Date: Mon, 4 May 1998 08:38:42 -0400 (EDT)
From: Christopher Miller <evil@digital.net>
To: "ATOM HEART/LASSIGUE BENDTHAUS MAILING-LIST (#3)"
<mother@hyperreal.org>
Subject: (atom) del haze news may 1998
:: :::::::
::
:::::::::::::::
:: :: ::
:::::. :::::::
*news may 1998*
********************************
*music*
- first recordings for the album of jorge gonzalez sr. which will contain
cover versions of boleros.
- production of diverse sounds for a sample-cd released by the u.s. company
>big fish audio<.
- termination of >pop artificielle< by >lassigue bendthaus< to be released
on the belgian >kk< label.
- atom heart remix of a title by >mego< to be released on the belgian >sub
rosa< label in their >sub rosa versus...< series.
*communication*
- macos members: 195
- macos (musicians against copyrighting of samples) internet
address: http://www.icomm.ca/macos
- macos mailing list: macos-list@resrocket.com
- macos e-mail address: macos@icomm.ca
- atom heart website:
http://www.hyperreal.org/music/artists/atom _heart/
- rather intersting website:
http://www.hyperreal.org/music/labels/rather_intersting/
- atom heart booking: contact del haze entertainment directly
- rather interesting distribution and mailorder: emc distribution
service, tel: +49-6039/45406.
e-mail: thier@wiwi.uni-frankfurt.de
fax: +49-6039/931566
- rather interesting u.s. distribution: fax label u.s.a.,
tel/fax: +1-415/383 7990.
new web domain: http://www.faxlabel.com/distribution.html
- del haze entertainment fax: +56-2/3419870
- del haze entertainment e-mail: delhaze@bbs.itn.cl
*>in< in may *
simmons sds 7
milk
plastic surgery
wood
boleros
********************************
::::::::::::::::::::::::::::::::::::::
:: ::
:: del haze entertainment ::
:: pedro lira 1473 a ::
:: providencia ::
:: santiago ::
:: ::
:: tel: ++56-2-2042728 ::
:: fax: ++56-2-3419870 ::
:: e-mail: delhaze@bbs.itn.cl ::
:: ::
::::::::::::::::::::::::::::::::::::::
Date: Mon, 04 May 1998 07:46:26
From: "Mr. Tangent" <tangent@getonthe.net>
To: mother@hyperreal.org
Cc: delhaze@bbs.itn.cl
Subject: Re: (atom) del haze news may 1998
At 08:38 5/4/98 -0400, you wrote:
> termination of >pop artificielle< by >lassigue bendthaus< to be released
> on the belgian >kk< label.
Termination?? Does this mean that the album is done and ready to be
released or that it has been shelved?! Please, someone, let me know!!!
Also, if this is coming out soon, will it be released in the U.S. on
Metropolis? Can we get a track listing? When is it set to be released on
KK Records? Lastly, how many, and what are the names, of any Lassigue
Bendthaus singles forthcoming from this album? Any outside remixers
remixing L. Bendthaus? Thanks in advance!
--
Mr. Tangent
"insert random quoted text here, for your reading pleasure"
Date: Mon, 4 May 1998 23:45:42 +0100
From: Tim Wright <timwright@dial.pipex.com>
To: mother@hyperreal.org
Subject: Re: (atom) del haze news may 1998
> *>in< in may *
>
> simmons sds 7
Oh, for fuxake, no, please!!
Tim W>
Date: Mon, 4 May 1998 19:35:05 -0400 (EDT)
From: Christopher Miller <evil@digital.net>
To: mother@hyperreal.org
Subject: (atom) Re: del haze news may 1998
On Mon, 4 May 1998, Mr. Tangent asked:
> Termination?? Does this mean that the album is done and ready to be
> released or that it has been shelved?!
Yeah, that wording threw me too. He meant that it will finally be
completed by the end of this month and will be released on Kk some time
within the near future.
> will it be released in the U.S. on Metropolis? Can we get a track
> listing? When is it set to be released on KK Records? Lastly, how many,
> and what are the names, of any Lassigue Bendthaus singles forthcoming
> from this album? Any outside remixers remixing L. Bendthaus?
Hm. I guess we'll have to see. Uwe wasn't very clear on any of that,
but I'm sure we'll be the first ones to find out. I'll try and get in
touch with Kk to see what they have to say.
I've got a favor to ask everyone... if any of you catch wind of any
upcoming Lassigue Bendthaus articles/interviews, please let either myself
or the mother list know. I'll try to locate them myself and eventually get
them transcribed for all to read. There's going to be a lot of LB-related
activity around the time of "Pop Artificielle's" release, and it'd be in
our best interests to keep on top of it.
tsrif.
.`-).
| ;
christopher miller o o'
evil@digital.net =
'
Date: Mon, 4 May 1998 16:42:52 -0700
From: charles uzzell edwards <faxlabel@sirius.com>
To: mother@hyperreal.org
Subject: (atom) Re: simmons electronic drums mystery machine
> > *>in< in may *
> >
> > simmons sds 7
>
> Oh, for fuxake, no, please!!
simmons electronic drums are cool ! please dont hate them because they are
beautiful ... and english..... (ok a bit hard to operate maybe) seriously
though, does anybody know more about simmons ? I got a SDS9 and its a bit
of a mystery machine .........
respects c u e
faxlabel : 87 ethel ave,#2,mill valley CA,94941
dial 415 383 7990 sephlopology : http://www.faxlabel.com
distribution info : http://www.faxlabel.com/distribution.html
dynamic HTML graphics + sounds http://www.madxs.com
Date: Mon, 4 May 1998 21:59:41 -0500 (CDT)
From: Chaircrusher <kent@inav.net>
To: mother@hyperreal.org
Subject: Re: (atom) Re: simmons electronic drums mystery machine
On Mon, 4 May 1998, charles uzzell edwards wrote:
> simmons electronic drums are cool ! please dont hate them because they
> are beautiful ... and english..... (ok a bit hard to operate maybe)
> seriously though, does anybody know more about simmons ? I got a SDS9
> and its a bit of a mystery machine .........
I've got a couple of those and they're secret weapons to be sure,
especially the SDE Expander, which is a clangy FM module with knobs on.
There IS NO manual that describes what you do with the knobs. You just
have to twiddle and listen.
Date: Tue, 05 May 1998 00:29:34 -0600 (CST)
From: Chef Goomaker <cashew@utxvms.cc.utexas.edu>
To: mother@hyperreal.org
Subject: Re: (atom) Re: del haze news may 1998
> There's going to be a lot of LB-related activity around the time of "Pop
> Artificielle's" release, and it'd be in our best interests to keep on top
> of it.
i hope so. . .i was in Spain when 'Render' was released, and everybody
there was going apeshit for it. i come back to the states and no one
seemed to notice or care.
-jeff
-----------------
1642 try 621
-----------------
Date: Tue, 5 May 1998 09:31:01 -0400
From: William Perez <will@panix.com>
To: mother@hyperreal.org
Cc: "Levenstein, Bruce" <BruceL@netstarcomm.net>
Subject: (atom) Fwd: schnittstelle
would somebody mind replying to this question?
I don't have the sub rosa CD he is talking about.
thanks,
will
> Date: Mon, 4 May 1998 21:28:54 -0400
> To: will@panix.com
> From: BruceL@netstarcomm.net (Levenstein, Bruce)
> Subject: schnittstelle
>
> i was reading the description of the schnittstelle CD on your web site
> and wondering if it's comparable to the atom heart track on the sub rosa
> 'water & architecture' disc. i've never heard atom heart before, but that
> track is pretty cool. wondering if you might be able to shed some light
> on the subject. thanks.
>
> ----------------------------------------------
> D is for Desond thrown out of a sleigh
> ----------------------------------------------
> bruce levenstein
> bruceL@netstarcomm.net
> ----------------------------------------------
Date: Tue, 5 May 1998 22:43:23 +0100
From: Tim Wright <timwright@dial.pipex.com>
To: mother@hyperreal.org
Subject: Re: (atom) Re: simmons electronic drums mystery machine
> simmons electronic drums are cool ! please dont hate them because they
> are beautiful ... and english.....
Well no, that would be entirely hypocritical of me :-)
The SDS7 was a rack-mounted sound generating thingmy from circa 1985, with
a combination of simple analogue sounds and (by modern standards) shite
quality digital samples. Nothing to get excited about, and like a lot of
the gear around at the time was more limiting than emancipating. Check
your CD collection for great electronic music of the mid 80s.
At the time the SDS7 was top of the range, and expensive. Those are
probably the only two reasons that have prevented a lot of the machines
getting the bin treatment they deserve. Being old doesn't necessarily make
them cool.
OK, fire away...
Tim W>
Date: Tue, 5 May 1998 17:02:05 -0500 (CDT)
From: Mark Kolmar <mkolmar@xnet.com>
To: mother@hyperreal.org
Subject: Re: (atom) del haze news may 1998
On Mon, 4 May 1998, Mr. Tangent wrote:
> Termination?? Does this mean that the album is done and ready to be
> released or that it has been shelved?! Please, someone, let me know!!!
Close to being done.
> Any outside remixers remixing L. Bendthaus?
That would be very much against his current ideas about remixes, as I
understand it. So probably not.
--Mark
__ <http://www.xnet.com/~mkolmar/BurningRome> < MPEG & RA audio clips >
Forthcoming CD SENSELESS on Mindfield Records MINDCD03 Cathartium 14
"Sleep's what we need. It produces an emptiness in us, into which
sooner or later energies flow. Metabolism." -- John Cage
Date: Tue, 5 May 1998 18:33:09 -0700 (PDT)
From: Lauralee Smith <rainbird@blarg.net>
To: <mother@hyperreal.org>
Subject: (atom) FT: Schnittstelle
Just in time for Mother's Day, to share with the Mother List
slightly-used copy of "Schnittstelle" up for trade. A bit too far out in
the Uwe-sphere for this listener! But it might be just what you need.
Lauralee
Date: Wed, 6 May 1998 08:57:59 -0500 (CDT)
From: Noah <njurcin@orion.it.luc.edu>
To: mother@hyperreal.org
Subject: (atom) LB remixes, Milagro
> > Any outside remixers remixing L. Bendthaus?
>
> That would be very much against his current ideas about remixes, as I
> understand it. So probably not.
What are his current ideas about remixes?
He had people do remixes on Overflow, the alleged EP companion
to Pop Artif.
PS- I'm looking for Milagro, Morphogenetic Fields is so damn good
I must have Milagro. Anyone interested in telling me where
to find one, or trading, or selling?
PPS- And when is that Bernd Friedmann AH collab going to be
unleashed??
no@h
. . . . . . ..... . . . . . .
Date: Wed, 6 May 1998 10:25:37 -0500 (CDT)
From: Noah <njurcin@orion.it.luc.edu>
To: Fluxtoon <mother@hyperreal.org>
Subject: Re: (atom) Your opinions please.
> I'm producing some Jazz DNB music that I would eventually like to market
> and I need your objective opinions. If you have a moment, please check
> out a track I just finished called Honeymoon In Paris. It's available in
> streaming real audio at http://members.tripod.com/~aureola Anyway, please
> let me know what you think? Do I have a future?
I finally got a chance to give this a listen. Actually, i'm
listening to it right now... this is damn good. And i would buy it
on CD if it was around. Keep on it Hal, because it sounds pretty
smooth! The only problem is the RealAudio is too short! ;)
no@h
PS- Any way i can get a copy on CD? Maybe an EP or something??
. . . . . . ..... . . . . . .
Date: Wed, 6 May 1998 18:23:57 -0500 (CDT)
From: Noah <njurcin@orion.it.luc.edu>
To: fluxtoon <mother@hyperreal.org>
Subject: (atom) where can i find...
some Cosmic Trousers...?
onnow: Slow & Low
no@h
. . . . . . ..... . . . . . .
Date: Thu, 07 May 1998 09:26:47
From: Rowland Atkinson <ra20v@udcf.gla.ac.uk>
To: mother@hyperreal.org
Subject: Re: (atom) where can i find...
Noah et al
I liked this release a lot. His 'meets the Plastic Woman' is a pretty
mature album with exotic electronic weirdness but is less listenable
overall and varies quite a bit. Cosmic Trousers is more lighthearted and I
find it good to listen to in general. Try Sister Ray
(sisterray@thenet.co.uk), they had some for 6.99 (punds, that is)
Hey! whats the word on Schnittstelle - Im wary after Tubesound. Im
looking for more atuff like Brown, abtract ! No more 'jazz', Ill stick with
Miles.
rowie
Date: Thu, 7 May 1998 19:29:08 -0500 (CDT)
From: Mark Kolmar <mkolmar@xnet.com>
To: mother@hyperreal.org
Subject: Re: (atom) where can i find...
> Hey! whats the word on Schnittstelle - Im wary after Tubesound. Im
> looking for more atuff like Brown, abtract ! No more 'jazz', Ill stick
> with Miles.
Got Schnittstelle in the mail a couple days ago, but too restless and busy
to listen yet. I did flip through, though, and if you're after something
like Brown I'd say go for it.
More when I listen and then digest it.
--Mark
Date: Fri, 8 May 1998 16:13:34 -0500
From: Gary Hendershot <ghenders@gary-hendershot.com>
To: mother@hyperreal.org
Subject: RE: (atom) Re: simmons electronic drums mystery machine
> simmons electronic drums are cool ! please dont hate them because they
> are beautiful ... and english.....
===========================================================================
I first saw some Simmons drum pads back in 1981 when I was talking to
[WARNING: name dropping ahead] Bill Bruford of the then-reformed King
Crimson before a concert. These were apparently beta-test units. But he
was calling them "Electric Drums," emphasizing "electric," and speaking of
a "Dr. Simmons," too. Linn was just beginning to happen then with their
exceptional electronic drum machine at that time.
-Gary H-
ghenders@gary-hendershot.com
Houston, TX USA
Date: Sun, 10 May 1998 09:10:06 -0400
From: "Jason J. Tar" <tarjason@pilot.msu.edu>
To: mother@hyperreal.org
Subject: (atom) Schnittstelle samples.
M.dos, a internet retailer that works with Mego, has soundsamples of
Schnittstelle on their website. "Systemvoraussetzung", the entire track,
in Real Audio. www.mdos.at (click on "new" and then on Schnittstelle.)
---
Peace Hugs and Unity,
Jason J. Tar
Vampire Rodent Productions
http://pilot.msu.edu/user/tarjason/VRodents.htm
Featuring: Vampire Rodents, Ether Bunny, and Dilate.
Date: Sun, 10 May 1998 13:43:34 -0400 (EDT)
From: Christopher Miller <evil@digital.net>
To: "ATOM HEART/LASSIGUE BENDTHAUS MAILING-LIST (#3)"
<mother@hyperreal.org>
Subject: (atom) lead - Soundfields 12" ep
Hey.
This guy's got the following AH/related for trade (check out his
wantlist):
David Applegate <lotus@connectnet.com>
http://home.connectnet.com/lotus/
> atom heart - soundfields (klang) ger 12" $T
gnalk.
.`-).
| ;
christopher miller o o'
evil@digital.net =
'
Date: Sun, 10 May 1998 14:03:59 -0400 (EDT)
From: Christopher Miller <evil@digital.net>
To: "ATOM HEART/LASSIGUE BENDTHAUS MAILING-LIST (#3)"
<mother@hyperreal.org>
Subject: (atom) mother's day.
Well.
It's mother's day, and guess what that means kids... another giveaway.
Yay! This time around though, it's going to be a real hard question and
not just a drawing out of a mason jar:
What was Uwe Schmidt's very first release entitled, who was it by,
what label was it on, and what year was it released?
The very first person to answer this question correctly will get
(free, postage paid anywhere in the world) a cassette-only compilation from
1991 which features two songs by this band in question. The compilation
which is limited to a scant 200 copies, is called "Antebellum Vol. 3" and
comes in its own unique hand-crafted packaging.
I will announce the winner on Tuesday evening. If no one gets the
question right, I will pick one entry at random. Now, go and spend some
time with your mom. ;)
mullebetna.
.`-).
| ;
christopher miller o o'
evil@digital.net =
'
Date: Sun, 10 May 1998 19:40:00 +0100
From: Nuno Proenca <nunotava@mail.telepac.pt>
Reply-To: mother@hyperreal.org
To: mother@hyperreal.org
Subject: Re: (atom) mother's day.
At 14:03 10-05-1998 -0400, you wrote:
> It's mother's day, and guess what that means kids... another giveaway.
Uoops. In Portugal, EC, Europe, Earth, mother's day was May, 3rd.
Something's wrong here... ( ? )
:-)
np: Dream Injection #5
#1. :-) #2. :~) #3. [:-)] #4. >:->
SWM-"Mission: To reconstruct the sonic landscape
in order to preserve imagination.
We are sound. We are never what you think we are.
We ask you to join the ancient dance.
We love you and want you to join the sound with us."
Nuno
Date: Sun, 10 May 1998 20:07:55 -0400 (EDT)
From: Christopher Miller <evil@digital.net>
To: mother@hyperreal.org
Subject: (atom) Re: mother's day.
On Sun, 10 May 1998, Nuno Proenca wrote:
> Uoops. In Portugal, EC, Europe, Earth, mother's day was May, 3rd.
> Something's wrong here... ( ? )
Really? I didn't know that. Here in Florida it's definitely mother's
day today (the 10th). Anyway, i haven't gotten any replies yet to my
query...
spoou.
.`-).
| ;
christopher miller o o'
evil@digital.net =
'
Date: Sun, 10 May 1998 20:54:15 -0400
From: waving AND drowning <jpklein@flash.net>
To: mother@hyperreal.org
Subject: Re: (atom) Re: mother's day.
I'll chance a guess for fun ('cuz I'm pretty certain I don't have a clue):
Automotif - Lassigue Bendthaus.
jeff
--
dancing/about/architecture "...with wandering steps and slow..." ICQ 904008
Date: Mon, 11 May 1998 09:13:09
From: Rowland Atkinson <ra20v@udcf.gla.ac.uk>
To: mother@hyperreal.org
Subject: (atom) +N ex.s for sale/trade
I have the above in mint condition including original inlay card. Looking
for FAX offers or a copy of B2
cheeers
ra
wp: VSVN
Date: Mon, 11 May 1998 13:35:42 -0500 (CDT)
From: Noah <njurcin@orion.it.luc.edu>
To: mother@hyperreal.org
Subject: Re: (atom) Re: mother's day.
> Anyway, i haven't gotten any relpies yet to my query...
Well, how many people actually have that record?
no@h
. . . . . . ..... . . . . . .
Date: Mon, 11 May 1998 15:01:03 -0500 (CDT)
From: Noah <njurcin@orion.it.luc.edu>
To: Mother <mother@hyperreal.org>
Subject: (atom) Matter spotted...
This guy has matter for sale.
Noah
---------- Forwarded message ----------
Date: Mon, 11 May 1998 13:34:13 -0700
From: Eric Josue <josuee@cadvision.com>
Subject: (amb) FS list
Hello all...
All prices are in US dollars and include shipping. Insurance is extra.
Full-lengths:
Lassigue Bendthaus - Matter $10
[non-Uwe stuff deleted]
All orders will be sent out immediately once payment is received. Nuff
said...
Eric J
----------------------------------
Date: Mon, 11 May 1998 16:27:35 -0700 (PDT)
From: Sean Cooper <scooper@best.com>
To: mother@hyperreal.org
Subject: Re: (atom) Schnittstelle samples.
> M.dos, a internet retailer that works with Mego, has soundsamples of
> Schnittstelle on their website. "Systemvoraussetzung", the entire track,
> in Real Audio. www.mdos.at (click on "new" and then on Schnittstelle.)
there's hope yet! this track is wicked!!
sc
Date: Mon, 11 May 1998 16:45:07 -0700 (PDT)
From: Sean Cooper <scooper@best.com>
To: mother@hyperreal.org
Subject: (atom) Schnittstelle and the art of fucking up
why do you suppose so many artists have emerged of late whose aesthetic
seems to revolve around the sound of their gear fucking up? this is
arguably the unifying theme of the mego label, but mika vainio, markus
schmickler, terre thaemlitz, oval, etc., etc. have all exploited the
compositional potential to be extracted from the imperfections that emerge
through digital synthesis and recording processes. and now that i've read
the one-sheet on _schnittstelle_, it would appear that's what this record
is pretty much devoted to...
what gives here? i'm not complaining--artists working in this vein have
produced some of my favorite music of the past year or so--but it's
interesting to think about why this might be their means to that end...
sc
Date: Mon, 11 May 1998 21:09:04 +0000
From: gl-E <galaxey@earthlink.net>
To: mother@hyperreal.org
Subject: Re: (atom) Schnittstelle samples.
Why is this stuff not on vinyl?
or is it?
is it even out yet?
where can I find Schnittstelle on the net for sale?
Is this tha latest RI?
sorry 'been outta it lately
g
--
Gilly
waxjuhnkeypornaddict
(602) 461-0975
galaxey@earthlink.net
**hate makes the world go round**
"drugs techno-lise the brain"- J.G. Ballard
~god is theory, evolution is FACT!~
^^we all hate the rich, yet we want to be rich?^^
Date: Tue, 12 May 1998 10:59:24 -0700 (PDT)
From: Solenoid <solenoid@thetics.europa.com>
To: mother@hyperreal.org
Subject: Re: (atom) Schnittstelle and the art of fucking up
On Mon, 11 May 1998, Sean Cooper wrote:
> what gives here? i'm not complaining--artists working in this vein have
> produced some of my favorite music of the past year or so--but it's
> interesting to think about why this might be their means to that end...
Considering that most of the controls of the average analog synthesizer
(old) were designed to give a keyboardist the ability to adjust a timbre
for a more realistic "horn" or "clave" or "piano" sound, most of the
history of techno has been about 'abusing' synths to make timbres that
they were not really thought to be useful to the average manufacturer.
What I'm getting at is that the newer abusers of digital instruments are
not doing anything different to their generation of gear than the techno,
acid, etc analog abusers were. Well, I take that back: the digital-
destroyers are also composing in a weird post-rave approach on top of their
use of different equipment.
BTW, digital equipment is generally cheaper than analog these days (except
maybe computers, but they are so versitile....), so it figures that the
experimentalists move on to this kit.
David
solenoid@europa.com <------+
Date: Tue, 12 May 1998 12:06:45 -0700 (PDT)
From: eric hill <ehill@best.com>
To: mother@hyperreal.org
Subject: Re: (atom) Schnittstelle and the art of fucking up
On Tue, 12 May 1998, Solenoid wrote:
> What I'm getting at is that the newer abusers of digital instruments are
> not doing anything different to their generation of gear than the techno,
> acid, etc analog abusers were. Well, I take that back: the digital-
> destroyers are also composing in a weird post-rave approach on top of
> their use of different equipment.
haha, "abuse" to mean the exploration of available parameters. classic
synthers are "non-users" for their underutility in this regard. it's the
"weird post-rave approach" that is most apparent to me; rather than the use
of synths contributing to the shock-factor, it's the expansion of the uses
of time and structure brought about by non-linear and cut-and-paste digital
audio appz, as well as more experimental sequencing apps (though they have
steep learning curves). up until recently the only electronic design
framework available for laying out sounds was the evenly divided click of
the metronome coded in various flavors of software simulation.
eric
onnow: dandy jack and the plastic woman (ri)
Date: Tue, 12 May 1998 23:48:37 -0400 (EDT)
From: Christopher Miller <evil@digital.net>
To: "ATOM HEART/LASSIGUE BENDTHAUS MAILING-LIST (#3)"
<mother@hyperreal.org>
Cc: Brett McCormick <brett@chicken.org>
Subject: (atom) mother's day (answer).
Ok.
On Sunday I had asked: "What was Uwe Schmidt's very first release
entitled, who was it by, what label was it on, and what year was it
released?". I received quite a few responses, but only one correct answer.
Brett McCormick <brett@chicken.org> is the winner of this contest, and
I might as well quote directly from him:
> by: pornotanz
> title: immaculate
> label: n.g. medien
> released: 1986
Yeah, so Uwe Schmidt's been releasing stuff for at least twelve years
now. PORNOTANZ was his first band even before the days of LASSIGUE
BENDTHAUS. The line-up included himself, Olaf Finkbeiner (later of Pod
Communication, ee Surreal, and Lassigue Bendthaus), and someone named
Torsten Kuhne. The only other thing released by Pornotanz was the "CySex"
single on New Zone, much later in 1991.
I've never heard "Immaculate" so I can't really say what it sounds
like. I do know that N.G. Medien was he and Finkbeiner's first label
(together), and that two years later they released "The Engineers Love".
Both the Pornotanz and LB albums were cassette-only (on store-bought tapes,
with photocopied sleeves) and each limited to very small quantities, with
intentions to be sent out as demos.
The two tracks featured on the "Antebellum Vol. 3" cassette-only
compilation are entitled "Cupid" (3:46) and "Copy & Multiply" (11:04).
Obviously Uwe-inspired song titles. "The Cupid" is typical ebm fare with
gothic vocals (I don't think they're Uwe's), while "Copy & Multiply" is a
nice long drilling noise piece which kind of reminds me of "Kill The
Pedagogue"-era Greater Than One.
And for those of you who are interested, "Antebellum Vol. 3" also
features tracks by: Architect's Office, Runzelsteirn & Gurglestock,
Warmth, Depraved Malcontents, Sudden Infant, Curb Your Dogma, Factor X,
Carralluck, Zid Bovinesick, Ten Speed Guillotine, Merzbow, Schaum Der Tage,
Compound, Big City Orchestra, Photophobia, and De Fabriek. It's basically
a miss-match of noise/experimental and industrial/ebm songs. Neat
packaging though...
mullebetna.
.`-).
| ;
christopher miller o o'
evil@digital.net =
'
Date: Wed, 13 May 1998 16:31:51 -0700 (PDT)
From: Solenoid <solenoid@thetics.europa.com>
To: mother@hyperreal.org
Subject: Re: (atom) Schnittstelle and the art of fucking up
On Tue, 12 May 1998, eric hill wrote:
> haha, "abuse" to mean the exploration of available parameters. classic
> synthers are "non-users" for their underutility in this regard.
Yes, by "abuse" I do mean the exploration of available parameters. I meant
to convey that definition of "abuse" as being from the point of view of the
conservative synth-manufacturer that seems to think the synth has to make
imitations of acoustic instruments (and electro-acoustic) to justify
itself, as demonstrated by the fact that the presets on most complex digi-
synths are 99% imitative of electro-acoustic timbres. It isn't my
definition of "abuse", as making digital squonk-noises and harmonic rings
is, to me, the "proper" use...
I'm thinking of the Kawaii K5000, Casio VZ-10m, and Yamaha FM digiboxes.
> rather than the use of synths contributing to the shock-factor, it's the
> expansion of the uses of time and structure brought about by non-linear
> and cut-and-paste digital audio appz, as well as more experimental
> sequencing apps (though they have steep learning curves). up until
> recently the only electronic design framework available for laying out
> sounds was the evenly divided click of the metronome coded in various
> flavors of software simulation.
Hey, yeah, I have been looking for a good cut-n-paste program like Cool-
Edit, etc, that let's you design the Ruler a little more, like such that
you can make the units represent any period of time you want, and note
every 3rd, 5th, or whatever number of units. This would be enough to
arrange around a tempo. As it is, I have to either design around the
rulers available (seconds or samples/sec)...
Last I read, Atom Heart works with a MAc and SoundDesign (or Auto-
something) to basically compose through a digi-multitracking program. A
lot of programmers are doing this now, even for dance music that might not
seem to be done this way. For instance, a friend of mine visited Will Web
in his studio and mentioned that he recorded short pattern bits into a cut-
n-paste prog and did the real arranging there. This approach is definitely
more conducive of experimentation as you can create so many more anomalies,
though slow timbral changes are not as wide open to you without the
original sound source (synth?) still being referenced.
Sorry if we've gone off topic, though AH's tools definitely make some of
the difference in his music.
david
solenoid@europa.com <------+
Date: Fri, 15 May 1998 09:11:23 -0500 (CDT)
From: Noah <njurcin@orion.it.luc.edu>
To: Mother <mother@hyperreal.org>
Subject: (atom) Looking for...
...that Atom Heart techno Evolution Continues disc to secure a
trade deal. Don't suppose any of ya'll have an extra for me?
Preferably if you're in the US.
I'll buy it from ya.... or whatever.
no@h
. . . . . . ..... . . . . . .
Date: Fri, 15 May 1998 10:32:46 -0400
From: "Jason J. Tar" <tarjason@pilot.msu.edu>
To: mother@hyperreal.org
Subject: (atom) Dots.
The local shop got ANOTHER copy of _Dots_ in new (sealed etc!). Anyone
want it?
JJTar
---
Peace Hugs and Unity,
Jason J. Tar
Vampire Rodent Productions
http://pilot.msu.edu/user/tarjason/VRodents.htm
Featuring: Vampire Rodents, Ether Bunny, and Dilate.
Date: Sun, 17 May 1998 13:59:17 -0400 (EDT)
From: Christopher Miller <evil@digital.net>
To: mother@hyperreal.org
Cc: Bruce Levenstein <brucel@netstarcomm.net>
Subject: (atom) Re: Fwd: schnittstelle
On Mon, 4 may 1998 Bruce Levenstein asked:
> i was reading the description of the schnittstelle CD on your web site
> and wondering if it's comparable to the atom heart track on the sub rosa
> 'water & architecture' disc.
Yeah... (for those here on the list) I was about to mention that I
just got the "Water & Architecture" compilation myself and really dug the
AH track as well. It reminded me of his POD-era sound (Atomu Shinzo, Urban
Primitivism, etc), but without the 4-on-the-floor techno drill... instead
it was contructed around more of his more recent noodling sensibilities.
The song is entitled "Space Is Sanity", and supposedly this was the first
track Uwe had made upon moving down to Chile last year.
"Schnittstelle", on the other hand, is quieter in a sense. Don't get
me wrong... it's *very* weird and abstract and definitely not an ambient
piece. Fully saturated with blips, bloops, crunches, bleeps, tonalities,
and chopped up piano keys. Absolutely no formulatic beat-oriented songs at
all. "Space Is Sanity" would fit nicely on this album. Veeeery out there
and not readily accessable. I like it.
It's not noise, but I think that this is the Schmidt a lot of you
experimental/noise folks out there have been waiting for. It will most
likely appeal to AH-fans who dug "Brown" by Brown, "Built" by +N, or "Mu"
by Masters Of Psychedelic Ambiance. Uwe's definitely gone in a different
direction than we're used to. Maybe it's because he's on the other side of
the equator now. ;}
I'm curious to hear other people's take on this album.
esion.
.`-).
| ;
christopher miller o o'
evil@digital.net =
'
Date: Sun, 17 May 1998 16:37:07 -0500 (CDT)
From: phlux@ix.netcom.com
To: mother@nicar.org
Subject: Re: (atom) Re: Fwd: schnittstelle
Schittstelle is definately one of the more interesting records Uwe has put
out recently. Totally cut apart spliced madness.....I just wish he's ditch
the damn piano sounds. The last track is pretty damn cool.
Anyone know when his sample CD is going to hit the market ?
Rob
Codec! http://www.mindstorm.com/codec
LogiQ http://www.sinless.com/logiq
Date: Sun, 17 May 1998 16:41:25 +0000
From: gl-E <galaxey@earthlink.net>
To: mother@hyperreal.org
Cc: mother@nicar.org
Subject: Re: (atom) Re: Fwd: schnittstelle
phlux@ix.netcom.com wrote:
> Anyone know when his sample CD is going to hit the market ?
I assumed all his CDs were sample CDs, no?
Being a member of MACOS and ocassionally printing something linke "use this
CD for samples" (like on VSVN) made me think this...
gilly (who is still waiting to find a copy or SChnittstelle)
--
Gilly
waxjuhnkeypornaddict
(602) 461-0975
galaxey@earthlink.net
**hate makes the world go round**
"drugs techno-lise the brain"- J.G. Ballard
~god is theory, evolution is FACT!~
^^we all hate the rich, yet we want to be rich?^^
Date: Sun, 17 May 1998 19:50:25 -0400
From: waving AND drowning <jpklein@flash.net>
To: mother@hyperreal.org
Subject: Re: (atom) Re: Fwd: schnittstelle
gl-E wrote:
> gilly (who is still waiting to find a copy or SChnittstelle)
-Both Modern Music and Playing by Ear (pbe@rt66.com ) have 'em.
jeff
--
dancing/about/architecture "...with wandering steps and slow..." ICQ 904008
Date: Sun, 17 May 1998 21:48:33 -0500 (CDT)
From: phlux@ix.netcom.com
To: mother@nicar.org
Subject: Re: (atom) Re: Fwd: schnittstelle
On 05/17/98 16:41:25 you wrote:
> I assumed all his CDs were sample CDs, no? Being a member of MACOS and
> ocassionally printing something linke "use this CD for samples" (like on
> VSVN) made me think this...
By sample disc, I was refering to his CD that is coming out soon that is
made up of just loops and and sounds to use in other compostions. Not
tracks of his own that we are all free to sample. Kinda like his cloned
(binary)
ROB
Codec! http://www.mindstorm.com/codec
LogiQ http://www.sinless.com/logiq
Date: Mon, 18 May 1998 19:34:41 -0700
From: Thad Biggerstaff <big@SpiritOne.com>
To: "'mother@hyperreal.org'" <mother@hyperreal.org>
Subject: (atom) mono for lisa's latest?
I got an extra copy of Atom Heart's Mono id sure love to trade for lisa's
last album... (or of course tha japan version of senior coconut!)
Any takers?
-Thad
Date: Tue, 19 May 1998 12:05:47 -0400
From: Adam J Weitzman <Adam.J.Weitzman@newsedge.com>
To: Atom Heart Mailing List <mother@hyperreal.org>
Subject: (atom) Lead: Orange
Dave at EAR/Rational (ear@xmission.com) just sent out the following:
> The following are available in quantity at $20 each.
> Atom Heart - Orange
Can't say I didn't warn ya!
--
Adam J Weitzman "You know, there's so many different ways
NewsEdge Corporation to lose your mind, and rock'n'roll is
http://www.newsedge.com just one of them."
http://www.newspage.com - Dr. Katz, Professional Therapist
Date: Tue, 19 May 1998 18:20:00 -0700 (PDT)
From: Brett McCormick <brett@chicken.org>
To: mother@hyperreal.org, owner-mother@hyperreal.org
Subject: Re: (atom) +N ex.s for sale/trade
terribly sorry, on this matter: can we *please* nuke the reply-to header on
this list? there are many good reasons to do so, i can fwd a very
convincing url if you like.
Date: Wed, 20 May 1998 20:38:07 -0400 (EDT)
From: laerm <laerm@voicenet.com>
To: mother@hyperreal.org
Subject: (atom) atom heart vs synectics?
has anyone heard this 12"?
oh, hey, btw, new subscriber here. hello all. uhh, i like uwe schmidt
n'stuff. _render_ is a gnarly album, dude. uhh, yeah, that sounded lame.
what's the population of this list anyway?
*
####
a disturbance in a system. ####
laerm. @voicenet.com ####
one time and you're a philosopher; two times and you're a pervert.
Date: Wed, 20 May 1998 19:49:35 -0500 (CDT)
From: Wallace Winfrey <wally@nicar.org>
To: mother@hyperreal.org
Subject: Re: (atom) atom heart vs synectics?
On Wed, 20 May 1998, laerm wrote:
> what's the population of this list anyway?
87 subscribers.
--
wallace winfrey
wally@nicar.org
'cause organizational skills kills more devils than bullets...
Date: Wed, 20 May 1998 18:02:26 -0700 (PDT)
From: Sean Cooper <scooper@best.com>
To: mother@hyperreal.org
Subject: Re: (atom) atom heart vs synectics?
> has anyone heard this 12"?
whatsis? this could be really interesting if that's the same synectics
(aka mark broom)...
sc
Date: Wed, 20 May 1998 18:50:50 +0000
From: gl-E <galaxey@earthlink.net>
To: mother@hyperreal.org
Subject: Re: (atom) atom heart vs synectics?
On Wed, 20 May 1998, laerm wrote:
> has anyone heard this 12"?
NOt heard it, but I don't care, where CAN I FIND THIS??
In need of AH on wax:D
> > what's the population of this list anyway?
>
> 87 subscribers.
das it? Mang, I thought it was mo'. Sheeit. Well Everyone Stand up and
take a bow.
BTW, did any of the MONO tm make it to vinyl?
IF THIS WERE A PERFECT PLANET, NAMLOOP (track 5 on Semi Acoustic NAture)
would have been pressed on Vinyl! Maybe somewhere it is and I just don't
know about it.....
sorry, I don't care for CDs much anymore, but it's a digital world....
g
--
Gilly
waxjuhnkeypornaddict
(602) 461-0975
galaxey@earthlink.net
**hate makes the world go round**
"drugs techno-lise the brain"- J.G. Ballard
~god is theory, evolution is FACT!~
^^we all hate the rich, yet we want to be rich?^^
Date: Thu, 21 May 1998 01:00:33 -0400 (EDT)
From: Christopher Miller <evil@digital.net>
To: "ATOM HEART/LASSIGUE BENDTHAUS MAILING-LIST (#3)"
<mother@hyperreal.org>
Cc: Christopher Miller <evil@digital.net>
Subject: (atom) Reply-To.
Ok.
An issue has been brought up concerning the automatic function of this
mailing-list. I am going to take a vote on what you guys would like to do.
Please e-mail me directly (and not to the list) if you are interested...
Should we do away with the `Reply-To:' header, or should we keep it
intact?
Please let me know by at least Sunday the 24th. If there is any
change, I'm sure you'll notice it sometime next week. If not, then
business as usual.
ylper.
.`-).
| ;
christopher miller o o'
evil@digital.net =
'
Date: Wed, 20 May 1998 22:24:03 -0700
From: Thad Biggerstaff <big@SpiritOne.com>
To: "'mother@hyperreal.org'" <mother@hyperreal.org>
Subject: (atom) looking for...
Can anyone point me towards "the most economic source" for any or all of
these:
Lisa Carbon: Trio De Janeiro (or however its spelled ;}
Senior Coconut: Gran Baile Con... (Japanese version w/ 3 extra tracks?)
HAT: the new one (?)
Also, if its any help or if anyone's interested, I have a for sale/trade
list at:
www.spiritone.com/~big/listingweb.html
thanks for any info/help-
-Thad
Date: Thu, 21 May 1998 01:46:10 -0400 (EDT)
From: Christopher Miller <evil@digital.net>
To: "ATOM HEART/LASSIGUE BENDTHAUS MAILING-LIST (#3)"
<mother@hyperreal.org>
Subject: (atom) Re: looking for...
On Wed, 20 May 1998, Thad Biggerstaff asked:
> Can anyone point me towards "the most economic source" for any or all of
> these:
>
> Lisa Carbon: Trio De Janeiro (or however its spelled ;}
> Senior Coconut: Gran Baile Con... (Japanese version w/ 3 extra tracks?)
Try EAR/Rational Music <ear@xmission.com>. I believe they're going to
start carrying all of the Daisy World stuff... including the Japanese Lisa
Carbon, which has two exclusive tracks. The Japanese version of Senor
Coconut however (with *two* extra tracks) is on Akashic and *not* Daisy
World. I haven't been able to locate that one myself.
> HAT: the new one (?)
"DSP Holyday" (which is on Daisy World) is not out yet.
tah.
.`-).
| ;
christopher miller o o'
evil@digital.net =
'
Date: Thu, 21 May 1998 02:02:25 -0400 (EDT)
From: Christopher Miller <evil@digital.net>
To: mother@hyperreal.org
Subject: (atom) Re: atom heart vs synectics?
On Wed, 20 May 1998, laerm asked:
> has anyone heard this 12"?
Yeah, it's ok. It's not a collaboration between Atom Heart and
Synectics like the title misleads, but rather a split-12". It's on
Delerium (DELIRIUM 12) from 1994 and comes in a generic Delerium label
sleeve.
Side A features two tracks from Atom Heart - "Cluster (edit)" and
"Adobe". "Cluster (edit)" is a nice blend between Uwe's Pod-era sound
riddled with a nice ambient structure much like what you would hear on
"Dots". I would imagine this track as being his bridge from Pod to R.I.
The second track, "Adobe" is one of his more uneventful trance excursions.
It can also be found on the "The World Is Delerium" compilation.
Side B features two tracks from Synectics - "3rd Motion" and "Aural
Approach". "3rd Motion" is, um... boring repetetive trancey techno.
Sounds like a Rebirth demo. "Aural Approach" is a bit more interesting -
kind of reminds me of some of the "Universal Indicator" stuff on RePhLeX.
A bit too long and drawn out though.
Overall, not a very memorable record. 4/10.
scitcenys.
.`-).
| ;
christopher miller o o'
evil@digital.net =
'
Date: Thu, 21 May 1998 02:13:16 -0400 (EDT)
From: Christopher Miller <evil@digital.net>
To: "ATOM HEART/LASSIGUE BENDTHAUS MAILING-LIST (#3)"
<mother@hyperreal.org>
Subject: (atom) Daisy World CDs.
---------- Forwarded message ----------
Date: Wed, 20 May 1998 23:55:35 -0600 (MDT)
From: EAR/Rational Music <ear@xmission.com>
Subject: (ear-fax) Daisy World CDs
Here are the prices for the Daisy World CDs from Japan. If you wish to
forward this to other lists, please do so.
apache 61 - danger $17
daisy world tour $29
datacide - ondas $23
hat - tokyo-frankfurt-new york $29
lisa carbon - trio de janeiro $23
mixmaster morris & jonah sharp - quiet logic $27
pacific 231 - miyashiro $27
terre thaemlitz - couture cosmetique $23
tipsy - trip tease $24
vagabond & harry hosono jr. - who wants the hula-hoop? $17
world standard - country gazette $25
EAR/Rational Music 1592 Kilkenny St. Boulder CO 80303-1646 303/665-DEAL
vox/fax
--- email: ear AT xmission DOT com --- http://www.xmission.com/~ear ---
---------- End ----------
Date: Thu, 21 May 1998 18:02:49 -0700
From: Eric Frans <epf@internetconnect.net>
To: "'mother@hyperreal.org'" <mother@hyperreal.org>
Subject: (atom) mono tm / pentatonic
gl-E wrote:
> BTW, did any of the MONO tm make it to vinyl?
I wish. In the record shop I used to work at I had quite a few people
asking for Mono TM on vinyl -- mostly the electro-heads of course. :) It
seems like the perfect RI release for vinyl.
Well I'm sure I'm a behind most of you here, but I finally got Fonosandwich
and Pentatonic Surprise on CD! These will be getting heavy rotation here
while by brain tries to cope with their complexity. Forgive me if this has
been mentioned before, but why the massive stereo separation on Pentatonic
Surprise? -- i.e. "instruments" are delegated to either left or right
channel throughout each track. My take on it is that Senor Heart wanted to
simulate more of a live jazz club feel.
_____________________________________________
E r i c F r a n s :: epf@internetconnect.net
[cellular] http://www.internetconnect.net/~kdkates/epf
[si-{cut}.db] http://www.internetconnect.net/~kdkates/epf/benford
[so-cal idm] http://www.internetconnect.net/~kdkates/epf/scidm.html
"If you ever discover that what you're seeing is a play within
a play, just slow down, take a deep breath, and hold on for the
ride of your life." -- Jack Handey
on: Pentatonic Surprise
Date: Thu, 21 May 1998 21:04:51 -0500 (CDT)
From: Noah <njurcin@orion.it.luc.edu>
To: Mama <mother@hyperreal.org>
Subject: (atom) review: VSVN
VSVN (RI025)
A friend of mine gave me a copy of this disc. Apparently he wasn't too
impressed by it, and I must admit (several years and several dozen Atom
Heart releases later) that it has taken me longer to get to know what this
disc is all about then I ever figured. Surprisingly, this album sounds
just about as fresh and new as it did when I first listened to it. The
artwork and design (by Linger Decoree) properly reflect the enigmatic and
somewhat humorous musical content on the disc. VSVN stands for Very
Synthetic Virtual Noise, which accurately describes this 63-minute document
of modern electronic fusion music. This was the third release from Rather
Interesting, and as far as styles go this one is all over the board, and on
top of that there are many moments of uncatagorical sonic weirdness which
contribute nicely to the album's psychedelic nature. Song titles are
simply listed as VSVN 1-8.
The adventure begins with an instantly pounding 4otF architecture inlayed
with a subtle repeating 303 acid groove and the standard handclap on every
other bass kick. Over the first couple minutes, synthesized insect leg-
rubbing noises and genetically mutated hi-hat substitutes are, one by one,
introduced. Our host seems to have a knack for composing colorful
electronic music in much the same way that those cooking and painting
instructors on public television can effortlessly whip up gourmet meals and
striking landscapes in a matter of minutes. After the first rhythm break,
an expansive hemi-house atmosphere materializes and the trance components
are worked into a smooth, homogenous, goa-paced lather. This is definitely
a good track to have on vinyl for the midnight ravers. Fans of Victor
Sol's Earcloud project should recognize the similarity to the last track
(Hokusai Dive) on the Chlorophile Fumes album, and there had to be some
byte swapping going on here.
Track two starts out pretty nondescript, but ends with what sounds like
Indians consulting (mixing?) the Akashic records. In between we have some
pretty complex 8-measure melody loopings and some multitextured percussion
work. The melody warbles and rips along, sometimes spontaneously popping
into neighboring frequency domains, while a tactile bass rumble-bubble
chugs in the right channel. All the while, there's a certain amorphous-
sounding hi-end melody sliding up and down in the background. Near the
track's end, this melody morphs into an intricate pattern containing gated
stereo imaging of what sounds to be Native American origin. Ah, the
wondrous benefits of binary amplification.... A brief pause and a voice
announces "Cut 3." This track was included on the first RI compilation,
but all the instruments are mixed differently. In fact, the Real
Intelligence version seems to be a single channel mix, as everything is
dead center. The VSVN version is much more diverse in terms of panning and
placement. The song itself is more of a collage made up of a roomy
bassline and samples of various other things including a Tibetan monk
chanting away, a toddler happily conversing with an alien, a couple kids
horsing around, someone whistling, someone belching (and someone else
finding that amusing), and a woman who sounds like she's *really* enjoying
herself. There are other things going on too, these are merely the things
I can hear out. These seem to be patched together simply for the aesthetic
obsurdity of hearing all these sounds and situations together. Meanwhile,
an eerie set of notes joins the bassline...all in super-separated stereo,
of course. The next track was cut with diamond precision. A high-
frequency chirp emits and weaves with its own saturated delays which
continue to echo to the left and right. A melodic artifact becomes
apparent after only a few repetitions and blends into the background of
textures slowly fading in. Next, a tame bass drum and more percussive
elements stitch some of the layers together. Soon, the groovey tune is
established and you're allowed to hang out in it for a time, but before
long a convoluted polydrum fill is heard. The drum fills are only somewhat
terrestrial sounding, and they flip and whirl about until a minimal 2-note
melody creates a certain degree of audio vertigo. You have some time to
explore this before your experience is cut off by a quick vinyl spindown
and an interjection by a fellow listener who is, judging from the sound of
his voice, a deep chair veteran. The next track is loud, and it will
almost certainly shock you out of your womblike state like a boorish
follow-up tune. There must be some hidden motive for doing this! The
infamous drum machine Twang! and a couple of handclaps are thrown in there
somewhere. This is the halfway point, and the change of gears here is
meant to perhaps prevent complete drift-induced time dilation.
Track 6 is of the more abstract variety. A seemingly random assemblage of
sounds including a door-slamming drum, an ascending-delay bottleclap, and
perhaps an altered voiceloop join up with semi-gloomy Dots-ish elevator
textures. The end portion is beatless.
The album finishes off with a great dub-paced driving track. The start of
the track has some interesting layers of quiet sound effects of the seaside
for a minute or two until the beat starts. From then on, a solid bass and
a popping air-gasket keep time. Minimalist overall and quite pleasing.
The gentle waves come again toward the end, this time mixed with some
distant synth lines for good measure.
VSVN 1: 7.50 (track times were taken from the vinyl packaging)
VSVN 2: 6.46
VSVN 3: 6.38
VSVN 4: 10:29
VSVN 5: 8.20
VSVN 6: 11.08
VSVN 7: 4.53
VSVN 8: 7.39
_________________________________________
Graphics and more data @ Will-E's RI page:
www.hyperreal.org/music/labels/rather_interesting/info/vsvn.html
________________________________________________________________
no@h
. . . . . . ..... . . . . . .
Date: Sat, 23 May 1998 15:35:11 -0400 (EDT)
From: Christopher Miller <evil@digital.net>
To: "ATOM HEART/LASSIGUE BENDTHAUS MAILING-LIST (#3)"
<mother@hyperreal.org>
Subject: (atom) lead - Ondas, Micropossessed
Hi.
This person has the following AH/related items for sale:
Jenn Miller <jennm@tsrcom.com>
> Datacide - Ondas [RI]
> Atom Heart/Eyephone - Micropossessed [Container]
nnej.
.`-).
| ;
christopher miller o o'
evil@digital.net =
'
Date: Sun, 24 May 1998 17:07:45 -0500 (CDT)
From: Mark Kolmar <mkolmar@xnet.com>
To: "'mother@hyperreal.org'" <mother@hyperreal.org>
Subject: Re: (atom) mono tm / pentatonic
On Thu, 21 May 1998, Eric Frans wrote:
> me if this has been mentioned before, but why the massive stereo
> separation on Pentatonic Surprise? -- i.e. "instruments" are delegated to
> either left or right channel throughout each track. My take on it is
> that Senor Heart wanted to simulate more of a live jazz club feel.
This is not a new idea, but one of the ways producers used stereo when
stereo was new, and they hadn't quite figured out what to do with it yet.
Check out stuff like _Rubber Soul_ or _Revolver_ by The Beatles. Many
other stuff from that time too. The technique is novel because it hasn't
been used much in years.
--Mark
__ <http://www.xnet.com/~mkolmar/BurningRome> < MPEG & RA audio clips >
Forthcoming CD SENSELESS on Mindfield Records MINDCD03 Cathartium 14
"Sleep's what we need. It produces an emptiness in us, into which
sooner or later energies flow. Metabolism." -- John Cage
Date: Mon, 25 May 1998 09:37:30 -0400
From: Selfish Giant <ssteac@PO-Box.McGill.CA>
To: "mother@hyperreal.org" <mother@hyperreal.org>
Subject: (atom) "plane"
I came across a release from fax called +N "plane" with Atom Heart and
someone else who's name escapes me right now (very little sleep) Can
anyone give me a description?
Date: Tue, 26 May 1998 08:33:45 -0700
From: charles uzzell edwards <faxlabel@sirius.com>
To: Recipient List Suppressed: ;
Subject: (atom) New FAX & R. I. Titles in Streaming realaudio
New FAX Label & Rather Interesting Titles in Streaming realaudio at
http://www.faxlabel.com
Outland III : The lastest release by Pete Namlook and Bill Laswell
Drum Machine Circle : Charles Uzzell Edwards & Jason Rivera
Schnittstelle : Atom Heart's latest on Rather Interesting
Miles Apart : Pete Namlook and Peter Prochir
Jet Chamber IV : Namlook & Atom Heart
Namlook XIII : Namlook Live at a Jazz Festival
Octopus 3 : Charles Uzzell Edwards Scary urban Beats
Silence III : Deep chill from Namlook
preFAX Compilation : 2cds of Work from before FAX label existed.. 80's rock
to 90's techno (Faxlabel 5th Anniverary celebration)
From Within III : Richie Hawtin and Pete Namlook join minds again for
another excellent release...
All titles streaming for both dial up and ISDN+ internet connections....
(thanks andre)
respects c u e
faxlabel : 87 ethel ave, #2, mill valley CA,94941 u.s.a.
dial 415 3837990 realaudio fun : http://www.faxlabel.com
faxlabel art + info : http://www.faxlabel.com/faxlabel.html
dynamic HTML graphics + sounds http://www.madxs.com
Date: Wed, 27 May 1998 22:50:23 -0600
From: Delete <delete@telusvelocity.net>
To: mother@hyperreal.org
Subject: (atom) Tetsu Inoue
This has nothing to do with Atom Heart, however it is closely related
seeing as how Atom Heart and Tetsu Inoue work together so often...
I am desperate to get my hands on the following 2 CDs by Tetsu Inoue
Organic Cloud
Ambiant Otaku
There is a re-issue in the works for Ambiant Otaku, however, I can't wait
that long
=)
Any help is greatly appreciated... Also, does anyone know of any
Heart/Inoue projects in the works???
--
Denny Letourneau (Delete)
delete@telusvelocity.net
http://www.telusvelocity.net/~delete/
From cashew@utxvms.cc.utexas.edu Mon Jul 13 23:09:57 1998
Date: Thu, 28 May 1998 12:10:08 -0600 (CST)
From: Chef Goomaker <cashew@utxvms.cc.utexas.edu>
To: mother@hyperreal.org
Subject: (atom) Eyephone
just picked up the Micropossessed CD this weekend in Dallas. it's pretty
minimal, yet very hi-fi. it sounds a lot like DOTS. i haven't given it a
full listen yet, but i like what i've heard so far.
also: does anybody know where i can find the AH sample CD?
-jeff
-----------------
1642 try 621
-----------------
Date: Thu, 28 May 1998 14:48:50 -0700 (PDT)
From: Brett McCormick <brett@chicken.org>
To: Chef Goomaker <cashew@utxvms.cc.utexas.edu>
Cc: mother@hyperreal.org
Subject: Re: (atom) Eyephone
On Thu, 28 May 1998, at 12:10:08, Chef Goomaker wrote:
> just picked up the Micropossessed CD this weekend in Dallas. it's pretty
> minimal, yet very hi-fi. it sounds a lot like DOTS. i haven't given it
> a full listen yet, but i like what i've heard so far.
this is right on, except.. well, it doesn't sound anything like dots.
it is quite good however.
Date: Fri, 29 May 1998 02:05:38 -0400 (EDT)
From: Christopher Miller <evil@digital.net>
To: "ATOM HEART/LASSIGUE BENDTHAUS MAILING-LIST (#3)"
<mother@hyperreal.org>
Subject: (atom) sample spotting - Jet Chamber IV
Ok.
Anyone else notice the bit from "Star Trek: Voyager" at the beginning
of "The Third Option" (track #3 off "Jet Chamber IV")? Caught me off guard
at first... `damn, I recognize that voice from somewhere', I thought.
Figured you Trekkies (if there are any here) might want to know.
kert.
.`-).
| ;
christopher miller o o'
evil@digital.net =
'
Date: Fri, 29 May 1998 01:04:11 +0000
From: gl-E <galaxey@earthlink.net>
To: mother@hyperreal.org
Subject: Re: (atom) mono tm / pentatonic
Eric Frans wrote:
> gl-E wrote:
> > BTW, did any of the MONO tm make it to vinyl?
>
> I wish. In the record shop I used to work at I had quite a few people
> asking for Mono TM on vinyl -- mostly the electro-heads of course. :) It
> seems like the perfect RI release for vinyl.
Isn't there a MONOtm track on Deutscherfunk comp? Is this not on
vinyl?
gilly
--
Gilly
waxjuhnkeypornaddict
(602) 461-0975
galaxey@earthlink.net
**hate makes the world go round**
"drugs techno-lise the brain"- J.G. Ballard
~god is theory, evolution is FACT!~
^^we all hate the rich, yet we want to be rich?^^
Date: Fri, 29 May 1998 04:26:08 -0400 (EDT)
From: Christopher Miller <evil@digital.net>
To: mother@hyperreal.org
Subject: (atom) Re: mono tm
On Fri, 29 May 1998, Gilly wrote:
> Isn't there a MONOtm track on Deutscherfunk comp?
Yeah, it's "Inflatable Rasta Wig (deflated)". Same mix that's on the
"Beauty>>Forward" compilation.
> Is this not on vinyl?
Dunno.
giw.
.`-).
| ;
christopher miller o o'
evil@digital.net =
'
Date: Fri, 29 May 1998 11:28:12 -0400
From: William Perez <will@panix.com>
To: mother@hyperreal.org
Cc: astrogator@hyperreal.org
Subject: Re: (atom) sample spotting - Jet Chamber IV
Christopher Miller <evil@digital.net> wrote:
> Anyone else notice the bit from "Star Trek: Voyager" at the
> beginning of "The Third Option" (track #3 off "Jet Chamber IV")? Caught
> me off guard at first... `damn, I recognize that voice from somewhere', I
> thought. Figured you Trekkies (if there are any here) might want to
> know.
FAX has always sampled science fiction TV and movies, most notably Blade
Runner, Dune and Aliens in the early days, mostly Star Trek these days.
The Seasons Greetings:Summer CD begins with an appropriate sample from the
premiere Voyager movie. There is another CD (cannot recall the title
right now) that has a sampled loop of Sisko from the premiere Deep Space
Nine episode.
/ / / / / / mailto:will@panix.com
(_/__/ / (__ (__ http://www.panix.com/~will/
Date: Sat, 30 May 1998 10:46:44 -0400
From: "Jason J. Tar" <tarjason@pilot.msu.edu>
To: mother@hyperreal.org
Subject: (atom) Dots.
What is up with this thing? It's shown up 4 times at my local music
shop... each time new/sealed. Wherehouse Records (chain store) of all
places. Odd. Maybe they'll start getting VSVN and Flextone on a regular
basis??? <nah>
Heck I'd be happy if they could just get Schnittstelle! :)
---
Peace Hugs and Unity Jason J. Tar
W. W. J. D?
(What would Jason Do?)
http://pilot.msu.edu/user/tarjason
Date: Sun, 31 May 1998 04:31:52 -0400 (EDT)
From: Christopher Miller <evil@digital.net>
To: "ATOM HEART/LASSIGUE BENDTHAUS MAILING-LIST (#3)"
<mother@hyperreal.org>
Subject: (atom) Schnittstelle on Ambient.
Um.
This very brief thread was on the Ambient list Friday:
---------- Forwarded Message ----------
Date: Thu, 28 May 1998 12:12:01 -0700 (PDT)
From: Dean Smith <djsmith@library.berkeley.edu>
Subject: Re: (amb) atom heart via newage
Joshua,
could care less about the new age vs ambient debate/discussion, but noticed
you're listening to atom heart's latest release, "Schnittestelle." care to
make any brief comments or a review?
inquiring minds want to know...
- -Dean
------------------------------
Date: Thu, 28 May 1998 14:24:16 -0700 (PDT)
From: Joshua <thermal@hooked.net>
Subject: Re: (amb) atom heart via newage
What happened to those archives? I just posted a review mere weeks ago.
But here is another:
Schnittestelle - Recipe:
Take 50 MIN of Atom Heart e-funk and e-bleeps
Put in Cuisinart
Run at "Ovalize" setting until contents are pulverized
Spread on audio CD
Enjoy
Some of the best e-funk to spin the head and confuse the body since M:1:5,
and, along with his long quiet track on the Sub Rosa compilation "Water &
Architecture" (also great!), some of the most impressive Atom Heart in a
while.
Joshua /thermal@wenet.net
http://www.wenet.net/~thermal/
------------------------------
Date: Fri, 29 May 1998 13:38:11 +1000 (EST)
From: Andre Ruello <andre@nethead.net>
Subject: Re: (amb) atom heart via newage
> could care less about the new age vs ambient debate/discussion, but
> noticed you're listening to atom heart's latest release,
> "Schnittestelle." care to make any brief comments or a review?
>
> inquiring minds want to know...
well then... get yourself the realaudio equipment and surf to
http://www.faxlabel.com where you can actually LISTEN to it in stereo and
not have to decide upon it on the strength of a review!
Andre... Webdesigner & Faxlabel Advocate http://www.faxlabel.com
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