Date: Sat, 01 Aug 1998 09:43:36 -0700
From: waving AND drowning <jpklein@flash.net>
To: Uwe and Friends <mother@hyperreal.org>
Subject: (atom) Orange, RI and others...
This guy ( groover@tig.com.au ) has Orange and a bunch of RI up for trade.
Here's his homepage: http://homepages.tig.com.au/~groover/index.html
jeff
--
dancing/about/architechture "...with wandering steps and slow..." ICQ904008
Date: Sun, 2 Aug 1998 12:05:47 -0700
From: Bryan S. Campbell <torsion@slip.net>
To: mother@hyperreal.org
Subject: (atom) the inevitable question...
Ok, I consider myself a "somewhat obsessed" A.H.fan... ;-) Sorry if this
question is an old music-list cliche, but I just can't help myself. What
is your most prized or loved A.H. release? I'm curious about anything he's
really involved in, not just solo work (Flowerhead would be mine for
example).
Thanks...
bry
Date: Sun, 02 Aug 98 15:40:23 PDT
From: B. Yost <byost@megsinet.net>
To: mother@hyperreal.org
Subject: (atom) Re: the inevitable question
Bryan wrote:
< What is your most prized or loved A.H. release? I'm curious about
anything he's really involved in, not just solo work (Flowerhead would be
mine for example). >
This seems like as good an opportunity to say hi and introduce myself to
the list. I've been lurking for a month or so. (By the way, are the list
archives still available? I recall stumbling across them around 3 months
ago, I think somewhere under the Hyperreal site, but on a recent attempt to
locate them they didn't seem to be there anymore).
Among my personal favorites:
- Dots
- Interactive Music
- Softcore
- the Lisa Carbon stuff (still looking for "Polyester" though...)
I love his rapid-fire deployment of sampled vocalizations ("ungh!") by
latin musician Perez Prado towards the end of track 3 or 4 of the Senor
Coconut project. I laugh out loud every time I hear it. Brilliant.
And I'm also rather amazed by some of his earlier "hard" stuff on Pod, i.e.
m/s/o, atomu shinzu, and i.
I agree "Flowerhead" is a strong and distinct work, but I'm not
*completely* sure why it, among all the other great works, seems to be so
highly acclaimed. I think "Dots" is every bit its equal, for example.
Least favorite: "Live at Sel i/s/c." I like a little more complexity,
certainly for a 60 minute track. Not that it's an unpleasant listen. The
word "live" in the title had me expecting something different.
-- Brad Yost
Date: Sun, 02 Aug 1998 15:29:39 +0000
From: boomboomkids <galaxey@earthlink.net>
To: Bryan S. Campbell <torsion@slip.net>
Cc: mother@hyperreal.org
Subject: Re: (atom) the inevitable question...
MORPHOGENTIC FIELDS in a tie with Semiacoustic Nature. That Namloop track
is sooo HARD HITTING, it saddens me that it never made it to vinyl so we
could play it out on the 1200s to the crowds!
--
-gilly (another obsessed AH fan- the man is ahead of his time.)
........&Mac186;protest protesters&Mac186;.............
Date: Sun, 02 Aug 1998 15:38:30 +0000
From: boomboomkids <galaxey@earthlink.net>
To: B. Yost <byost@megsinet.net>
Cc: mother@hyperreal.org
Subject: Re: (atom) Re: the inevitable question
you know back in my "drug days" I would have a select group of electronic/
IDm music I'd listen to during my trip. Atom Heart stuff was the stuff I
could NEVER listen to for some reason. I'd pop on BROWN and it's
programming is quirky I couldn't help but laugh sooo hard. I'd have to
turn it off just so i could catch my breath. And they say drugs kill :^P
-gilly
........&Mac186;protest protesters&Mac186;.............
Date: Mon, 3 Aug 1998 21:17:04 -0400 (EDT)
From: Christopher Miller <evil@digital.net>
To: ATOM HEART/LASSIGUE BENDTHAUS MAILING-LIST (#3) <mother@hyperreal.org>
Subject: (atom) lead - Jet Chamber, Jet Chamber 2
Heya.
I just thought I'd pass on that EAR/Rational Music <ear@xmission.com>
is having a sale on some of the older Fax titles, including the first two
Jet Chamber discs:
> Jet Chamber
> Jet Chamber II
>
> $17.50 each
Date: Tue, 4 Aug 1998 02:22:46 +0000
From: Mixmaster Morris <morris@space.demon.co.uk>
To: mother@hyperreal.org
Subject: Re: (atom) Schnitsttelle
oh god this one is unbelievable
tracks 6,7,8 are excellent
mixmaster morris
---------------------------------------------------------------------------
A SITE FOR SORE EARS - The Mixmaster Morris Homepage
http://www.southern.com/MMM/
---------------------------------------------------------------------------
Date: Mon, 3 Aug 1998 20:22:27 -0500 (CDT)
From: phlux@ix.netcom.com
To: mother@nicar.org
Subject: (atom) New Atom Heart ?
Has anyone heard the new Atom Heart disc "Naturalist" yet ?
Just curious what kinda stuff he's doing on it. I wasnt to get an idea of
whats on it before I order it. I've been a bit disapointed with his output
lately. A question .... are the rest of you getting sick of that piano
sound of his yet ?
Rob
Codec! http://www.mindstorm.com/codec
LogiQ http://www.sinless.com/logiq
Date: Mon, 3 Aug 1998 21:07:57 -0700
From: Eric Frans <efrans@earthlink.net>
To: mother@hyperreal.org
Subject: RE: (atom) Schnitsttelle
I still need to get this... from what I've read this is somewhat of a
departure from Uwe's sound of late -- more experimental and not as
loungey/jazzy sounding. Can't wait to finally hear it!
So how long have you been lurking about on this list, Morris? When is your
much anticipated album on Ninja Tune due?
__________________________________________
E r i c F r a n s :: efrans@earthlink.net
[cellular] http://home.earthlink.net/~efrans
[so-cal idm] http://home.earthlink.net/~efrans/scidm
[si-{cut}.db] http://home.earthlink.net/~efrans/benford
Date: Tue, 04 Aug 1998 00:13:42 -0500 (CDT)
From: Jeff Shoemaker <cashew@utxvms.cc.utexas.edu>
To: mother@nicar.org
Subject: Re: (atom) New Atom Heart ?
> are the rest of you getting sick of that piano sound of his yet ?
i don't know why, but i'm not. i think it's funny how he's got the most
hi-fi sounds, and yet busts out with that silly GM-sounding digital piano.
-jeff
--------------
1642 try 621
--------------
Date: Tue, 4 Aug 1998 12:12:23 -0400 (EDT)
From: David F Maier <dfm8@columbia.edu>
To: mother@nicar.org
Subject: Re: (atom) New Atom Heart ?
On Tue, 4 Aug 1998, Jeff Shoemaker wrote:
> > are the rest of you getting sick of that piano sound of his yet ?
>
> i don't know why, but i'm not. i think it's funny how he's got the most
> hi-fi sounds, and yet busts out with that silly GM-sounding digital
> piano.
I second this. I could listen to that sound all day (leavened by the
occasional Lisa Carbon minimoog solo).
D.
Date: Tue, 4 Aug 98 21:54:56 -0500
From: nhetrick <nhetrick@idsonline.com>
To: mother@nicar.org
Subject: Re: (atom) New Atom Heart ?
> are the rest of you getting sick of that piano sound of his yet ?
If you mean the kind of reverb-washed jazz piano chords that grace
"Hallmarke 1" (second track on Schnittstelle), then the answer is an
unequivocal "NO". I think that this track has some of the most beautiful
atmospherics I've heard from him, or from anyone, for that matter....
Neil Hetrick
nhetrick@idsonline.com
p.s. - thanks, btw, to Chris Miller for all the tips on AH & related leads
onnow: Sun Electric - Aaah!
Date: 11 Aug 98 14:38:01 MDT
From: CORNELIUS BAKKA <cornelius.bakka@usa.net>
To: mother@hyperreal.org
Cc: jpklein@flash.net
Subject: re: (atom) Orange, RI and others...
are you willing to deal with don weir? this groover character is the
infamous mr. weir going by another name. buyer beware!
> This guy ( groover@tig.com.au ) has Orange and a bunch of RI up for
> trade. Here's his homepage:
> http://homepages.tig.com.au/~groover/index.html
Date: Wed, 12 Aug 1998 20:30:46 -0400 (EDT)
From: Christopher Miller <evil@digital.net>
To: ATOM HEART/LASSIGUE BENDTHAUS MAILING-LIST (#3) <mother@hyperreal.org>
Subject: (atom) Schnittstelle.
Ah.
A very nice opinion posted to the IDM list last week:
---------- Forwarded Message ----------
Date: Fri, 7 Aug 1998 14:17:19 -0700 (PDT)
From: Sean Cooper <scooper@best.com>
To: idm@hyperreal.org
Subject: (idm) atom heart's _schnittstelle_
after more than a month of listening to this album several times a week,
and after a second time through today, i'm thinking the second-to-latest
atom heart album on his own rather interesting label is among the best
things i've heard this year. the perfect mix of rhythmic abstraction and
pop appeal. very engaging, but also very fucked up. his more recent
_naturalist_ follows up in some interesting ways, but it's just nowhere
near as solid or cohesive as _schnittstelle_. if you buy one atom heart
record this year yadayada...
sc
---------- End ----------
Date: Thu, 13 Aug 1998 19:50:27 -0400 (EDT)
From: Christopher Miller <evil@digital.net>
To: ATOM HEART/LASSIGUE BENDTHAUS MAILING-LIST (#3) <mother@hyperreal.org>
Subject: (atom) update - "Pop Artificielle"
Yep.
The album has been completed and the masters were handed over to Kk
Records sometime within the past few weeks. Expect an October release
date, hopefully. I'm sure we'll get more detailed info in the near future,
but I just though you guys'd want to know what I found out. ;)
pop.
.`-).
| ;
christopher miller o o'
evil@digital.net =
'
Date: Fri, 14 Aug 1998 23:20:17 -0400 (EDT)
From: Christopher Miller <evil@digital.net>
To: Electronic Music Flea Market <whitezone-l@mail.sonic.net>,
Music That Sounds Like Stoves Talking To Refrigerators Mailing-List
<idm@hyperreal.org>,
ATOM HEART/LASSIGUE BENDTHAUS MAILING-LIST (#3) <mother@hyperreal.org>
Subject: (atom) Looking For Steve Stoll/Mike McCoy - "Acid-Pin-Up" cd.
Heya.
I'm looking for a copy of the split cd by Steve Stoll / Mike McCoy
called "Acid-Pin-Up". It's on the German, JJ Records label and compiles
tracks from both artists (it's not a collaboration). If you have a copy
you'd like to get rid of, or know of a shop near you that might have this
disc, please do let me know. Name your price. Thanks. ;)
pu-nip-dica.
.`-).
| ;
christopher miller o o'
evil@digital.net =
'
Date: Sun, 16 Aug 1998 22:34:14 -0400 (EDT)
From: Christopher Miller <evil@digital.net>
To: ATOM HEART/LASSIGUE BENDTHAUS MAILING-LIST (#3) <mother@hyperreal.org>
Subject: (atom) lead - Whitehouse, Invocation
Afternoon.
This guy's got two very early AH/related items for sale/trade in his
current list:
Bryan Bickel <ae1650@wayne.edu>
> Atom Heart " Whithouse " Rising High
> Subsequence( Namlook/Heart ) " Invocation " Music Man
E-mail him for his wantlist.
Date: Mon, 17 Aug 1998 09:10:39 -0400
From: Jason J. Tar <tarjason@pilot.msu.edu>
To: mother@hyperreal.org
Subject: (atom) Snog--The Ballad
---------- Forwarded Message ----------
Date: Sun, 16 Aug 1998 19:15:42 -0500
From: Al Crawford <awrc@awrc.com>
Newsgroups: rec.music.industrial
Subject: Re: Snog "The Ballad" CDS??????
In article <35D6DE66.1562559C@cyberramp.net>, ixstream@cyberramp.net says:
> Has anyone heard it? How are the Haujobb and Atom Heart remixes?
> Reviews?
Usual Snog single pattern - huge number of tracks, large number of which
are available elsewhere :-)
1. The Ballad
2. The Human Germ
3. The Ballad (Atom Heart and the Systematic Errors)
4. The Ballad (Haujobb and the Breadth Of Destruction)
5. The Ballad (Atom Heart discovers Corrupt Data)
6. >...opening...engagement...diversion...penetration<
7. The Club Of Smokers
8. Bastard Closet
9. Cliche (Live At The Las Vegas Hilton)
So that's three tracks straight from _Buy Me_ without change, one from the
"Cliche" single (I think), one from the "Hooray!!" single, one Black Lung
track ("The Club Of Smokers" from _The Psychocivilized Society_), and a
grand total of three new tracks, plus the "hidden" track which I believe
someone identified as the Black Lung remix of a Numb track.
At least the new stuff is good. ">...opening.." is four tracks in one, and
sometimes sounds more like a Black Lung track than what you'd expect from
Snog. Sound varies dramatically from a first movement that sounds like the
soundtrack to a zombie B-movie, to 'jazzy bleepy" in the second, to a more
Snog-ish third movement that reuses sounds from the album to a spacey final
movement.
The two Atom Heart remixes are very different. I'm not too keen on
"Discovers Corrupt Data", which is a rather minimalist, bleepy thing. The
"Systematic Errors" mix is great though, lots of repetitive sounds and
crackles and generally messed around sounds that suggest your CD player is
throwing a fit and jumping like crazy, while the actual track still
survives under there somewhere.
Al
---------- End ----------
Date: Mon, 17 Aug 1998 21:14:21 -0400 (EDT)
From: Christopher Miller <evil@digital.net>
To: ATOM HEART/LASSIGUE BENDTHAUS MAILING-LIST (#3) <mother@hyperreal.org>
Cc: Al Crawford <awrc@awrc.com>
Subject: (atom) Re: Snog--The Ballad
On Mon, 17 Aug 1998, [Jason Tar forwarded what] Al Crawford wrote:
> So that's three tracks straight from _Buy Me_ without change, one from
> the "Cliche" single (I think), one from the "Hooray!!" single
Ok... for trainspotters' sake, which of the above releases feature the
two (or at least one) remixes by Atom Heart? Oh, and Snog/Black Lung is
Nonplace Urban Field, right?
gons.
.`-).
| ;
christopher miller o o'
evil@digital.net =
'
ps. Thanks for forwarding that here jason! ;)
Date: Mon, 17 Aug 1998 21:26:50 -0400
From: Jason J. Tar <tarjason@pilot.msu.edu>
To: mother@hyperreal.org
Subject: Re: (atom) Re: Snog--The Ballad
At 09:14 PM 8/17/98 -0400, you wrote:
>On Mon, 17 Aug 1998, [Jason Tar forwarded what] Al Crawford wrote:
> Ok... for trainspotters' sake, which of the above releases feature the
> two (or at least one) remixes by Atom Heart?
Ummm "The Ballad" cds features 2 mixes by AHeart (they are exclusive to
that ep I think).
> Oh, and Snog/Black Lung is Nonplace Urban Field, right?
Snog/Black Lung/Soma is not NUF. Nope. Sorry.
---
Peace Hugs and Unity Jason J. Tar
W. W. J. D?
(What would Jason Do?)
http://pilot.msu.edu/user/tarjason
ICQ@13792120
Date: Mon, 17 Aug 1998 21:43:43 -0400 (EDT)
From: Christopher Miller <evil@digital.net>
To: ATOM HEART/LASSIGUE BENDTHAUS MAILING-LIST (#3) <mother@hyperreal.org>
Subject: (atom) Re: Snog--The Ballad
---------- Forwarded Message ----------
Date: Mon, 17 Aug 1998 20:28:59 -0500
From: Al Crawford <awrc@awrc.com>
Subject: Re: Snog--The Ballad
> Ok... for trainspotters' sake, which of the above releases feature the
> two (or at least one) remixes by Atom Heart?
Two Atom Heart remixes on the Snog single "The Ballad". Label is
International Mind Control Corporation IMCC-QP 1313-2. German release,
I think.
> Oh, and Snog/Black Lung is Nonplace Urban Field, right?
Snog = Black Lung = Soma = David Thrussell, an Australian. Not Bernd
Friedmann, as far as I know.
Al
--
Al Crawford - awrc@awrc.com
"Art/Empire/Industry"
---------- End ----------
Date: Tue, 18 Aug 1998 10:23:36 -0500 (CDT)
From: Noah <njurcin@orion.it.luc.edu>
To: Mother <mother@hyperreal.org>
Subject: (atom) Mike Mccoy/Soundfields/adoro/etc
Treats spotted...
---------- Forwarded message ----------
Date: Tue, 18 Aug 1998 08:18:26 -0700
From: *+* <lotus@connectnet.com>
To: whitezone-l@mail.sonic.net
Subject: whitezone-l large elect/amb/ind/alt/kraut vinyl sale
the following records and cd's are up for sale. My e-mail address is at
the bottom of the page.
* if the price isn't right make an offer anyway.
* if you are interested in trading and have more obscure titles of music
similar to below (i.e. electronic,industrial,indie, kraut, jazz...)
please ask for my ever-expanding want-list and i'll be more than happy to
send it to you.
* an "*" denotes an item that is already reserved for someone, but feel
free to ask about it in case that person flakes.
* a "T" next to the dollar sign denotes a "trade only" item. please look
at my wantlist. you can make an offer if you like, but i might not
accept it.
* shipping is extra !
* if you don't see something on this list, ask me anyway as there is a good
chance i might have it and might be willing to get rid of it if the price
is right.
* these pages are updated frequently so it is advised that you bookmark
this page and check it out sporadically if you see stuff of interest.
happy hunting
atom heart - soundfields (klang) ger 12" $15
atom heart (mike mccoy)/drax(heckman) - acid ramcash 4/acid pin-ups 2
(orange vinyl) ger 12" $T
atom heart (sieg uber die sonne) - adoro remixes (atom heart, sun electric
& dr. motte remixes) ger 12" $T
atom heart (i) - repetitive digital noise (pod) ger cd $T
atom heart (atomu shinzu) - act (pod) ger cd $T
atom heart (urban primitivism) - 684 (pod) ger cd $T
various - razormaid - how slow... (w/ coil, lassigue bendthaus...)
us cd rare $25
revised august 18th, 1998
..................................................................
. record sale page: techno, industrial, indie, ambient, avant .
. cd sale page metabolist .
. http://home.connectnet.com/lotus/ .
..................................................................
---------- End ----------
Date: Thu, 20 Aug 1998 10:15:58 -0500 (CDT)
From: Noah <njurcin@orion.it.luc.edu>
To: Phantom_Heart <mother@hyperreal.org>
Subject: (atom) Review: Interactive Music
Interactive Music (RI027)
The next release on the list is Interactive Music. For this album, Uwe
programmed his machines to randomly select sequences, effects, and other
aspects of the music, giving his music-making tools a substantial amount of
control over what is heard. The result is a colorful, well-assembled full
length with a bit of unpredictability mixed in. None of these tracks fit
too comfortably into genre groups such as house, trance, chill-out, etc,
but many of the songs do use subtle elements common in those groups. Most
of the songs are quite unique and contain more of a happy or neutral-mood
vibe then anything explicitly "dark" (like Orange), so prepare to enjoy
yourself when loading up the disc player. Overall, this album really
stands out because of the fused combinations of bizarre sounds and the
compositional concept of allowing the gear to make some of the decisions
while the songs played out. The sounds themselves are rather impressive
and a certain sense of randomness can definitely be heard in many of the
songs. Sandwiched between Flowerhead and MU, how could you go wrong??
Perm: The opener is the techno equivalent of handcrank starting an engine
from a late 19th century vehicle. A few digital sputters, drum belches,
and suddenly everything springs to life. Interlocking hi-hats,
synthwaves, and blankets of backing chords storm your auditory system and
then THUMP... the bass drum ya know? I almost get the impression that
things begin this way to warm up the processors. The track is almost
housey, almost. A short, upbeat danceable tune which will Light Up your
Life.
My Life As A Zip File: This track was featured on the first ri
compilation. I must admit it makes a more favorable impression on me now
then it did a couple years back when Real Intelligence was the only ri
disc I owned. Somehow, it's much more appealing in the context of the
full album. A drone-like background theme blends with drum sequences
that pause and hiccup in odd places, and that superphazed handclap (made
famous on BASS) makes a few appearances too. Chimes sing the main
melody. About 75% of the way through, the track winds down with a minute
or two left of Dots-like textures, hi-res style.
Dynamic Link: This is a downtempo track with a nice groovey bassline, a
reverberant glowing synthwash, and a looped atonal texture put through
cycles of brightening and dulling filters. The percussion sounds used
seem to be this track's most salient feature. And later on, a quirky
melody fades in: forwards, backwards, sideways....
Kinky Sky Candy Drops: Candy drops? Yes. Funk-a-tech tasty and bursting
with flavor. But the intro and outro definitely leave more of a
mentallic taste in the mouth. At this point, one has to stop and wonder
how Atom Heart goes about pulling sounds like this off. The bass really
sounds like it's coming through a wall, or from another car, or
something... Sure as hell ain't my bass! Oh wait, everything is coming
back now. Sugary sweet. Later on, deep gated voices add some volume
(space, not sound), here comes that rubbery iron sequence again. Willy
Wonka Funk.
Cyberjam: Rattum tat taddum tap tapapap clap. Truly, some of the machines
are taking over now. They surprise us squishy humans with a jammin'
flow, sterile yet sympathetic. 808 on cloud 9. This track also contains
the aforementioned Handclap. One could also use this track as a
futuristic adventure game expansion soundtrack. Tap-clik-tap.
I See No Evil: Another upbeat track. This one seems to demand that you
turn your volume knobs clockwise, it's almost instinct. An ambiguous
voice repeats the track title throughout without getting old, though he
could be a little more polite and not spray bytes while he's talking.
Many sounds pack a certain punch that may lead to foot-tapping... tap at
will. Like a few others on this album, it also ends with a
decompositional phaze in which many sounds fade out and those that are
left prove to be interesting enough on their own. These aural orphans
often find one more little dance to do before going on their merry way.
Assembler: For me, this song takes the spacecake. Multidimensional chorus
winds, antique computerchip chirps, binary divas, it's packed with
goodies. It's minimal while at the same time many sounds swirl around
without setting anything out of balance. No assembly required, but you
might want to play this while you debug and compile. It will certainly
make it more fun!
Drift: I'll never tell....
More data @ cover art @ will-e's RI site:
www.hyperreal.org/music/labels/rather_interesting/info/imusic.html
. . . . . . ..... . . . . . .
|nf0rm@+|0n w@n+5 +0 b3 fr33
. . . . . . ..... . . . . . .
Date: Mon, 24 Aug 1998 14:31:45 -0500 (CDT)
From: Noah <njurcin@orion.it.luc.edu>
To: Mother <mother@hyperreal.org>
Subject: (atom) stuff spotted
REPLY TO rickpolley@isimu.edu !!!!!!!!!!!!!!!! :)
Noah
---------- Forwarded Message ----------
Date: Mon, 24 Aug 1998 08:31:19 -0600
From: rickpolley@isimu.edu
Subject: Synaptic Liquidation
Hi Folks-
Long time, no email. As you may know, I sold Synaptic Records about four
months ago. The new owners managed to run it into bankruptcy in that time,
still owing me quite a bit of money.
I haven't had time to inventory the vinyl, but here's a list of the CDs.
The price after them is my list, I'm asking 2/3 of list plus shipping ($3
for up to 4 CDs, etc.) the first number in each line is the number of
copies I have. Of course, if you'd like to OWN Synaptic Records, offers
gleefully accepted.
3,1 Year Dance,1 Year Dance,fax,CD,$10.00 ,Ambient,
1,Aerial Service Area,Aerial Service Area,fax,CD, $14.99 ,IDM,Experimental
1,Atom Heart,Plus N,,CD, $17.00 ,,
1,Atom Heart,The Techno Evolution Continues,,CD, $16.00 ,,
1,Lisa Carbon & Friends,Stereo Cocktail,pod,CD,$18.99 ,Techno,Jazz
1,Softcore,Softcore,fax,CD, $15.00 ,Ambient
4,Superficial Depth,Digital Superimposing,,CD, $15.99 ,,
4,The Bitniks,Halograms,hypnotism,CD, $18.00 ,,
Richard B. Kettner-Polley
Professor of Business Administration
Editor, Small Group Research
501 S. Cherry Street - Suite 350
Denver, CO 80246
Phone: (303) 333-4224
Fax: (800) 2-EDUCATE
email: rpolley@isimu.edu
ISIM Website: http://www.isimu.edu
Website: http://www.isimu.edu/faculty/rpolley/Rickpoll.htm
---------- End ----------
Date: Mon, 24 Aug 1998 12:46:49 +0000
From: boomboomkids <galaxey@earthlink.net>
To: Noah <njurcin@orion.it.luc.edu>
Cc: Mother <mother@hyperreal.org>
Subject: Re: (atom) stuff spotted
you know if this guy really wanted to get outta debt he'd slash some of the
prices on this stuff like PJ at modernmusic did recently.
anyway, do any of you feel, as I do, that there is NOT enough ATOM HEART on
vinyl. SPecifically all the RI stuff, stuff like Softcore, Orange, etc.
I'm gonna be playing a part soon and I find myself having to go cut
acetates of this shit (Illegal?) cuz spinning CDs SUCKS! And Acetates are
supa expensive, oh well:(
UWE needs to come out on vinyl!!!!!!!!
--
-gilly
........&Mac186;protest protesters&Mac186;.............
JESUS TOLD ME TO KILL- LUKE 19:27
Date: Wed, 26 Aug 1998 00:09:38 -0400 (EDT)
From: Christopher Miller <evil@digital.net>
To: ATOM HEART/LASSIGUE BENDTHAUS MAILING-LIST (#3) <mother@hyperreal.org>
Subject: (atom) lead - Oscillations Remixes, Lisa Carbon Trio
Evening.
This guy's got a few AH items up for trade/sale in his current list:
big@spiritone.com
> Oscilations: Remixes $10
> Lisa Carbon Trio: Trio De Janeiro $14
Date: Wed, 26 Aug 1998 00:19:37 -0400 (EDT)
From: Christopher Miller <evil@digital.net>
To: ATOM HEART/LASSIGUE BENDTHAUS MAILING-LIST (#3) <mother@hyperreal.org>
Subject: (atom) lead - Lisa Carbon & Friends (on vinyl)
Morning.
I browsed through the vinyl listing from Synaptic Records' (r.i.p.)
stock liquidation/slae thingy, and below is one AH/related item (yes, there
are some AH releases on vinyl too!). Here's the guy's e-mail address if
you're interested:
Rick Polley <rpolley@isimu.edu>
> 1,Lisa Carbon & Friends,Stereo Cocktail,pod,LP, $17 ,Techno,Jazz
Date: Wed, 26 Aug 1998 01:20:35 -0400 (EDT)
From: Christopher Miller <evil@digital.net>
To: ATOM HEART/LASSIGUE BENDTHAUS MAILING-LIST (#3) <mother@hyperreal.org>
Subject: (atom) Re: stuff spotted
On Mon, 24 Aug 1998, Gilly wrote:
> you know if this guy really wanted to get outta debt he'd slash some of
> the prices on this stuff like PJ at modernmusic did recently.
He *is* offering everything at 2/3 the price of what he has listed.
For instance, you'll only be shelling out around $12 for a brand new copy
of the Bitniks cd. I think that's a great deal considering that you're not
going to be able to find this possibly out-of-print German import anywhere
else:
> > 4,The Bitniks,Halograms,hypnotism,CD, $18.00 ,,
Incidentally, I don't think anyone on this list should forget that
Synaptic Records was (and still is?!) the only place around to carry the
entire Hypnotism label catalogue. I for one would have never found "Almost
Digital" by A.D. if it weren't for Rick.
Oh, and I reccommend The Bitniks and A.D. discs for anyone who liked
"Morphogenetic Fields" album. I think they were all done around the same
time frame.
> anyway, do any of you feel, as I do, that there is NOT enough ATOM HEART
> on vinyl.
Hm. No, not really. My opinion really doesn't really have any merit
though as I don't play out like you do. The only place I listen to my AH
stuff really is at home or at someone else's house. I don't have any need
at all for having his stuff on vinyl - cd is preferrable. Not to get into
a `vinyl vs. cd' thread, but I can't really see his more recent releases
sounding anything but bad on vinyl (besides Senor Coconut maybe). They're
all so crisp and `digital' sounding... pops and hiss would only take away
from the experience.
skintib.
.`-).
| ;
christopher miller o o'
evil@digital.net =
'
Date: Wed, 26 Aug 1998 01:29:08 +0000
From: boomboomkids <galaxey@earthlink.net>
To: Christopher Miller <evil@digital.net>
Cc: ATOM HEART/LASSIGUE BENDTHAUS MAILING-LIST (#3) <mother@hyperreal.org>
Subject: Re: (atom) Re: stuff spotted
Oh I didn't notice the 2/3's OFF. SOrry.
I agree about the CRISP sound of AH. However, I just can't spin CDs and
I'm booked to play a venue in OCT. The first time I went to this venue the
first thing that came to mind was "Semiacoustic Nature or SOFTCORE played
loud in this place would be heaven on earth"
I joined a local "raves" list and I always bitch about how amazing Uwe
Schmidt is. He's the best hands down IMO, Autechre can't even touch his
programming abilities. Anyway, many people on this local rave list host
ODP (open deck parties). It serves multi-purposes a. a place for up and
comming DJ's to play out b. a place for listers to meet c. a place to be
exposed to NEW music. Well I'm on an Atom Heart campaign it seems like
sometimes and I go to spin a party without any AH on VINYL :( I do have
VSVN and RI comp 1, but man Morphogenetic Fields on vinyl would be the
BOMB!
SAY is all the hypnotism label stuff done by Uwe? Or did he simply do
Bitniks? I can't get enough Uwe Lately.
-gilly
........&Mac186;protest protesters&Mac186;.............
JESUS TOLD ME TO KILL- LUKE 19:27
Date: Wed, 26 Aug 1998 07:12:18 -0500
From: Gary Hendershot <ghenders@gary-hendershot.com>
To: Atom_Heart_List <mother@hyperreal.org>
Subject: (atom) Morphogenetic BitNiks
> Incidentally, I don't think anyone on this list should forget that
> Synaptic Records was (and still is?!) the only place around to carry the
> entire Hypnotism label catalogue.
---------------------------------------------------------------------------
Wha? I've definitely seen "Bitniks" and "Almost Digital" more than once
and in more than one record store! I realise it's not common, but there is
indeed at least one distributor that dabbles in the Hypnotism label in the
USA -- probably more than one (?) I presume.
> possibly out-of-print German import...
---------------------------------------------------------------------------
That's likely, unfortunately, but there may be enough in the distribution
channel to last a while.
The one Uwe disc that has really eluded me has been "Morphogenetic Fields."
Can anyone with this CD give a description of the graphics? I'm wondering
if it has misleading, generic, or minimal design. Is it in a jewel case?
I'll even take a low-res JPEG or GIF if you happened to have one around.
Is "Morphogenetic Fields" available through a mail-order place?
-Gary H-
ghenders@gary-hendershot.com
Houston, TX USA
Date: Wed, 26 Aug 1998 08:49:33 -0400
From: Adam J Weitzman <Adam.J.Weitzman@newsedge.com>
To: Atom Heart Mailing List <mother@hyperreal.org>
Subject: Re: (atom) Morphogenetic BitNiks
> The one Uwe disc that has really eluded me has been "Morphogenetic
> Fields." Can anyone with this CD give a description of the graphics?
> I'm wondering if it has misleading, generic, or minimal design. Is it in
> a jewel case?
It comes in a digipak, mostly white with some green streaks on it. The
writing on it is in reflective silver and in a fairly small font, so it's
not the easiest thing to read.
It's at home today, but I'm pretty sure it also has a small circular b/w
sticker on the front that states that it's by AH, but I might be thinking
of the "Milagro" CD-single (which has a similar design, except that it's
mostly green with white streaks instead of the other way around).
> I'll even take a low-res JPEG or GIF if you happened to have one around.
> Is "Morphogenetic Fields" available through a mail-order place?
There are two places that list it as "backorderable" in GEMM, but that
doesn't mean they can actually get them. Dunno about anywhere else.
(I don't have a scan. Sorry.)
--
Adam J Weitzman
NewsEdge Corporation Welcome to my signature.
http://www.newsedge.com Please wipe your feet.
http://www.newspage.com
Date: Wed, 26 Aug 1998 09:12:34 -0500 (CDT)
From: Noah <njurcin@orion.it.luc.edu>
To: Mother <mother@hyperreal.org>
Subject: (atom) AH format
> > anyway, do any of you feel, as I do, that there is NOT enough ATOM
> > HEART on vinyl.
>
> Hm. No, not really. My opinion really doesn't really have any merit
> though as I don't play out like you do. The only place I listen to my AH
> stuff really is at home or at someone else's house. I don't have any
> need at all for having his stuff on vinyl - cd is preferrable.
I play out on a weekly radio show and i'm definitely in agreement and
prefer Atom Heart (and most other things) on CD. Some reasons why i
prefer CDs over vinyl for listening and spinning are:
- the crisp, snap crackle poplesness of having no surface noise. This
makes all the difference in the world on a big system.
- it's easy to remember exactly where a cue is, just remember the time
displayed!
- ever tote around a crate of vinyl? The same number of CDs carries about
twice as much music, and weighs about 1/10th the vinyl. Convenience!
- CDs are more popular now and many things are now CD only releases (Atom
Heart isn't the only one)
- Vinyl eventually degrades because of the contact made between record and
needle, not so with CDs. Sure, if you've got a tweaked turntable this
is hardly an issue, but when you're out spinning somewhere, can you
trust that their needles are maintained in that same lovin' fashion??
* And with pitch-matching players, beatmatching is also no longer an
issue.
no@h
. . . . . . ..... . . . . . .
|nf0rm@+|0n w@n+5 +0 b3 fr33
. . . . . . ..... . . . . . .
Date: Wed, 26 Aug 1998 09:21:54 -0500 (CDT)
From: Noah <njurcin@orion.it.luc.edu>
To: Atom Heart Mailing List <mother@hyperreal.org>
Subject: Re: (atom) Morphogenetic BitNiks
> > The one Uwe disc that has really eluded me has been "Morphogenetic
> > Fields." Can anyone with this CD give a description of the graphics?
> > I'm wondering if it has misleading, generic, or minimal design. Is it
> > in a jewel case?
>
> It comes in a digipak, mostly white with some green streaks on it. The
> writing on it is in reflective silver and in a fairly small font, so it's
> not the easiest thing to read.
Yeah, this is Milagro. Morpho is darkish green with all kinds of digital
interference and moire patterns. Done by the Designer Republic people.
And it has fun things written all over it like "Stealing Is Divine" and
"Love The Source" and "Audible Shareware." Milagro, as Adam said, is more
white with green interferences.
> > I'll even take a low-res JPEG or GIF if you happened to have one
> > around.
I can do this sometime soon.
no@h
. . . . . . ..... . . . . . .
|nf0rm@+|0n w@n+5 +0 b3 fr33
. . . . . . ..... . . . . . .
Date: Wed, 26 Aug 1998 09:08:54 +0000
From: boomboomkids <galaxey@earthlink.net>
To: Noah <njurcin@orion.it.luc.edu>
Cc: Mother <mother@hyperreal.org>
Subject: Re: (atom) AH format / FONOSANDWHICH
I agree with all statements on CD vs. Vinyl. I don't wanna start CD vs.
Vinyl thread. I agree AH sound 100% digitally. So I guess I'll simply
solve my problems by toting around to gigs with a Sony Discman or something
similar!
on a different note I often look to this list for guidance on UWe's
releases. I remember the mojority of peeps who listened/bought
FONOSANDWICH gave it a poor review. The same happened with Roger Tube
Sound Ensemble. For the longest time I didn't listne to either. Then I
found Roger very cheap and bought it. I LOVE IT. So the moral to the
story is listen for yourself, don't let others sway your decision.
However, the local shop NO LONGER has FONOSANDWICH and i've no way to
"preview" FONOSANDWICH. So how "BAD" is it really. I don't think I've
ever considered ANYTHING by UWE bad, so..... is FONO crap or just nothing
up to par with something like Schitstelle/Snr. Coconut? I know this is a
broad question, but I'll be searching it out thru mail order
thank you in advance, sorry to begin a CD vs. vinyl thread,
-gilly
........&Mac186;protest protesters&Mac186;.............
JESUS TOLD ME TO KILL- LUKE 19:27
Date: Wed, 26 Aug 1998 10:09:39 -0700 (PDT)
From: Bryan Campbell <torsion@slip.net>
To: mother@hyperreal.org
Subject: Re: (atom) AH format / FONOSANDWHICH
> "preview" FONOSANDWICH. So how "BAD" is it really. I don't think I've
> ever considered ANYTHING by UWE bad, so..... is FONO crap or just nothing
> up to par with something like Schitstelle/Snr. Coconut?
order
Howdy,
Fonosandwich is one of my fave. AH releases... Roger Tubesound is probably
my least. I like the humorous/latin nature of Fono, which puts it more in
the Senor/Trio/Ondas arena. It was the last in a moderately long strain of
latin-ish releases for Uwe on RI, and I remember seeing posts from people
saying they'd like a change. Perhaps that contributed to the negative
comments you noticed.
Schnitstelle is quite different, and I think it's been compared to Brown.
I think it's quite good, and quite unique yet certainly identifiable as AH.
Anyone else here think A.H.'s electro style is ultra-tasty? +N's
"Elektron" is probably the pinacle for me, with Mono Trademarks
"Arhythmattack" is a close second.
thanks for the bandwidth,
bry
Date: Wed, 26 Aug 1998 10:41:57 -0700 (PDT)
From: Sean Cooper <scooper@best.com>
To: mother@hyperreal.org
Subject: Re: (atom) AH format / FONOSANDWHICH
> sorry to begin a CD vs. vinyl thread,
bollox. i agree there's not enough uwe vinyl (i've just bowed that saw so
many times on this list i didn't bother responding). there are probably
technological reasons for this (uwe's music is, from the standpoint of
dynamics and the like, probably hard to press to vinyl), but mostly it's
just economics -- vinyl's too expensive to produce and not enough people
into atom heart are into vinyl. at least half the tracks of every single
rather interesting release i would give my eye-teeth to have on vinyl, and
i'm also of the opinion that club culture might even move a few centimeters
forward if only more interesting and somewhat challenging music were made
available to djs (which means pressing it to vinyl). but uwe's told me
(see forthcoming urban sounds interview) that he has absolutely know
interest in "techno" or the club scene anymore, so it's unlikely vinyl of
his releases will ever appear.
and that's too bad...
sc
Date: Wed, 26 Aug 1998 13:49:29 -0400 (EDT)
From: David F Maier <dfm8@columbia.edu>
To: boomboomkids <galaxey@earthlink.net>
Cc: Noah <njurcin@orion.it.luc.edu>, Mother <mother@hyperreal.org>
Subject: Re: (atom) AH format / FONOSANDWHICH
On Wed, 26 Aug 1998, boomboomkids wrote:
> However, the local shop NO LONGER has FONOSANDWICH and i've no way to
> "preview" FONOSANDWICH. So how "BAD" is it really. I don't think I've
> ever considered ANYTHING by UWE bad, so.....is FONO crap or just
> nothing up to par with something like Schitstelle/Snr. Coconut?
I LIKE Fonosandwich, dammit. My own theory is that we were all still
reeling from the glory that is Coconut, so that Fonosandwich sounded like
a pale retread, or outtakes/random tracks or something. Admittedly it's
not all great, and there are some unfortunate vocals ("Rider Sweet"), but
there's some way cool material there too.
D
Date: Wed, 26 Aug 1998 11:56:55 -0700 (PDT)
From: Jeremy Wells <conflux@oneworld.owt.com>
To: mother@hyperreal.org
Subject: (atom) Where's the AH release that uses the Kyma box?
A while back I read that Uwe got himself a Kyma box (a DSP based synthesis
engine that interfaces with a computer). Anyone know which recent
releases, if any, have this on it???
-Jeremy
-----------------------------------------------------
"You have come for knowledge. There will be pleasure.
Because knowledge is sexy. There will also be pain.
Because knowledge is torture." - Jeff Noon, "Vurt"
http://users.owt.com/conflux
-----------------------------------------------------
Date: Wed, 26 Aug 1998 12:08:15 -0700 (PDT)
From: Sean Cooper <scooper@best.com>
To: mother@hyperreal.org
Subject: Re: (atom) Where's the AH release that uses the Kyma box?
> A while back I read that Uwe got himself a Kyma box (a DSP based
> synthesis engine that interfaces with a computer). Anyone know which
> recent releases, if any, have this on it???
from what i understand, uwe has integrated the kyma system into his
everyday setup, so i'm pretty sure both _schnittstelle_ and _naturalist_
use it (although just listening to them i don't know how you'd be able to
tell...).
sc
onnow: va : water and architecture (sub rosa)
Date: Wed, 26 Aug 1998 14:40:59 -0500 (CDT)
From: Noah <njurcin@orion.it.luc.edu>
To: Mother <mother@hyperreal.org>
Subject: (atom) Kyma Capabara
> from what i understand, uwe has integrated the kyma system into his
> everyday setup, so i'm pretty sure both _schnittstelle_ and _naturalist_
> use it (although just listening to them i don't know how you'd be able to
> tell...).
No doubt. Those things are insane. Big ol' box-a-wonder that looks
harmless enough, plain black with very little in the way of knobs and
gadgetry, but takes plenty of your rack slots to mount. A friend of mine
bought one of those things last year and demo'd a few of its features, one
of which was morphing a baby cry into a cat's meow. A wierd sound to say
the least. But from the brief moments i had with it, i got a strong
feeling that this thing (which can use the programming language
"smalltalk") did much, much more then simply morph sounds. Wish i had
one...
no@h
. . . . . . ..... . . . . . .
Date: Wed, 26 Aug 1998 15:08:09 -0500 (CDT)
From: Noah <njurcin@orion.it.luc.edu>
To: Mother <mother@hyperreal.org>
Subject: (atom) AH format evolution continues...
> sorry to begin a CD vs. vinyl thread,
Hey there, don't be sorry. Us motherans know better then to regress back
into that argument to the point of being pointLess. :)
The only practical advantage vinyl would have that i can see, aside from
fetishistic vinylphilistic concerns, is beatmatching which one can achieve
with any pitch-control CD player. Anyway, i think if you did a count of
all the vinyl releases and all the CD releases AH has put out, there
>would< be more black discs then those of the silvery variety.
Is this right? I've only got 1 AH release on vinyl so i can't really say,
but i seem to remember a whole lot of 12"s on those long AH discographies.
Although with most of them being "collector's items" now, trying to get
many of them nowadays would be a frustrating exercise in futility.
It just seems like now that Uwe has moved beyond the "techno" mentality to
other more worldly multicultural endeavors, trying to beatmatch some of
the newer material might sound a bit silly.
no@h
. . . . . . ..... . . . . . .
Date: Wed, 26 Aug 1998 13:38:54 -0700 (PDT)
From: eric <ehill@best.com>
To: mother@hyperreal.org
Subject: Re: (atom) AH format evolution continues...
> It just seems like now that Uwe has moved beyond the "techno" mentality
> to other more worldly multicultural endeavors, trying to beatmatch some
> of the newer material might sound a bit silly.
no way! that's the thing for me though: it doesn't matter what he's
concerned with (or unconcerned, as the case may be), because dj's have
historically used any source material that they can get their mitts on.
now to be sure, many dj's are locked into their styles and so it wouldn't
be generally cost effective to make vinyl in order to become a player in
the mass-dj market, but the value in having freaked out records like this
available can't be understated. i would bet that many dj's who would use
uwe tracks in their sets are unconcerned with such strictures as
beatmatching anyway.
speaking of, does anyone have a review of the uwe track on the era vulgaris
12"? i saw it on a sale list the other day...
eric
Date: Wed, 26 Aug 1998 15:58:59 -0500 (CDT)
From: Noah <njurcin@orion.it.luc.edu>
To: Mother <mother@hyperreal.org>
Subject: Re: (atom) AH format evolution continues...
> no way! that's the thing for me though: it doesn't matter what he's
> concerned with (or unconcerned, as the case may be), because dj's have
> historically used any source material that they can get their mitts on.
I see your point. And i definitely am right with you on the DJ-as-
historian point. But this:
> but the value in having freaked out records like this available can't be
> understated.
would fall under the "fetishistic vinylphile" heading i think. Don't get
me wrong, i wouldn't mind having something like MU or BASS on vinyl, but
the reasons for me wanting that would have very little to do with sound,
which is what this all comes down to, eh? There probably aren't enough
people out there wanting to buy freakwax like that for Uwe to even break
even on something like that.
Sure, the collector's market for them might go waay high, but then it's
those collectors getting the profits, not the artist.
> i would bet that many dj's who would use uwe tracks in their sets are
> unconcerned with such strictures as beatmatching anyway.
:) DJs CAN go ahead and use his crazy tracks in their sets, if they
would simply plug a discman into the mixing board. But as you say, "many
dj's are locked into their styles," and they may not be buying ri since
most of it's not on vinyl...
no@h
. . . . . . ..... . . . . . .
Date: Wed, 26 Aug 1998 14:21:18 -0700 (PDT)
From: Sean Cooper <scooper@best.com>
To: mother@hyperreal.org
Subject: Re: (atom) AH format evolution continues...
> The only practical advantage vinyl would have that i can see, aside from
> fetishistic vinylphilistic concerns, is beatmatching which one can
> achieve with any pitch-control CD player.
unfortunately, the standard for club play is still vinyl, not cd. and so
much of uwe's music is usable (believe it or not) in a dancefloor/club
environment that it's a shame not to have the opportunity to open up
people's conception a little bit by playing it there.
> Anyway, i think if you did a count of all the vinyl releases and all the
> CD releases AH has put out, there >would< be more black discs then those
> of the silvery variety. Is this right? I've only got 1 AH release on
> vinyl so i can't really say, but i seem to remember a whole lot of 12"s
> on those long AH discographies.
i think we're talking more about the rather interesesting stuff. his
earlier techno and trance twelves are...well...not particularly
(interesting, that is).
> It just seems like now that Uwe has moved beyond the "techno" mentality
> to other more worldly multicultural endeavors, trying to beatmatch some
> of the newer material might sound a bit silly.
hardly. his rather interesting releases are just as quantized as his
earlier dance-oriented twelves, and still clearly rooted in dancefloor
styles such as electro, jazz, drum'n'bass, and other heavily rhythm-based
musics. it's "harder" on the dj to make connections between tracks that
aren't terribly jarring or abrupt, but that doesn't mean it's not possible
or even desirable. (just about all of my friends who are also djs own
_vsvn_ and _real intelligence_ and use them every time they play out.)
coldcut are a classic example of what you can do if by thinking a little
bit more creatively about what *can* be done with djing (particularly given
the variety of different styles there are out there!). this is what i
referred to earlier as pushing dj/club culture forward. music like atom
heart (and bisk, and elfish echo, and etc.) could be an important part of
that evolutionary process, but an unfortunate requirement of that (for the
most part, anyway) is that the music be availabe on vinyl. sure, there are
cd mixers, but as above they're just nowhere near standard. not even
close.
it's too bad, but it's reality.
sc
Date: Wed, 26 Aug 1998 16:56:47 -0500 (CDT)
From: Noah <njurcin@orion.it.luc.edu>
To: Mother <mother@hyperreal.org>
Subject: Re: (atom) AH format evolution continues...
> unfortunately, the standard for club play is still vinyl, not cd.
You're right, but an ordinary CD player is cheaper then a good turntable
(and a good one you will need if you have people abusing them nightly).
Clubs (and any other establishement you like) are screwing themselves by
not getting them and thus limiting the music played.
> much of uwe's music is usable (believe it or not) in a dancefloor/club
> environment that it's a shame not to have the opportunity to open up
> people's conception a little bit by playing it there.
Well, sure!
> his rather interesting releases are just as quantized as his earlier
> dance-oriented twelves, and still clearly rooted in dancefloor styles
> such as electro, jazz, drum'n'bass, and other heavily rhythm-based
> musics.
Hmmm, now i'm stuck. I mean, on the one hand, Uwe seems to be moving
slowly but surely away from the dancefloor and more toward mixing new and
old styles, danceable or not, that haven't yet fused. Take something like
Senor Coconut. Maybe you can hear dancefloor roots there (i think i can),
but the reason for that is probably because that's where Uwe comes from
and it's part of him and his style, perhaps permanently. But then there
all this salsa/rumba/latin and jazz/funk too. No one here needs me to
clarify the difference between the techno-dancefloor and the salsa-or
funk-dancefloor. And salsa and funk aren't what i was thinking of when i
mentioned the "techno mentality." And when he does emulate/innovate areas
such as DnB, it seems more for my head then my feet. Or maybe i'm simply
not a good enough dancer... ;)
> it's "harder" on the dj to make connections between tracks that aren't
> terribly jarring or abrupt, but that doesn't mean it's not possible or
> even desirable.
I'm all for blending the unblendable Sean! :)
> this is what i referred to earlier as pushing dj/club culture forward.
> music like atom heart (and bisk, and elfish echo, and etc.) could be an
> important part of that evolutionary process, but an unfortunate
> requirement of that (for the most part, anyway) is that the music be
> availabe on vinyl. sure, there are cd mixers, but as above they're just
> nowhere near standard. not even close.
nuf sed.
no@h
. . . . . . ..... . . . . . .
|nf0rm@+|0n w@n+5 +0 b3 fr33
. . . . . . ..... . . . . . .
Date: Wed, 26 Aug 1998 15:27:53 -0700 (PDT)
From: Sean Cooper <scooper@best.com>
To: mother@hyperreal.org
Subject: Re: (atom) AH format evolution continues...
> You're right, but an ordinary CD player is cheaper then a good turntable
> (and a good one you will need if you have people abusing them nightly).
true enough, but a cd player is not a cd mixer, and those are pretty
drastically more expensive! unlike eric, tho, i think i'm advocating the
opportunity to play uwe's music *as one would play most forms of club-based
dance music* (that is, in a continuous mix, not just blending tracks
together). maybe it's academic, the importance i'm placing on this. and
maybe i'm giving your average dancefloor too much credit (probably...).
but much has changed in the last couple years regarding what is
"acceptible" dancefloor music, and i don't think it's too much of a stretch
to think atom heart's music might possibly be included in that category...
maybe?...please? ;)
> Hmmm, now i'm stuck. I mean, on the one hand, Uwe seems to be moving
> slowly but surely away from the dancefloor and more toward mixing new and
> old styles, danceable or not, that haven't yet fused.
definitely. no question about that. but uwe's motivation for making his
tracks needn't be determining on how those tracks end up being used. (i
hate to get derridian about atom heart, but...ceci n'est pas une hors-
texte...there's no standard by which to nail down the "meaning" of his
music one way or the other, danceable or not).
> Take something like Senor Coconut. Maybe you can hear dancefloor roots
> there (i think i can), but the reason for that is probably because that's
> where Uwe comes from and it's part of him and his style, perhaps
> permanently. But then there all this salsa/rumba/latin and jazz/funk
> too. No one here needs me to clarify the difference between the techno-
> dancefloor and the salsa- or funk-dancefloor. And salsa and funk aren't
> what i was thinking of when i mentioned the "techno mentality." And when
> he does emulate/innovate areas such as DnB, it seems more for my head
> then my feet. Or maybe i'm simply not a good enough dancer... ;)
i see no reason why a musical hybrid formed of two distinct styles of dance
music couldn't itself be danced to, regardless of what those styles are or
whether or not they bear any relation to one another. it's just a question
of it being presented in a way that makes sense--dropping it in here and
there, innovating things slowly. quite honestly, i've been at clubs where
people were dancing to tracks from _vsvn_ and _interactive music_ (and
autechre, freeform, and even locust!)...it's just a question of how it's
played--if the dj can make it make rhythmic sense to an audience, then they
will dance to it.
sc
Date: Wed, 26 Aug 1998 18:05:17 -0500 (CDT)
From: Mark Kolmar <mkolmar@xnet.com>
To: mother@hyperreal.org
Subject: Re: (atom) AH format evolution continues...
On Wed, 26 Aug 1998, Sean Cooper wrote:
> unfortunately, the standard for club play is still vinyl, not cd. and so
> much of uwe's music is usable (believe it or not) in a dancefloor/club
> environment that it's a shame not to have the opportunity to open up
> people's conception a little bit by playing it there.
At this point he says vinyl and EPs are not economically viable. The label
I'm working with says the same. I've seen it layed-out on paper. If you
press up a bunch of 12"s, and sell them all -- after promos, time and
effort on marketing, etc. -- you can make about $10. I don't know why
people press vinyl, except for the love of it.
> i think we're talking more about the rather interesesting stuff. his
> earlier techno and trance twelves are...well...not particularly
> (interesting, that is).
Earlier on he thought a more generic techno sounds was the thing to do.
Then he got bored with it and changed his mind.
--Mark
__ <http://www.xnet.com/~mkolmar/BurningRome> <MPEG & RA audio clips>
Imminent: SENSELESS CD on Mindfield Records MindCD03 Cathartium 14
"The electricity is no better off than on."
Date: Wed, 26 Aug 1998 23:32:20 -0400 (EDT)
From: Christopher Miller <evil@digital.net>
To: ATOM HEART/LASSIGUE BENDTHAUS MAILING-LIST (#3) <mother@hyperreal.org>
Subject: (atom) Re: Where's the AH release that uses the Kyma box?
On Wed, 26 Aug 1998, Jeremy Wells asked:
> A while back I read that Uwe got himself a Kyma box (a DSP based
> synthesis engine that interfaces with a computer). Anyone know which
> recent releases, if any, have this on it???
On the new HAT album it credits in the (scant) liner notes: "dsp
processing at bratton hotel, new york.". I'm guessing that's where the
title "DSP-Holiday" comes from, hm?
psd.
.`-).
| ;
christopher miller o o'
evil@digital.net =
'
Date: Wed, 26 Aug 1998 23:39:09 +0000
From: boomboomkids <galaxey@earthlink.net>
To: Noah <njurcin@orion.it.luc.edu>
Cc: Mother <mother@hyperreal.org>
Subject: Re: (atom) AH format evolution continues...
I DON'T think any of my fave AH releases can be beat matched with anything.
His music is too unique. I think it's more of a hands on thing for me.
CDs are the bomb sound quality wise, but ever since I've been buying 12"es
(1year now, almost 5crates full) I can hardly get my self to buy CDs
anymore. Seems like the only CDs I buy are FAX/RI or other UWE stuff:)
A song like Namloop is MUST on vinyl. Uwe is way past the "TECHNO" stage
and I don't spin traditional techno anyway, but NAMLOOP has such a fucking
powerful groove (WHERE'D that kickdrum come from?) that I'd rock the house
with that!
anyway, I've stated my feeling on the CD/vinyl thing. If we did have all
the RI stuff on vinyl and CD i'd double my purchasing. Vinyl for the gigs,
CDs for the house:)
thanks for listening,
--
-gilly
........&Mac186;protest protesters&Mac186;.............
JESUS TOLD ME TO KILL- LUKE 19:27
Date: Wed, 26 Aug 1998 23:44:04 +0000
From: boomboomkids <galaxey@earthlink.net>
To: Noah <njurcin@orion.it.luc.edu>
Cc: Mother <mother@hyperreal.org>
Subject: Re: (atom) AH format evolution continues...
Well the solution I've come to is
a) either bring a DISCMAN to the gig
or
b) making DUBPLATES of my favorite AH tunes I wanna play out
DUB PLATES are pricey, but I'll prolly end up doing that. Only 10-40plays
outta them but if they rock the house and I get enough kids come up to me
and ask "what the F*#! was that" that proves money well spent!
Now if UWE would only come to the STATES to do a gig:)
--
-gilly
........&Mac186;protest protesters&Mac186;.............
JESUS TOLD ME TO KILL- LUKE 19:27
Date: Thu, 27 Aug 1998 20:20:51 -0500 (CDT)
From: Mark Kolmar <mkolmar@xnet.com>
To: mother@hyperreal.org
Subject: Re: (atom) AH format evolution continues...
On Wed, 26 Aug 1998, boomboomkids wrote:
> WHERE'D that kickdrum come from?
Fairly straightforward overdriven kick...maybe a 909 or similar kick,
through distortion fx, low bit depth (e.g. Hyperprism Sonic Decimator)?
Nice enough that I've sampled it.
--Mark
__ <http://www.xnet.com/~mkolmar/BurningRome> <MPEG & RA audio clips>
Imminent: SENSELESS CD on Mindfield Records MindCD03 Cathartium 14
"The electricity is no better off than on."
Date: Fri, 28 Aug 1998 01:27:50 -0400 (EDT)
From: Christopher Miller <evil@digital.net>
To: ATOM HEART/LASSIGUE BENDTHAUS MAILING-LIST (#3) <mother@hyperreal.org>
Subject: (atom) About The `Grocery-List'...
Heya.
Here's the latest installment of the `Uwe Schmidt Grocery-List' for
y'all to browse through. I've corrected a few things and added quite a bit
of stuff since the last time. One notable item is the exclusion of the
Pornotanz single for "CySex", which I just found out had nothing more to do
with Uwe than his lending a hand on one of the mixes. The only Pornotanz
release to feature Uwe as an actual collaborator remains the "Immaculate"
cassette.
Oh, and you guys were right on about the `MCH' production credit on
"Mono TM"... it's not Matthew Herbert (as I had mistakenly thought), but
rather the acronym for `MC Heart'. Heh.
There are a few gaps here and there, and I again request that if
anyone is able to fill any of them in then please do get in touch with me.
A separate list for `Remixes/Production' will follow in a few days.
rotaroballoc.
.`-).
| ;
christopher miller o o'
evil@digital.net =
'
Date: Fri, 28 Aug 1998 01:37:22 -0400 (EDT)
From: Christopher Miller <evil@digital.net>
To: ATOM HEART/LASSIGUE BENDTHAUS MAILING-LIST (#3) <mother@hyperreal.org>
Subject: (atom) The Uwe Schmidt Grocery-List (albums/e.p.s/singles).
.-------------------------------------------.
| T H E U W E S C H M I D T |
| G R O C E R Y - L I S T |
| ----------------------------------------- |
| a l b u m s / e. p. s / s i n g l e s |
`-------------------------------------------'
P R O J E C T -------------------------------------------------------------
# title format org label call # composer(s) year
---------------------------------------------------------------------------
A E R I A L S E R V I C E A R E A -------------------------------------
1 aerial service cd ger fax sublabel ps 08/58 schmidt/sol 1994
area /heyduck
---------------------------------------------------------------------------
A L M O S T D I G I T A L -----------------------------------------------
1 a.d. cd ger hypnotism ht03 schmidt 1995
---------------------------------------------------------------------------
A T O M H E A R T -------------------------------------------------------
1 apart 12" ger recent _____ schmidt 1996
programmings
apart cds ger recent _____ schmidt 1996
programmings
2 baud 12" ger delirium delirium 5 schmidt 1993
3 b2 cd ger r.i. ri 030 schmidt 1995
4 globescanner 12" ger delirium delirium 8 schmidt 1993
5 larger than life 12" ger after 6 a.m. a6a 2 schmidt 1993
6 live at sel i/s/c cd ger fax sublabel ps 08/41 schmidt 1994
7 live p@ cass oz cat@lyst --------- schmidt 1996
tapes
8 milagro 12" ger rough trade rtd schmidt 1994
/our choice 195.1915.0
milagro cds ger rough trade rtd schmidt 1994
/our choice 195.1915.3
9 morphogenetic cd ger rough trade rtd schmidt 1994
fields /our choice 195 1912.2
10 mother 12" ger solid spc 003 schmidt 1993
pleasure
11 music without cd ger _____ _____ schmidt 1996
purpose
12 orange cd ger fax sublabel ps 08/27 schmidt 1994
[monochrome stills]
13 pure function 12" ger after 6 a.m. a6a 1 schmidt 1993
14 shellglove cd ger recent rp 1814 schmidt 1996
programmings
15 whitehouse 12" ger cyclotron leptone 11 schmidt 1991
/ 050-11375
whitehouse 12" uk rising high rsn 8 schmidt 1991
whitehouse cds ger cyclotron _____ schmidt 1991
whitehouse cds uk rising high _____ schmidt 1991
16 _______________ cd ger _____ _____ schmidt 1997
---------------------------------------------------------------------------
A T O M H E A R T & E Y E P H O N E ---------------------------------
1 micropossessed cd container container schmidt 1997
002 /behrens
---------------------------------------------------------------------------
A T O M U ' S H I N Z O -------------------------------------------------
1 act cd ger pod podcd 032 schmidt 1993
2 atomu got it 12" ___ disturbance _____ schmidt 1993
3 check out da bass 12" ger pod pod 035 schmidt 1993
4 cool memories 12" ___ black label _____ schmidt 1993
5 por que? 12" ___ antigroove _____ schmidt 1992
6 track 23 12" ___ antigroove _____ schmidt 1992
---------------------------------------------------------------------------
B A S S -------------------------------------------------------------------
1 binary amplified cd ger r.i. ri 032 schmidt 1995
super stereo
---------------------------------------------------------------------------
B I - F A C E -------------------------------------------------------------
1 free e.p. 12" ger aural rec. _____ schmidt/feos 1992
2 137 e.p. 12" ger pod pod 024 schmidt/feos 1992
---------------------------------------------------------------------------
T H E B I T N I K S -----------------------------------------------------
1 halograms cd ger hypnotism ht03 schmidt 1994
/bitniks
---------------------------------------------------------------------------
B R O W N -----------------------------------------------------------------
1 brown cd ger r.i. ri 036 schmidt 1996
---------------------------------------------------------------------------
C O E U R A T O M I Q U E -----------------------------------------------
1 atom age 12" ger fax sublabel ps 08/24 schmidt 1993
2 coeur atomique cd ger fax sublabel ps 08/27 schmidt 1993
3 sundance 12" ger fax sublabel ps 08/18 schmidt 1993
---------------------------------------------------------------------------
D ' A M M O N D -----------------------------------------------------------
1 i want you 12" ger pod pod 031 schmidt 1992
/carbon/d'ammond
---------------------------------------------------------------------------
D A T A C I D E -----------------------------------------------------------
1 datacide cd ger pod pod cd 031 schmidt 1993
/inoue
2 datacide II cd ger fax sublabel ps 08/31 schmidt 1993
/inoue
3 the extasy of 12" ger pod pod 034 schmidt 1993
communication /inoue
4 flowerhead cd ger r.i. ri 026 schmidt 1995
/inoue
flowerhead cd us asphodel asphodel schmidt 1996
0964 /inoue
5 head dance 12" ger fax sublabel ps 08/32 schmidt 1993
/inoue
6 ondas promo cd jap daisy world _____ schmidt 1997
/inoue
ondas cd ger r.i. ri 040 schmidt 1996
/inoue
ondas cd jap daisy world sydw-0004 schmidt 1997
/inoue
---------------------------------------------------------------------------
D O T S -------------------------------------------------------------------
1 elevator music cd ger r.i. ri 024 schmidt 1994
---------------------------------------------------------------------------
D R . M U E L L E R -----------------------------------------------------
1 nipples & bass ep 12" uk ss records ss 10 schmidt 1993
---------------------------------------------------------------------------
e e S U R R E A L -------------------------------------------------------
1 ee surreal cd ger pod _____ schmidt 1994
/finkbeiner
---------------------------------------------------------------------------
F L E X T O N E -----------------------------------------------------------
1 flextone test 2xlp ger r.i. ri 023v schmidt 1994
flextone 2xlp ger r.i. ri 023v schmidt 1994
flextone cd ger r.i. ri 023 schmidt 1994
---------------------------------------------------------------------------
F O N O S A N D W I C H ---------------------------------------------------
1 fonosandwich cd ger r.i. ri 045 schmidt 1997
---------------------------------------------------------------------------
G O N ---------------------------------------------------------------------
1 retrograde e.p. 12" ger pod england poduk 023 schmidt/jack 1994
2 world shuffle cd ger r.i. _____ schmidt/jack 1998
---------------------------------------------------------------------------
H A T ---------------------------------------------------------------------
1 dsp-holiday cd jap daisy world sydw-12 schmidt 1998
/inoue/hosono
2 tokyo promo cd jap daisy world sydw-0001d schmidt 1996
- frankfurt /inoue/hosono
- new york
tokyo cd ger r.i. ri 037 schmidt 1996
- frankfurt /inoue/hosono
- new york
tokyo cd jap daisy world sydw-0001 schmidt 1996
- frankfurt /inoue/hosono
- new york
3 _______________ 12" jap daisy world _____ schmidt 1996
/inoue/hosono
---------------------------------------------------------------------------
i -------------------------------------------------------------------------
1 percussion overdose 12" ger pod _____ schmidt 1992
2 repetitive cd ger pod pod cd 023 schmidt 1992
digital noise /inoue
/danner/groger
3 tinned music 2xlp ger pod pod lp 033 schmidt 1994
tinned music cd ger pod pod cd 033 schmidt 1994
4 warm sunday 12" ger pod pod 027 schmidt 1992
---------------------------------------------------------------------------
I N T E R A C T I V E M U S I C -----------------------------------------
1 interactive music cd ger r.i. ri 027 schmidt 1995
---------------------------------------------------------------------------
J E T C H A M B E R -----------------------------------------------------
1 jet chamber cd ger fax pk 08/102 schmidt 1995
/namlook
2 jet chamber II cd ger fax pk 08/115 schmidt 1996
/namlook
3 jet chamber III cd ger fax pk 08/125 schmidt 1997
/namlook
4 jet chamber IV cd ger fax pk 08/137 schmidt 1998
/namlook
---------------------------------------------------------------------------
L A S S I G U E B E N D T H A U S ---------------------------------------
1 automotif test 12" ger parade phoe 015 schmidt 1991
amoureuse
automotif 12" ger parade phoe 015 schmidt 1991
amoureuse
automotif cds ger parade _____ schmidt 1991
amoureuse
2 biofeedback 12" contempo conte 210 schmidt 1992
biofeedback cds contempo tempodisc schmidt 1992
210
3 biohazard 12" aus contempo conte 206 schmidt 1992
biohazard cds aus contempo tempodisc schmidt 1992
206
4 cloned lp ___ contempo conte 207 schmidt 1992
cloned cd ___ contempo contedisc schmidt 1992
207
cloned cd aus kk kk 114 schmidt 1994
cloned cd us metropolis met 006 schmidt 1994
5 cloned:binary cd aus contempo contedisc schmidt 1992
207kl
6 the engineers love cass ger n.g. medien _____ schmidt 1988
7 hertz 12" ger parade phoe 020 schmidt 1990
amoureuse
hertz clear vinyl 12" ger parade phoe 020 schmidt 1990
amoureuse / spv 50-11305
hertz cds ger parade phoe schmidt 1991
amoureuse 020/mcd
8 matter lp ger parade phoe 019 schmidt 1991
amoureuse
matter clear vinyl lp ger parade _____ schmidt 1991
amoureuse
matter cd ger parade phoe schmidt 1991
amoureuse 019/cd
matter cd aus kk kk 113 schmidt 1994
matter cd us metropolis _____ schmidt 1994
9 overflow test 12" ger kk kk 132 schmidt 1995
overflow 12" ger kk kk 132 schmidt 1995
overflow cds ger kk kk 132 schmidt 1995
/ 390
1132-3
10 pop artificielle cd kk kk 141 schmidt 1998
11 render lp aus kk kk 115 schmidt 1994
/ 390 111
1115 1
render cd aus kk kk 115 schmidt 1994
/ 390
1115 2
render cd us restless/kk 7 72813-2 schmidt 1994
12 render audible lp aus kk kk 127 schmidt 1994
u.s. remixes / 390
1127-1
render audible cd aus kk kk 127 schmidt 1994
u.s. remixes / 390
1127-2
---------------------------------------------------------------------------
L I S A C A R B O N / T H E L I S A C A R B O N T R I O
/ L I S A C A R B O N & F R I E N D S ----------------------------
1 experimental post cd us sonic snc-2025-2 schmidt 1993
techno swing /carbon
2 opto freestyle 12" ger pod pod 032 schmidt 1992
swing /carbon
3 polyester test lp uk rephlex cat 026 schmidt 1994
/carbon
polyester lp uk rephlex cat 026 lp schmidt 1996
/carbon
polyester cd uk rephlex cat 026 cd schmidt 1996
/carbon
4 stereococktail lp ger pod pod lp 037 schmidt 1993
/carbon
stereococktail cd ger pod pod cd 037 schmidt 1993
/carbon
5 trio de promo cd jap daisy world _____ schmidt 1997
janeiro /carbon
trio de janeiro cd ger r.i. ri 043 schmidt 1997
/carbon
trio de janeiro cd jap daisy world sydw-0003 schmidt 1997
/carbon
---------------------------------------------------------------------------
M A C H I N E P A I S L E Y ---------------------------------------------
1 machine paisley cd ger r.i. ri 035 schmidt 1996
/carbon/inoue
---------------------------------------------------------------------------
M A S T E R S O F P S Y C H E D E L I C A M B I A N C E -------------
1 mu cd ger r.i. ri 028 schmidt 1995
/inoue
---------------------------------------------------------------------------
M I K E M c C O Y -------------------------------------------------------
1 azid ramcash 12" ger jj jj 001 schmidt 1994
2 azid ramcash II 12" ger jj jj 003 schmidt 1994
3 acid ramcash 3 12" ger jj jj 004 schmidt 1994
4 acid ramcash 4 12" ger jj/delirium jj 007 schmidt 1994
---------------------------------------------------------------------------
M I L L E N I U M ---------------------------------------------------------
1 vektor 12" ger pod pod 033 schmidt 1992
/namlook
---------------------------------------------------------------------------
M O N O T M -------------------------------------------------------------
1 mono trademark cd ger r.i. ri 038 schmidt 1996
---------------------------------------------------------------------------
M / S / O -----------------------------------------------------------------
1 trax 12" ger pod pod 030 schmidt 1992
heiko/m/s/o
---------------------------------------------------------------------------
+ N -----------------------------------------------------------------------
1 built cd ger r.i. ri 039 schmidt/sol 1996
/heyduck/watson
2 ex.s cd sp geometrik gr 04 schmidt/sol 1993
/rotor /elln/stocha
/heyduck/carter
/fanni tutti
3 plane cd ger fax sublabel ps 08/46 schmidt 1994
/sol/heyduck
---------------------------------------------------------------------------
N A T U R A L I S T -------------------------------------------------------
1 naturalist cd ger r.i. ri 048 schmidt 1998
---------------------------------------------------------------------------
O N G A K U ---------------------------------------------------------------
1 mihon 12" ger pod pod 026 schmidt 1992
/heiko/ata/m/s/o
mihon 12" uk rising high rsn 41 schmidt 1992
/heiko/ata/m/s/o
---------------------------------------------------------------------------
P I N K E L L N & A T O M H E A R T -------------------------------
1 electronikkaa test 12" uk rising high rsn 71 schmidt/ellm 1993
2 electronique 12" ongaku music _____ schmidt/elln 1993
electronique 12" uk rising high rsn 71 schmidt/elln 1993
---------------------------------------------------------------------------
P O R N O T A N Z ---------------------------------------------------------
1 immaculate cass ger n.g. medien _____ schmidt 1986
/kuhne
/finkbeiner
---------------------------------------------------------------------------
T H E R O G E R T U B E S O U N D E N S E M B L E -------------------
1 pentatonic surprise cd ger r.i. ri 046 schmidt 1997
---------------------------------------------------------------------------
S C H N I T T S T E L L E -------------------------------------------------
1 schnittstelle cd ger r.i. ri 047 schmidt 1998
---------------------------------------------------------------------------
S E C O N D N A T U R E -------------------------------------------------
1 second nature cd ger fax records ps 08/78 schmidt 1995
/inoue/laswell
second nature cd us sub meta _____ schmidt 1996
/inoue/laswell
---------------------------------------------------------------------------
S E M I A C O U S T I C N A T U R E -------------------------------------
1 semiacoustic nature cd ger r.i. ri 029 schmidt 1995
---------------------------------------------------------------------------
S E N O R C O C O N U T -------------------------------------------------
1 gran baile con... cd ger r.i. ri 044 schmidt 1997
senor coconut
gran baile con... cd jap akashic amct-2576 schmidt 1998
senor coconut /eastwest
---------------------------------------------------------------------------
S I L V E R S O U N D ---------------------------------------------------
1 60 cd ger r.i. ri 031 schmidt 1995
---------------------------------------------------------------------------
S L O T -------------------------------------------------------------------
1 dance 12" ___ cyclotron _____ schmidt 1991
---------------------------------------------------------------------------
S O F T C O R E -----------------------------------------------------------
1 softcore cd ger fax sublabel ps 08/53 schmidt 1994
---------------------------------------------------------------------------
S O U N D F I E L D S -----------------------------------------------------
1 soundfields 12" uk klang klang 05 schmidt 1994
---------------------------------------------------------------------------
S U B S E Q U E N C E -----------------------------------------------------
1 dns recombination 12" ger fax records pk 08/60 schmidt 1993
/namlook
2 healthy 12" ger fax records pk 08/28 schmidt 1993
/namlook
3 invocation 12" ger fax records pk 08/19 schmidt 1992
/namlook
4 walking in my 12" ger fax records pk 08/46 schmidt 1993
dreams /namlook
---------------------------------------------------------------------------
S U P E R F I C I A L D E P T H -----------------------------------------
1 digital cd us side effects dfx 28 schmidt 1997
superimposing
---------------------------------------------------------------------------
S Y N T H A D E L I C -----------------------------------------------------
1 secretary 12" ger fax records pk 08/15 schmidt 1993
/namlook
secretary 12" grand mal _____ schmidt 1993
/namlook
secretary cds grand mal _____ schmidt 1993
/namlook
2 it's a dirty job 12" ger fax records pk 08/61 schmidt 1993
/namlook
---------------------------------------------------------------------------
U R B A N P R I M I T I V I S M -----------------------------------------
1 fraud 12" ___ black label _____ schmidt 1993
2 f***! 12" ger pod pod 037 schmidt 1993
3 684 cd ger pod podcd 028 schmidt 1993
---------------------------------------------------------------------------
V S V N -------------------------------------------------------------------
1 very synthetic 2xlp ger r.i. ri 025v schmidt 1994
virtual noise
very synthetic cd ger r.i. ri 025 schmidt 1994
virtual noise
---------------------------------------------------------------------------
W E I R D S H I T -------------------------------------------------------
1 goddamn drummachine 12" ___ cyclotron _____ schmidt 1991
---------------------------------------------------------------------------
Date: Fri, 28 Aug 1998 09:10:13 -0500 (CDT)
From: Noah <njurcin@orion.it.luc.edu>
To: Christopher Miller <evil@digital.net>
Cc: ATOM HEART/LASSIGUE BENDTHAUS MAILING-LIST (#3) <mother@hyperreal.org>
Subject: Re: (atom) The Uwe Schmidt Grocery-List (albums/e.p.s/singles).
Alright what the heck is this:
G O N world shuffle cd ger r.i. schmidt/jack 1998
Lemme guess, not out yet?
Also, anyone have any online ways to contact Akashic Records?
no@h
. . . . . . ..... . . . . . .
Date: Sat, 29 Aug 1998 00:03:29 -0400 (EDT)
From: Christopher Miller <evil@digital.net>
To: ATOM HEART/LASSIGUE BENDTHAUS MAILING-LIST (#3) <mother@hyperreal.org>
Subject: (atom) Re: The Uwe Schmidt Grocery-List (albums/e.p.s/singles).
On Fri, 28 Aug 1998, Noah asked:
> Alright what the heck is this:
>
> G O N world shuffle cd ger r.i. schmidt/jack 1998
>
> Lemme guess, not out yet?
Yeah, sorry about that. This release I just included in anticipation
of its release. Everything else on the list should have already been
released at one point.
> anyone have any online ways to contact Akashic Records?
Looking at the "Senor Coconut" (Japanese) sleeve... um, no it doesn't
offer anything in the way of either a url or e-mail address. Doncha hate
that?
cihsaka.
.`-).
| ;
christopher miller o o'
evil@digital.net =
'
Date: Sun, 30 Aug 98 16:53:42 -0500
From: nhetrick <nhetrick@idsonline.com>
Cc: Mother <mother@hyperreal.org>
Subject: Re: (atom) AH format / FONOSANDWHICH
I rather like Fonosandwich...parts of it funk well, and then there are
hilarious samples like "They call it donut, but it doesn't have a hole...."
If you can find it, get it -- it's bound to be as good as (if not better
than) most stuff by other artists anyway, right? ;-)
BTW, if you can't find it, I'd be willing to tape you copy (perhaps better
than nothing...at least you could hear what it's like).
Neil Hetrick
nhetrick@idsonline.com
onnow - Philip Glass "Low" Symphony
Date: Sun, 30 Aug 98 16:53:46 -0500
From: nhetrick <nhetrick@idsonline.com>
To: mother@hyperreal.org
Subject: Re: (atom) AH format / FONOSANDWHICH
Bryan Campbell wrote:
> Anyone else here think A.H.'s electro style is ultra-tasty? +N's
> "Elektron" is probably the pinacle for me, with Mono Trademarks
> "Arhythmattack" is a close second.
Absolutely, and his _production_ style makes these all the better, 'cos the
resonant zaps are so pristine, and the ultra low bass so BIG....
BTW, my fave electro bits from Uwe are probably "Copacabana Palace" from
Machine Paisley, and "Overflow Fluid Mix" from the Lassigue Bendthaus
"Overflow" single.
Neil Hetrick
nhetrick@idsonline.com
Date: Sun, 30 Aug 1998 14:14:43 -0700
From: Jeremy Wells <conflux@oneworld.owt.com>
To: mother@hyperreal.org
Subject: (atom) Is pop artificielle (LB) out yet?
Anyone know?
-Jeremy
-----------------------------------------------------
"You have come for knowledge. There will be pleasure.
Because knowledge is sexy. There will also be pain.
Because knowledge is torture." - Jeff Noon, "Vurt"
http://users.owt.com/conflux
-----------------------------------------------------
Date: Sun, 30 Aug 1998 17:23:47 -0400 (EDT)
From: laerm <laerm@voicenet.com>
To: mother@hyperreal.org
Subject: Re: (atom) Is pop artificielle (LB) out yet?
On Sun, 30 Aug 1998, Jeremy Wells wrote:
> Anyone know?
in a word, no.
*
####
a disturbance in a system. ####
laerm. @voicenet.com ####
a fortune cookie i ate 08/06/98 told me: "a girlfriend is a
wine bottle. a wife is a bottle of wine."
Date: Sun, 30 Aug 1998 22:42:05 -0400 (EDT)
From: Hal Vx2 <macos@icomm.ca>
To: Jeremy Wells <conflux@oneworld.owt.com>
Cc: mother@hyperreal.org
Subject: Re: (atom) Is pop artificielle (LB) out yet?
It was completed a month ago and is currently being pressed. Should be
release in the next few months, probably December.
Hal.
Date: Mon, 31 Aug 1998 02:56:06 -0400 (EDT)
From: Christopher Miller <evil@digital.net>
To: ATOM HEART/LASSIGUE BENDTHAUS MAILING-LIST (#3) <mother@hyperreal.org>
Subject: (atom) lead - Fonosandwich, Senor Coconut, Jet Chamber
Ahem.
This guy's got the following two AH/related cds for sale/trade from
his current list:
Carsten <Carsten@trance.net>
> I have some CD's for trade or sale. All of them are new - many are
> sealed.
>
> PK 08/115 Pete Namlook & Atom Heart Jet Chamber II
> PK 08/125 Pete Namlook & Atom Heart Jet Chamber III
> PK 08/137 Pete Namlook & Atom Heart Jet Chamber IV
> RI 044 Senor Coconut Senor Coconut
> RI 045 Atom Heart Fonosandwich
>
> Trade: Mainly looking for Fax, Roach & Obmana.
> Sale: CD - US$ 16
>
> - All prices incl. shipping worldwide
> - Visa & MasterCard accepted
> - 5% off if you buy 5 CD's or more
Date: Mon, 31 Aug 1998 11:36:07 -0500 (CDT)
From: Noah <njurcin@orion.it.luc.edu>
To: Mother <mother@hyperreal.org>
Subject: (atom) antipating Groceries
> > G O N world shuffle cd ger r.i. schmidt/jack 1998
>
> Yeah, sorry about that. This release I just included in anticipation of
> its release. Everything else on the list should have already been
> released at one point.
Cool, well then there's at least 2 AH-relateds i'm really looking forward
to hearing which aren't out yet. This and the Bern'd Friedmann collab
thingy.
> > anyone have any online ways to contact Akashic Records?
>
> Looking at the "Senor Coconut" (Japanese) sleeve... um, no it doesn't
> offer anything in the way of either a url or e-mail address. Doncha hate
> that?
oh damn. Yes i hate that.
no@h
. . . . . . ..... . . . . . .
|nf0rm@+|0n w@n+5 +0 b3 fr33
. . . . . . ..... . . . . . .
Date: Mon, 31 Aug 1998 14:08:56 +0000
From: boomboomkids <galaxey@earthlink.net>
To: Christopher Miller <evil@digital.net>
Cc: ATOM HEART/LASSIGUE BENDTHAUS MAILING-LIST (#3) <mother@hyperreal.org>
Subject: DSP Holiday/Naturalist (don't hate me)
1. Is the DSP Holiday going to be available as import ONLY? I heard some
of you dudes pay like $30+ for it, no? Hmmmmm
2. is Naturalist out? My local shop usually gets the RI stuff when it's out
but I have not seen it there yet.....
-gilly
np: HAT
........&Mac186;protest protesters&Mac186;.............
JESUS TOLD ME TO KILL- LUKE 19:27
Date: Mon, 31 Aug 1998 14:21:13 -0700 (PDT)
From: Sean Cooper <scooper@best.com>
To: mother@hyperreal.org
Subject: Re: (atom) DSP Holiday/Naturalist (don't hate me)
> 1. Is the DSP Holiday going to be available as import ONLY? I heard some
> of you dudes pay like $30+ for it, no? Hmmmmm
this dude payed a little less than that, but that's pretty close. let me
just say that it's worth every penny, tho. i'll have a review w/ realaudio
samples up at urban sounds in the next couple weeks. (promises!)
> 2. is Naturalist out? My local shop usually gets the RI stuff when it's
> out but I have not seen it there yet.....
it's out. charlie's been on vacation, tho, so you should see it show up
this week. (charlie doe fax/ri distribution in the u.s.)
sc
Date: Mon, 31 Aug 1998 18:08:50 -0400
From: Jason J. Tar <tarjason@pilot.msu.edu>
To: mother@hyperreal.org
Subject: (atom) Dots...yet again.
Hello,
My local shop for some reason has _Dots_ in yet again! (They keep getting
this, but fail to get the new material. Why? Beyond comprehension.) So
if anyone would like to trade the new HAT (doubtful, but I can hope) or
_Schnittstelle_ & $4 for it, I'd be more than happy to send one out to you.
Thanks.
JJTar.
---
Peace Hugs and Unity Jason J. Tar
W. W. J. D?
(What would Jason Do?)
http://pilot.msu.edu/user/tarjason
ICQ@13792120
Date: Mon, 31 Aug 1998 18:56:57 -0700
From: "~(({[Endemic~Distortion]}))~" <jpklein@flash.net>
To: galaxey@earthlink.net, Uwe and Friends <mother@hyperreal.org>
Subject: Re: (atom) DSP Holiday/Naturalist (don't hate me)
Naturalist has been out and it is indeed lovely. Try David Hodgson
pbe@rt66.com for good prices and excellent service. Tell him I said "hi"
(David's weekly email catalog is one of the best things going for fresh
and off the road taste sensations. HIGHLY recommended)
jeff
--
dancing/about/architechture "...with wandering steps and slow..." ICQ904008