: Sat, 12 Apr 1997 15:01:06 -0400 (EDT)
From: Brad Nash <bjn@umich.edu>
Subject: (amb) jet chamber 1
despite the fact that I heard some not-so-ringing endorsements of this (Jet
Chamber 1), I went ahead and purchased it anyway. I am quite glad that I
did. The first track is very nice, a slowly building 30+ minute opus with
restrained percussion, not as hectic as JC 2, but not too laid back either.
The second track sounded really good on my speakers, as it had this nice
effect of sending the bass out of the rear speakers and the synth and other
parts out of the front speakers, resulting in a very full, room-enveloping
sound. The rest of the tracks are good, but these first two songs are
clearly the stand outs. I highly recommend picking this one up. Well,
nothing left to do now but contemplate the acquisition of Jet Chamber
III...
- -brad
------------------------------
Date: Sat, 12 Apr 1997 21:03:48 -0800
From: scooper@best.com (Sean Cooper)
Subject: Re: (amb) jet chamber 1
> despite the fact that I heard some not-so-ringing endorsements of this
> (Jet Chamber 1), I went ahead and purchased it anyway. I am quite glad
> that I did... Well, nothing left to do now but contemplate the
> acquisition of Jet Chamber III...
don't bother...sleep inducing drum'n'blah nowhere near as enveloping as
either of the other _jc_s, nor as interesting and intricate as some of atom
heart's solo excursions into the style (see _brown_, _monotm_, or +n's
_built_). there are some instances, it would seem, when fax's "album in a
day" work ethic (or, in this case, three days) turns up some pretty
fantastic results. this is not one of them.
sc
------------------------------
Date: Sun, 13 Apr 1997 00:01:09 -0600 (MDT)
From: Hess Hodge <Hess.Hodge@Colorado.EDU>
Subject: Re: (amb) jet chamber 3
On Sat, 12 Apr 1997, Sean Cooper wrote:
> > contemplate the acquisition of Jet Chamber III...
>
> don't bother...sleep inducing drum'n'blah nowhere near as enveloping as
> either of the other _jc_s, nor as interesting and intricate as some of
> atom heart's solo excursions into the style (see _brown_, _monotm_, or
> +n's
I disagree. I find JC3 ambsolutely fantastic. True, it is drastically
different than the previous two JCs, but it is still very enveloping. The
mix of d'n'b and ambient really works for this album and I quite enjoy
Pete's guitar sections. It finds a groove with me and takes me to that
place beyond... heh.
OnNow: 'Supergroup' (FAX)
I just started my second listen to this disc. The first track is a slow,
beat infested number with samples of some computer generated voice thrown
in. There are liberal amounts of Charles' strange sounds bits in the
entire album (a la octopus). And hey, I love the artwork ;)
Hess
- -/\= Hess M. Hodge
~/\ hess.hodge@colorado.edu
(/\) http://stap.colorado.edu/~hodge
---------- End ----------
Date: Tue, 15 Apr 1997 06:30:51 -0400 (GMT)
From: Christopher Miller <evil@digital.net>
To: mother@nicar.org
Cc: Jason Tar <tarjason@pilot.msu.edu>
Subject: (mother) Re: Apology/Pornotanz/Beauty>>Forward
On Sun, 16 Mar 1997, Jason J Tar wrote:
> the Snog page gives info and a scan of the cover for "Beauty>>Forward"
What's the addy daddy?
gons.
.`--).
o o ._)
christopher miller ==;'
evil@digital.net =='
'
Date: Tue, 15 Apr 1997 06:54:04 -0400 (EDT)
From: Jason J Tar <tarjason@pilot.msu.edu>
To: mother@nicar.org
Subject: Re: (mother) Re: Apology/Pornotanz/Beauty>>Forward
> > the Snog page gives info and a scan of the cover for "Beauty>>Forward"
>
> What's the addy daddy?
http://www.webweaver.com.au/imcc/
tracks:
Beauty>>Forward: international avantgarde computer enhancements
Helix Records (helix109)
Distributed by: Shock Australia Fax: +61 3
9482 3873
CD Track listing:
01/ Machine Paisley: Copacabana Palace (Paisley Edit)
02/ Nonplace Urban Field: Plane Spotting
03/ Soma: The Optimist
04/ Atom Heart: Apart (Lisa's Rather Interesting Mix)
05/ Drome: Moon on My Screen (Remix)
06/ Brown: Male Box (Female Edit)
07/ Black Lung: Question Two
08/ Atom Heart: Splendour Trash (Shorter)
09/ Nonplace Urban Field Plusminus 30
10/ Mono Trademark: Inflatable Rasta Wig (Deflated)
11/ Soma: Stygian Vista (Radio Active)
12/ Nonplace Urban Field: Plastikthai
13/ Nonplace Urban Field: Pan 13
So anyone heard this? Are they standard edits for time management or are
they actual mixes? Plus how is Soma? (esp. "inner cinema"?)
Anyone want JetChamber1? (still haven't ditched that thing.)
thanks.
--
Yours Truly,
Jason J. Tar
peace, hugs and unity
Vampire Rodents (+Ether Bunny and Dilate) page at:
pilot.msu.edu/user/tarjason/VRodents.htm
Date: Tue, 15 Apr 1997 23:20:44 +0100
From: Hz <harryw@sn.no>
To: mother@nicar.org
Subject: Re: (mother) Brown+Monotm
> Finally I played the follow Chris's lead game, now your turn to dance.
> If you ever get the chance (maybe you have already?) try to check out
> Alec Empire's "Hypermodern Jazz 2000.5". It's domestic now, and NOTHING
> like his other stuff. Almost reminds me of the AHeart stuff. beats that
> comegochange in mid track. Ambience overunderinwith the beats. Even
> some organ. Just avoid the track "Stepdancer" as that is silly. But do
> listen.
what label is this on..? who distributes it in Europe? .."les etoiles des
filles mortes" was on Mille Plateaux.. I really like this one.. R they
comparable? How is "starwars generation"?
I would like to get recommendations on other Mille Plateaux releases too (I
only have Global Electronic Network" electronic desert" and Christian Vogel
"beginning to understand"... + the Alec Empire)
Date: Tue, 15 Apr 1997 22:59:25 -0700
From: Tim Wright <timwright@dial.pipex.com>
To: mother@nicar.org
Subject: (mother) Humbucker
Staring me in the face at the Southampton branch of HMV today was a bright
pink 12" single, allegedly by ATOM HEART. It seems to be called Humbucker,
and the other information on the label is: A45 135 BPM (AQUARIUS' PINKY
MIX) FOR DJ USE ONLY PINK 001
The music is pretty straightforward, four-on-the-floor, hihats, monotone
bassline. Floyd references continue with samples of the wide synth chords
from Shine On, and the four note guitar line.
It could be by anybody, which leads me to think it's not by our Atom Heart,
if you get my drift.
Anybody got any clues, or can check it out with the man himself?
Cheers,
Tim
Date: Tue, 15 Apr 1997 18:59:51 -0400 (EDT)
From: Chad M Oliveiri <oliveiri@pilot.msu.edu>
To: mother@nicar.org
Subject: (mother) Mille Plateaux
The label is actually named after a critical essay by deceased theorist
Gilles Deleuze. In fact, it released a two CD homage to Deleuze called
"In Memoriam" featuring a number of avant-garde artists like ATOM HEART,
Wehowski/Wollscheid, Ian Pooley, etc...
The AHeart track is particularly stellar. It's a meditation on the
beautiful drone that backs the "Natural Blur" track from RI comp No. 2.
Some additional samples and electronic squawks are thrown into the collage.
Back to the label: released a number of good records by German outfits like
Oval and Microstoria and some not-so-great stuff by an ambient loop
collection called Gas. I think they've also released some Scanner material
as well, but I'm not sure. Oval's "Diskont 94" is a particularly nice
release.
If you're in the States, Thrill Jockey is now distributing the label's
stuff domestically, so don't pay the jacked-up import rates.
Hz: Describe to me the Cristian Vogel release you own. Is it new? How do I
get it? I have "Specific Momentific" and enjoy it quite a bit, though I
despise his earlier "Body Mapping" release.
Has anyone obtained "Shellglove" yet?
co
Date: Tue, 15 Apr 1997 19:56:50 -0400 (GMT)
From: Christopher Miller <evil@digital.net>
To: ATOM HEART/LASSIGUE BENDTHAUS LIST <mother@nicar.org>
Subject: (mother) lead - Overflow 12" + Flextone 2x12" w/l
Good.
This guy's got a few AH/LB things for sale:
Matt <c649946@showme.missouri.edu>
> lassigue bendthaus - overflow (Kk) $8
> atom heart - flextone (ri whitelabel 2x12) $10
doog.
.`--).
o o ._)
christopher miller ==;'
evil@digital.net =='
'
Date: Tue, 15 Apr 1997 20:07:59 -0400 (GMT)
From: Christopher Miller <evil@digital.net>
To: ATOM HEART/LASSIGUE BENDTHAUS LIST <mother@nicar.org>
Cc: Chad M Oliveiri <oliveiri@pilot.msu.edu>
Subject: (mother) Re: Mille Plateaux
On Tue, 15 Apr 1997, Chad M Oliveiri wanted to know:
> Has anyone obtained "Shellglove" yet?
Yeah, I got it through a trade a while back. It was pure luck
though... I have no leads on how to get more. Wasn't Modern Music supposed
to be carrying this?
evolgllehs.
.`--).
o o ._)
christopher miller ==;'
evil@digital.net =='
'
Date: Wed, 16 Apr 1997 02:54:44 +0100
From: Hz <harryw@sn.no>
To: mother@nicar.org
Subject: Re: (mother) Mille Plateaux
> Hz: Describe to me the Cristian Vogel release you own. Is it new? How do
> I get it? I have "Specific Momentific" and enjoy it quite a bit, though I
> despise his earlier "Body Mapping" release.
well it's what I would call "machine techno"...for lack of a better
description..metallic percussion, distorted kickdrums ...timestretched
machine sounding samples, repetitive beats, some atmospheric strings
also...quite good.
I don't know where u could get it...I found it at Virgin Megastore.
btw: r any of u into the SKAM label? I would like some info on this and
recommendations....have heard good things about jega(?) and boards of
canada..
Anyone wanna make a mixtape for me?:-)(trade)
ps. when is the new lassigue B coming?
Date: Tue, 15 Apr 1997 18:05:16 -0800
From: Sean Cooper <scooper@best.com>
To: mother@nicar.org
Subject: Re: (mother) Mille Plateaux
a number of inaccuracies here...
> The label is actually named after a critical essay by deceased theorist
> Gilles Deleuze.
the label is named for deleuze's book of the same name (all 600+ pages of
it), co-authored with felix guattari. far from a critical essay, it's the
clearest, most extensive positive explication of deleuze and guattari's
materialist metaphysics, which have been very influential not only on achim
szepanski (founder of mille plateaux) but a number of the artists featured
on _in memoriam_ (as well as on sub rosa's pair of d&g tributes _folds and
rhizomes_ and _double articulation_).
> Back to the label: released a number of good records by German outfits
> like Oval and Microstoria and some not-so-great stuff by an ambient loop
> collection called Gas. I think they've also released some Scanner
> material as well, but I'm not sure. Oval's "Diskont 94" is a particularly
> nice release.
scanner was included on _in memoriam_, but mp has never released any
scanner material under the banner of his own name. the label's most visible
releases are the three volumes of _electric ladyland_, experimental
electronica from the likes of ian pooley, mike ink, techno animal, biochip
c/martin damm, 4e/khan, jammin' unit, etc. mp has also released a number of
twelve inches and full-lengths from alec empire, 4e, steel, and ric.
> If you're in the States, Thrill Jockey is now distributing the label's
> stuff domestically, so don't pay the jacked-up import rates.
thrill jockey has reissued, to date, four mille plateaux releases: two each
by microstoria and oval. this has helped open the market for other mille
plateaux artists and releases, but they are not being distributed by thrill
jockey. alec empire's increasing stateside presence, rather, is what has
spurned most of the interest in mille plateaux (most of his pre-dhr
releases came out on either force-inc. or mp, itself a force-inc.
subsidiary), and many distributors have been purchasing product direct,
which accounts for the domestic price on _some_ (and by no means _all_)
mille plateaux product.
sc
Date: Tue, 15 Apr 1997 18:13:26 -0800
From: Sean Cooper <scooper@best.com>
To: mother@nicar.org
Subject: Re: (mother) Mille Plateaux
> well it¥s what I would call "machine techno"...for lack of a better
> description..metallic percussion, distorted kickdrums ...timestretched
> machine sounding samples, repetitive beats, some atmospheric strings
> also...quit good.
machine techno...hahah...very good. eric?!
Date: Tue, 15 Apr 1997 18:32:20 -0700
From: Eric Hill <ehill@best.com>
To: mother@nicar.org
Subject: Re: (mother) Mille Plateaux
> machine techno
arf! a *touch* redundant, though cristian does tend toward the cooler and
cleaner digital textures (skank notwithstanding). casting this thread
inches further afield, another of cristian's mp albums (the one that
awakened me to the label) is "beginning to understand," which is much more
on the "specific momentific" tip (i think i heard body mapping in the
store, and it was crappy like his 12's) with stawnching beats and moody
textures, much better than any of his 12"s, which frustratingly always seem
to be monochromonotonous goosestep oofduh.
eric
p.s would you subscribe to a mailing list that only talked about you?
Date: Tue, 15 Apr 1997 22:19:12 -0400 (EDT)
From: Jason J Tar <tarjason@pilot.msu.edu>
To: mother@nicar.org
Subject: Re: (mother) Re: Mille Plateaux
> > Has anyone obtained "Shellglove" yet?
>
> Yeah, I got it through a trade a while back. It was pure luck
> though... I have no leads on how to get more. Wasn't Modern Music
> supposed to be carrying this?
They haven't gotten it yet. Soon thought, they say...
(BTW--just got 'Brown' and 'MonoTM' from them. only 13.50 a piece. pretty
cheap I say. Plus ordered on Thursday, in my mailbox on Saturday. wow.)
--
Yours Truly,
Jason J. Tar
peace, hugs and unity
Vampire Rodents (+Ether Bunny and Dilate) page at:
pilot.msu.edu/user/tarjason/VRodents.htm
Date: Tue, 15 Apr 1997 19:35:08 -0700
From: VSVN ARAB <vsvnarab@3-cities.com>
To: mother@nicar.org
Subject: Re: (mother) Re: Beauty>>Forward
> Beauty>>Forward: international avantgarde
>
> So anyone heard this?
Nope, haven't heard it. But judging from the tracks that I've heard off of
the cds where some of these tracks came from, then I'd say it's prolly a
damn good comp.
> actual mixes? Plus how is Soma? (esp. "inner cinema"?)
Inner Cinema is great. There's a coupla parts where it gets semi-cheesed,
but overall it's a very good disc. A very good mix of electronic and
organic sounds, and lotsa nice rhythmic things happenin with Peter Bourke's
(Eden, Dead Can Dance) percussion playing over the sequences.
Does anyone knoe where I can find the two Soma singles? "sleepwalker" and
"arcane" (lassigue remix(es))?
BARA NVSV
Date: Tue, 15 Apr 1997 23:12:32 -0400
From: William Perez <will@panix.com>
To: mother@nicar.org
Subject: (mother) uwe this and that
greetings
just received a copy of microprocessed by atom heart & eyephone. i think
it's been reviewed a couple of times already on mother. i don't have much
to add except that it's ok but a bit too minimal at times.
i couldn't get beauty forward at the time so i jumped on nonplace urban
field's golden star, one of the artists featured on beauty forward and
recommended by uwe if i'm mistaken. i like this much better. the styles
are spread all over from surprisingly good jungle to idm territory,, due to
the fact that all the tracks are remixed by different people, including
pink elln, scanner, muslimgauze, etc. all the tracks flow together really
well considering the variety. very intelligently produced and recommended.
trio de janeiro is excellent too! i've updated the rather interesting web
page to include artwork for this album. to be honest, i didn't like
polyester because it was too almost noisy or maybe too high end at times
but this album by lisa carbon is much cleaner, more future lounge sounding
like parts of ondas. would i like post techno swing aka stereo cocktail?
i picked up chris watson's stepping into darkness on touch as recommended
by uwe but it's all environmental music. it's well done, he found some
amazing sounds out there but i guess i was expecting more electronic music.
i'm still waiting for shellglove from modern music who said they could get
it. what i did get from them a few months ago was the 12" for apart from
this same album. there are 5 remixes. the first has a crazy and not too
harsh set of beats. apart 2 is more like a rather interesting remix while
apart 3 is actually lisa carbon's rather interesting remix. it has that
slower loungey latino sound like in trio de janeiro. apart 4 is ian
pooley's far apart remix which is a nice trancey house track with all the
right elements for me. apart 5 is mathew herbert's underwater mix -
slower, intelligent and funky.
does anyone know where i can get a cheap copy of lassigue bendthaus' render
audible us mixes? i hear it's available as a cutout.
the next release on fax will be amp ii - dandy jack and pete namlook.
i should have a web page up for it by next week.
thanks
/ / / / / / mailto:will@panix.com
(_/__/ / (__ (__ http://www.panix.com/~will/
Date: Tue, 15 Apr 1997 20:46:54 -0700
From: gman2@sprynet.com
To: mother@nicar.org
Subject: Re: (mother) Mille Plateaux
On Tue, 15 Apr 1997, Eric Hill <ehill@best.com> wrote:
> > machine techno
>
> another of cristian's mp albums (the one that awakened me to the label)
> is "beginning to understand," which is much more on the "specific
> momentific" tip
wasn't _Beginning to Understand_ the album that started this whole thread?
do you think BTU and SM sound alike? SM is such a mature and refined
work... more geared towards listening than Vogel's usual full-contact
dancefloor smashers. did i say 'full-contact'? make that 'total-body
impact'. Vogel has a way of wrapping his music around you and squeeezing...
> (i think i heard body mapping in the store, and it was crappy like his
> 12's)
Vogel's 12" output is outstanding. he's one of the finest purveyors of
intelligent - but HARD - techno. DJ *AND* brain friendly. what a rarity!
> with stawnching beats and moody textures, much better than any of his
> 12"s, which frustratingly always seem to be monochromonotonous goosestep
> oofduh.
listen again. there's a lot going on in Cristian Vogel's music.
have you heard the "Demolish Serious Culture" 12" on Sativae? there is
absolutely NOTHING monochrome or monotonous about the way Vogel layers
beats and then eviscerates his own constructions, using the fader like a
scalpel. it's pretty incredible gear. hammering, yes, but visceral and
completely absorbing. there are many words you could use to describe a
Vogel 12"; "monochromonotonous" (even if it was one) isn't one of them.
GuerillaG2-G4/ gg
gman2@sprynet.com
Date: Fri, 18 Apr 1997 12:42:28 +0200
From: Nuno Proenca <nunotava@mail.telepac.pt>
To: mother@nicar.org
Subject: (mother) Song info on RI compilations #1 and #2 - puzzling
questions
I hope this in not too off topic for the list. Begging you don't play
hangman with me here it goes :-)
On both RI compilations all the songs have nice comments related to the
songs themselves.
I've heard both with headphones and now some of them do puzzle me.
In RI#2:
In song #7 by Datacide it states: Headphone listening not recommended.
I understand it. Left and right channels play different things.
BTW: Still in this song. What in the hell is that, let's call it
"conversation" :-) , doing there ? And where did it come from ?
Song #5 Mono trademark - "Beauty: Mono"
Mono ? It sounded pretty stereo to me. :-(
In RI#1:
Song #2: "High-res mellow textures. Laid back 20 hz. Understand ?"
I do, at least partially. My loudspeakers don't like it but I do :-)
Could you please give me a technical description for "high-res mellow
textures" and "laid back 20 hz" ? Please.
Song #9 - "Binary amplified super stereo".
What is done in a recording studio that makes a song "binary amplified"
and super stereo ? Unfortunately not only this song sounded as mono as
all the others but also the whole RI#1 sounded a whole lot more "mono
recorded" than RI#2.
Already grateful for some enlightenment :-)
PS: I do have some knowledge on audio (20-20K hz, etc.) and recording
equipment (analog only).
#1. :-) #2. :~) #3. [:-)] #4. >:->
SWM-"Mission: To reconstruct the sonic landscape
in order to preserve imagination.
We are sound. We are never what you think we are.
We ask you to join the ancient dance.
We love you and want you to join the sound with us."
Nuno
Date: Fri, 18 Apr 1997 09:39:05 -0500 (CDT)
From: Deckard <njurcin@orion.it.luc.edu>
To: mother@nicar.org
Subject: Re: (mother) Song info on RI compilations #1 and #2 - puzzling
questions
> In RI#2:
> In song #7 by Datacide it states: Headphone listening not recommended.
> I understand it. Left and right channels play different things.
> BTW: Still in this song. What in the hell is that, let's call it
> "conversation" :-) , doing there ? And where did it come from ?
Yeah, the Ondas album says the same thing... i think they're
pHoolin', considering there's picture of a lady wearing a big
set of headphones on the inside of the Ondas booklet...
> Song #2: "High-res mellow textures. Laid back 20 hz. Understand ?"
> I do, at least partially. My loudspeakers don't like it but I do :-)
> Could you please give me a technical description for "high-res mellow
> textures" and "laid back 20 hz" ? Please.
I think all he means is that the song is predominantly muffled
and bassy...
> Song #9 - "Binary amplified super stereo".
> What is done in a recording studio that makes a song "binary amplified"
> and super stereo ? Unfortunately not only this song sounded as mono as
> all the others but also the whole RI#1 sounded a whole lot more "mono
> recorded" than RI#2.
Well, the full-length BASS album is different from the comp tracks
in that some of the instruments are panned fully left or right..
no@h
. . . . . . ...
Date: Fri, 18 Apr 1997 16:18:32 -0400 (EDT)
From: Howard Stelzer <hds@grove.ufl.EDU>
To: mother@nicar.org
Subject: (mother) "Live at sel i/s/c" for trade
Hey, there, mothers. I've got the Atom Heart "Live at sel i/s/c" CD (Fax,
Germany) available for trade. I want noise, or concrete type stuff. Or,
here's some titles I'm looking for:
Modern English "Mesh and Lace" CD
Siglo XX "Antler Tracks 2" CD
Klinik "Box" CD
Colin Newman "Provisionally Entitled.../Not To" CD
Dome/Duet Emmo/Gilbert and Lewis any
Squarepusher "Feed Me Wierd Things" CD
Or, of course, any NOISE titles (Merzbow, Incapacitants, Asmus Tietchens,
RLW, IAM Umbrella, anything like that). Make me offers and stuff. Okay?
Howard Stelzer
hds@grove.ufl.edu
Date: Mon, 21 Apr 1997 23:12:26 -0400
From: William Perez <will@panix.com>
To: Recipient List Suppressed: ;
Subject: (mother) Amp 2 info available
Information and artwork for Amp II (Pete Namlook & Dandy Jack) is now
available on the FAX web site: http://hyperreal.com/fax/
thanks
/ / / / / / mailto:will@panix.com
(_/__/ / (__ (__ http://www.panix.com/~will/
Date: Tue, 22 Apr 1997 00:34:17 -0400 (GMT)
From: Christopher Miller <evil@digital.net>
To: ATOM HEART/LASSIGUE BENDTHAUS LIST <mother@nicar.org>
Subject: (mother) review - Superficial Depth
Well.
Here's an excerpt from a longer review-type post made by good 'ol Sean
onto the IDM list yesterday evening:
---------- Forwarded Message ----------
Date: Mon, 21 Apr 1997 18:23:02 -0800
From: Sean Cooper <scooper@best.com>
To: idm@hyperreal.com
Subject: (idm) shea / ah / matmos / immerse
superficial depth - digital superimposing (side effects)
the long-awaited atom heart full-length on brian "lustmord" williams' side
effects label is over an hour of mostly monochrome ambient (similar, for
those that know, to _b2_, parts of _dots_, or laswell and inoue's _cymatic
scan_) broken up every 15 minutes or so by thin, minimal idm-esque rhythms,
shards of digital (i.e. purposefully lacking the "thickness" and "warmness"
of analogue) synthwork, etc. the looping bass figures at the beginning and
muted, minor-key melodics toward the end present a nice, encompassing
contrast to the movement of a piece (single-index, kids) best listened to
from start to finish. again, unexpected, but quite pleasing.
---------- End ----------
Date: Tue, 22 Apr 1997 15:46:44 -0800
From: charles uzzell-edwards <faxlabel@sirius.com>
Subject: (mother) rather interesting presents 'senor coconut'
atom heart 'se§or coconut' out next week...
after moving to santiago de chile, which caused a couple of silent weeks,
rather interesting is back with quite an unexpected release entitled 'se§or
coconut'. this album features 10 titles all playing with latino american
music styles from mambo via cha cha cha to jive, 'senor coconut' violates
almost every known type of latin music, in a very special eclectic and
innovative way. floating mambo rhythms morph into funk grooves and end up
in hyper active drum+bass quotations without getting lost in the
programming. not always serious, this album is a giant audio culture sample
of the latin american consciousness, which starts as a traditional
composition, getting twisted around and deconstructed by the mind of 'senor
coconut', passing through every style possible. Titles such as >el coco
baile< or >supertropical< are a pure neo-latino mixture: confronted with
their western counterparts, music is given a new perspective...
a possible trigger for the development of electronic music.
tracks
el coco baile (novarro)
supertropical (neo traditional)
chocolatina (guaguanco libre)
upper mambo/lower funk (mesclasentimental)
pisco control (jive electronico)
mambo.val (revival cabezon latino)
la noche cool (chachambiento)
suavito (jive electronico)
musica moderna (samba virtual)
diarios clave (rumba funk)
respects c . u . e .
f a x l a b e l u . s . a .
8 7 e t h e l a v e n u e # 2 ,
m i l l v a l l e y .
c a l i f o r n i a 9 4 9 4 1 .
4 1 5 3 8 3 7 9 9 0
real audio sound bites and more... http://www.sirius.com/~faxlabel/
Date: Wed, 23 Apr 1997 00:01:13 -0400 (GMT)
From: Christopher Miller <evil@digital.net>
To: ATOM HEART/LASSIGUE BENDTHAUS LIST <mother@nicar.org>
Subject: (mother) Secretary.
Um.
Since it's `Secretary's Day' here in the US, I thought I'd ask a few
questions about the "Secretary" 12" on FAX. In particular, was the
SYNTHADELIC pseudonym Uwe's first team-up with Pete Namlook (or was that
the "Vektor" 12" by MILLENIUM)? I still don't have this record either, so
I was wondering what it sounded like (I'd imagine like the SUBSEQUENCE
records?). Also, I had seen on a discography somewhere that there are more
than one SYNTHADELIC records... is Uwe only on "Secretary". And finally,
according to the AH-discography there's also a 12" and cd single for this
on the Grand Mal label... what's the schmeal with this release being on two
different labels?
yraterces.
.`--).
o o ._)
christopher miller ==;'
evil@digital.net =='
'
on: "Drum & Bass For Papa" by PLUG
Date: Wed, 23 Apr 1997 02:04:03 -0500
From: TODD BOOZER <HOKUSAI@worldnet.att.net>
To: mother@nicar.org
Subject: Re: (mother) Secretary.
Christopher Miller wrote:
> Since it's `Secretary's Day' here in the US, I thought I'd ask a few
> questions about the "Secretary" 12" on FAX. In particular, was the
> SYNTHADELIC pseudonym Uwe's first team-up with Pete Namlook (or was that
> the "Vektor" 12" by MILLENIUM)? I still don't have this record either,
> so I was wondering what it sounded like (I'd imagine like the SUBSEQUENCE
> records?). Also, I had seen on a discography somewhere that there are
> more than one SYNTHADELIC records... is Uwe only on "Secretary".
i have synthadelic 4 12". i must say that is quite an interesting release.
basically it's an a-typical gabber style slab with an interesting sample of
a woman saying "i'm a secretary and type all day" with the sound of a
typewriter working away. more goofy than anything. I find it quite fun to
dj to just to get a rise out of everyone. Among all the recent flooding of
old school fax cd's i was able to obtain a copy of compilation 4. it
contains a synthadelic track entitled "dirty job" which i must say is quite
an unimpressive track. just my opinion. the track from the 12" is worth the
buy.
pmmm reezoob
on: jeru the damaja - wrath of the math
Date: Wed, 23 Apr 97 12:10:14 BST
From: Warren Nicholls <warrenn@redac.co.uk>
To: mother@nicar.org
Subject: (mother) New Release Alert.........
Hi,
For your info, jsut found this on a release list :
ATOM HEART : Humbucker (Aquarius remix) (Pink 12": PINK 001) Amato -
House/Garage
I've also seen a Atom Heart and Pink Elln line in Montreux 12" around,
anyone any info on this?
Warren
------------------------------------------------------------------------
Warren Nicholls
Redac Systems Limited, Tel: 01684 294161 (Ext 421)
Green Lane, Fax: 01684 299754
Tewkesbury, E-mail: warrenn@redac.co.uk
Gloucestershire, GL20 8HE, UK. WWW: http://www.redac.co.uk
------------------------------------------------------------------------
Date: Wed, 23 Apr 1997 11:50:48 -0600 (CST)
From: tachyonized!!! <cashew@utxvms.cc.utexas.edu>
To: mother@nicar.org
Subject: Re: (mother) New Release Alert.........
> I've also seen a Atom Heart and Pink Elln line in Montreux 12" around,
> anyone any info on this?
i might be adding to confusion, but this might be the UMM release that came
out a few years ago. . .or maybe not. i remember it having those two on it
and that it was live.
-jeff
Date: Wed, 23 Apr 1997 22:33:21 -0400 (GMT)
From: Christopher Miller <evil@digital.net>
To: ATOM HEART/LASSIGUE BENDTHAUS LIST <mother@nicar.org>
Subject: (mother) lead - Mono TM, +N, Real Intelligence
Ok.
In a recent FS list, this guy's got a few RI releases up for grabs:
Mark Turner <mturner@netcom.com>
> Mono Trademark - MONO TRADEMARK (Rather Interesting) - $10
> Atom Heart and...???
>
> +N - Built (Rather Interesting) - $10
> Atom Heart & Victor Sol
>
> Various - REAL INTELLIGENCE (Rather Interesting) - $10
> 2x12" comp from Atom Heart and friends.
renrut.
.`--).
o o ._)
christopher miller ==;'
evil@digital.net =='
'
Date: Thu, 24 Apr 1997 00:16:33 +0000 ()
From: "Nate Harrison [Digital Magician Inc]" <nate@digimagician.com>
To: ATOM HEART/LASSIGUE BENDTHAUS LIST <mother@nicar.org>
Subject: (mother) Real Intelligence?
ok I'm relatively new to the list, just discovered the genius of Atom
Heart et al, and have q question-
my local shop had the 'real intelligence CD's', how are they? This sounds
corny but I was hesitant about them because they looked so much like Warp's
AI series. Anyone?
Nate Harrison
Digital Magician Inc.
www.digimagician.com
nate@digimagician.com
313.994.7316
Date: Thu, 24 Apr 1997 00:04:02 -0400
From: William Perez <will@panix.com>
To: mother@nicar.org
Subject: Re: (mother) Secretary.
Christopher Miller <evil@digital.net> wrote:
> Since it's `Secretary's Day' here in the US, I thought I'd ask a few
> questions about the "Secretary" 12" on FAX. In particular, was the
> SYNTHADELIC pseudonym Uwe's first team-up with Pete Namlook (or was that
> the "Vektor" 12" by MILLENIUM)?
Peter and Uwe both recorded on Pod before FAX came along. According to the
FAX discography, Subsequence "Healthy" came out in 1992, the same year as
Millennium "Vektor" on Pod according to the record label. There is another
Subsequence record called "Invocation" listed on FAX that same year. The
first Synthadelic track, "Secretary" did not come out until 1993. The
second Synthadelic track, "Dirty Job" came out about 3 months later. Both
of these were hardcore tracks (black color label) that I ended up giving
away.
> I still don't have this record either, so I was wondering what it sounded
> like (I'd imagine like the SUBSEQUENCE records?).
Definitely not. There were 4 Subsequence records which were some of the
most beautiful trance tracks that ever came out on FAX. "Vektor" is cold
banging techno noise. At least "Secretary" is funny and has novelty value.
"Vector Chilled" on the B side is one long very chilled ambient track that
is much nicer but not really worth the import price.
> Also, I had seen on a discography somewhere that there are more than one
> SYNTHADELIC records... is Uwe only on "Secretary".
He is on all Synthadelic and Subsequence records. All the early PK label
CD compilations except Ambient 4 have at least one Atom Heart & Pete
Namlook collaboration track from those 2 collaboration projects.
> according to the AH-discography there's also a 12" and cd single for this
> on the Grand Mal label... what's the schmeal with this release being on
> two different labels?
A number of early FAX 12" singles were licensed to other labels like Rising
High, Music Man and R & S. Check the FAX discog for details:
http://hyperreal.com/fax/
hope that helps answer your questions.
/ / / / / / mailto:will@panix.com
(_/__/ / (__ (__ http://www.panix.com/~will/
Date: Sun, 27 Apr 1997 23:29:38 -0400
From: "Wood, Casey" <caseyw@gtn.net>
To: mother@nicar.org
Subject: (mother) Recommendations?
I've only listened to Atom Heart as "Lassigue Bendthaus". I haven't yet
expanded into his other territory simply because I don't know where to
start. I'm interested in finding more of his work along the "Render" vein.
I'm sure someone can help.
cwood
Date: Tue, 29 Apr 1997 18:30:27 -0500
From: Mark Coleman <mcoleman@wsnet.com>
To: mother@nicar.org
Subject: (mother) Eyephone
Can anyone re-post (or post a new one) of any reviews of the Eyephone or
se§or Coconut discs?
Thanx
Mark
On Now: God "Anatomy of an Addiction", Lisa Carbon "Trio De Janeiro", Coil
Presents Black Light District: 1000 Lights in a Darkened Room , on random.
What can I say, I'm in a weird mood.
Date: Tue, 29 Apr 1997 __:__:__ -0400 (GMT)
From: Christopher Miller <evil@digital.net>
To: ATOM HEART/LASSIGUE BENDTHAUS LIST <mother@nicar.org>
Subject: (mother) Atom Heart live in Cologne (May 16-18).
Ahem.
Just a reminder... here's a bit from a fairly recent newsletter I
received from Robin Rimbaud (aka Scanner) concerning upcoming events:
> May 16-18> Listening Room at the Konzertsaal, Cologne - sound arts,
> improvised electronic music and 'ear-cinema' over 3 days. Opening night
> with live collaboration between David Toop, Haydn Chisholm, f.s and
> scanner. Following days to include live shows and Djing by Microstoria,
> Drome/Bernd Friedmann, Atomheart, Mike Ink, DJ Singer, We, Liminal and
> others ^^^^^^^^^
So, who's going?
engoloc.
.`--).
o o ._)
christopher miller ==;'
evil@digital.net =='
'