Date: Tue, 01 Jun 1999 04:17:54 -0500
From: "Mr. Tangent" <tangent@mntvernon.net>
To: Atom Heart Mailing List <mother@hyperreal.org>
Subject: (atom) Our Datacide?

http://www.w2.com/datacide.html

Can anyone more knowledgeable than I go to this page and tell me if this is
the same Datacide (Atom Heart) that we know and love? If so, I thought the
early Datacide releases were on Pod Records, not "Enemy Records"? Could
someone clarify?

btw, did the Flanger cd (or cd singles??) ever come out? All I know is the
vinyl promo that was released a few months back.



Date: Tue, 1 Jun 1999 08:33:21 -0500 (CDT)
From: Jeremy J Graham <xor@utdallas.edu>
To: "Mr. Tangent" <tangent@mntvernon.net>
Cc: Atom Heart Mailing List <mother@hyperreal.org>
Subject: Re: (atom) Our Datacide?

> Can anyone more knowledgeable than I go to this page and tell me if this
> is the same Datacide (Atom Heart) that we know and love? If so, I
> thought the early Datacide releases were on Pod Records, not "Enemy
> Records"? Could someone clarify?

I don't know much about this but I DO know that there is another Datacide
out there.

> btw, did the Flanger cd (or cd singles??) ever come out? All I know is
> the vinyl promo that was released a few months back.

The CD is due on NTone on June 15.



Date: Tue, 1 Jun 1999 15:39:19 -0400 (EDT)
From: Christopher Miller <evil@digital.net>
To: ATOM HEART/LASSIGUE BENDTHAUS MAILING-LIST (#3) <mother@hyperreal.org>
Subject: (atom) Del Haze Entertainment News - June 1999

:: :::::::
::
:::::::::::::::::
:: :: ::
::::::. :::::::

*news june 1999*

....................................


*music*

- atom heart is heading to italy for various shows as *digital jockey senor
coconut*. further he will record with adamski, who now is located in
bologna, on a collaboration project.

- digital jockey senor coconut live (just in case you spend the northern
hemisphere summer in europe):

june 19th club cocorico, riccione/italy, performance at 2 am
june 26th club @pocalisse, brescia airport/italy, performance at 1 am

- the atom heart sample cd will be entitled *atomizer^¡* (and not *sonic
tonic* as mentioned in the last mailing).

- recordings for next *rather interesting* release entitled *erik satin:
light music*

- check out sound of the month at
http://www.faxlabel.com/ratherinteresting.html


*communication*

- macos members: 347
- macos (musicians against copyrighting of samples) internet
address: http://www.icomm.ca/macos
- macos mailing list: macos-list@resrocket.com
- macos e-mail address: macos@icomm.ca
- atom heart website:
http://www.hyperreal.org/music/artists/atom_heart/
- rather interesting website:
http://www.hyperreal.org/music/labels/rather_interesting/
- atom heart booking: contact del haze entertainment directly
- rather interesting review site: http://www.datacide.org/
- another rather interesting website:
http://www.faxlabel.com/ratherinteresting.html

- rather interesting distribution and mailorder:


europe:

emc distribution service
tel: +49-6039/45406
fax: +49-6039/931566
e-mail: thier@wiwi.uni-frankfurt.de


u.s.a./pacific rim/asia:

fax label u.s.a.
tel/fax: +1-415/383 7990
e-mail: faxlabel@sirius.com
http://www.faxlabel.com/distribution.html


australia/new zealand:

Andre Ruello,
tel: 0414 611635
fax: 9879 6501
e-mail: andre@urban-buffalo.com.au
http://www.faxlabel.com


*2000*

atom heart will remix the record of the pope.

....................................

::::::::::::::::::::::::::::::::::::::
:: ::
:: del haze entertainment ::
:: pedro lira 1473 a ::
:: providencia ::
:: santiago ::
:: ::
:: tel: ++56-2-2042728 ::
:: fax: ++56-2-3419870 ::
:: e-mail: delhaze@netup.cl ::
:: ::
::::::::::::::::::::::::::::::::::::::



Date: Tue, 01 Jun 1999 17:41:42 -0700
From: boomboomkid <galaxey@earthlink.net>
To: Jeremy J Graham <xor@utdallas.edu>
Cc: "Mr. Tangent" <tangent@mntvernon.net>,
Atom Heart Mailing List <mother@hyperreal.org>
Subject: Re: (atom) Our Datacide?

Yes there is another DATACIDE and it is related to some HARDCORE stuff ala
AMBUSH and the french hardcore scene. IMO it is shit. Don't worry about it.

--

"atom heart will remix the record of the pope."- Atom Heart.



Date: Wed, 2 Jun 1999 03:26:13 -0500
From: Gary Hendershot <ghenders@gary-hendershot.com>
To: "Atom_Heart_List (E-mail)" <mother@hyperreal.org>
Subject: (atom) The Datacide Conundrum

I know nothing of a 3rd Datacide (i.e. -- French hardcore), but the "other"
Datacide is a Elliot Sharp & Lisa Carbon duo.

OK, don't believe that Lisa Carbon rubbish I just said! It's really just
Elliot Sharp (an avant-noise guitarist) & Carbon. Carbon is the name of
the band that backs Elliot Sharp. I believe they have at least 3 CD albums
out, maybe more. I've been seeing them around on occasion in the CD bins
for several years now, possibly as many as 10 years. Anyone wanna research
this Sharp & Carbon stuff? I'm too tired.


C:\Gary H>
ghenders@gary-hendershot.com
http://www.gary-hendershot.com/
Houston, TX USA



Date: Wed, 02 Jun 1999 15:10:49 -0500
From: "Mr. Tangent" <tangent@mntvernon.net>
To: Atom Heart Mailing List <mother@hyperreal.org>
Subject: (atom) "Pop Singleficielle"?

Is there any plans for another single from "Pop Artificielle" other than
"Jealous Guy"? Please, PLEASE say it's so, Uwe! I would recommend "Ashes
to Ashes" or "Angie" get the Uweficiation remix treatment.

Lastly, any plans on another HAT album?



Date: Thu, 03 Jun 1999 15:03:14 -0500
From: "Mr. Tangent" <tangent@mntvernon.net>
To: Atom Heart Mailing List <mother@hyperreal.org>
Subject: (atom) Flanger

> Has the full length cd been released? What is the title?

Addendum:

I found out a pre-order release date on the web as June 14 for the full
length Flanger release. Is this correct?

Mr. Tangent



Date: Thu, 03 Jun 1999 15:01:24 -0500
From: "Mr. Tangent" <tangent@mntvernon.net>
To: Atom Heart Mailing List <mother@hyperreal.org>
Subject: (atom) Flanger

So... I've gotten mixed messages about the release of Flanger. The
"Templates" ep released a few months ago was VINYL only, right? And it was
my understanding that the material on "Templates" was just a taster for the
material on the full length cd, right? And that the material on
"Templates" would be also found on the full length cd with no bonus
material, right?

Has the full length cd been released? What is the title? Any other
Flanger releases?

Thanks in advance!

Mr. Tangent



Date: Thu, 03 Jun 1999 13:19:13 -0700
From: Sean Cooper <scooper@best.com>
To: mother@hyperreal.org
Subject: Re: (atom) Flanger

At 03:03 PM 6/3/99 -0500, you wrote:

> I found out a pre-order release date on the web as June 14 for the full
> length Flanger release. Is this correct?

i have an advance in-hand. it's called templates, and consists of the
previously released 12-inch and an additional four tracks, which will
comprise a second 12-inch released simultaneously with the cd.

sc



Date: Thu, 3 Jun 1999 17:36:42 -0500 (CDT)
From: pHonaut <njurcin@orion.it.luc.edu>
To: Madre <mother@hyperreal.org>
Cc: 2350 Reviews <laps@2350.org>
Subject: (atom) review: Brown

Brown (RI036)

Every month or so we get a new album from this guy Uwe, and somehow he
never seems to compromise the quality of his music despite such an
overwhelming release schedule. And you thought Phloyd were prolific?!
Well, once again, Atom Heart amazes with a release that might, at least
superficially, remind you of an older Faxlabel release, Orange.
Apparently, orange was Uwe's favorite color when that album was being
made, and this time it's brown. This album isn't similar to the
bleakscapes explored with Orange's [monochrome stills]. Musically, we've
got a whole new ball game. In fact, I'm not so sure Uwe's even playing
ball anymore....

My first impression of this disc was that it was a bit too clangy for me,
but upon closer inspection (which often takes months) that aspect of the
album seemed to diminish while the plentiful stylized melodies embedded in
most of the tracks gradually won me over. Brown is a very musical album
overall that will (once again) seize your temporal lobes by surprise.

Planned for release back in April of '96, Brown was held up in U.S. customs
because the worldly, cultured people working there couldn't quite conceive
of someone wanting to release an album with no writing or imagery
whatsoever on the outside of it. Music with no commercialized packaging,
no song titles, NO BAND COVER-PHOTO?!?! We'll just have to hold on to this
shipment, they concluded. And they did. It was subsequently displaced
into the "stratified entry program" and the actual stateside release was
delayed for weeks. In fact, many Heart-o-philes had the next release, HAT,
before they could even get their eager hands on Brown. It was decided that
if each copy of Brown had a "Made In Germany" sticker on it, it was
allowed. Why that should make a difference remains a mystery, considering
there was already a German labelcode ("LC6269") on the bottom of the back
cover. But enough with unnecessary setbacks caused by myopic governing
bodies, it's time to get into summa these fine vibes!

01 Coloursoul - Look out everyone it's haaarrrrrd coooore!
THUMPTHUMPTHUMPTHUMP! But wait! Some benevolent being is softening the
HardCore bassdrum, it's... becoming soft it's... melting away... A
momentary lapse of beats that leaves you hanging on the edge your
stereophonic sofa, and then aaahhhh, a cool splash of music hits you in
the face. A stylin' yet scratchy drum pattern lays down the rhythm, how
does he do it? We'll walk to border between the silky sweet smoothness
of Uwe's melodic contours and the harshness of a jagged digital drumset.
Sterile, yet down an dirty. A there's a message for you....

02 Planters Punch - I always have to chuckle inwardly about the way this
track opens up. The sound gives me flashbacks of that dude in Beat
Street playing the 2 cowbells along with his turntables... a timeless
image, yes. The fun picks up immediately with no time wasted as the
soul-low flows effortlessly from Atom Heart's nimble fingers, channeled
through the machines, and into your ears. Playful, carefree Muzak. And
after a mere 3 minutes of it we've got another meltdown on our hands.
The bassline retreats, some other atmospheric sounds appear, and soon
after the rhythms drop out completely and you're left floating shapeless
above the electronic wildlife scampering about. We drift unnoticeably
into the next track...

03 While My Synthe Gently Sweeps - Fireflies, music boxes, pots and pans...
this is beginning to sound like a digitized camping trip. Here are some
sounds that will pulsate you into a catnap... beneath the tree canopy.
They follow a loose pattern, along with a deep boomy bass that eases
itself in with a gentle rumble. That trademark oscillating tone we can
find on several other RI releases is here as well. And another Beatles
reference, what are we up to, four now? A peculiar track, indeed.
Don't know how, but it works just fine!

04 Machines Are O.K.! - What's that you say?!

05 It's So Cool (I Can't Help It) - Scratching, it's the Jockey sensation
that spread like wildfire ever since Whodini, U.T.F.O., and Run-DMC
roamed the lands. For those of us who can only take so much of these
clever hippy-hoppin' turntablist antics, the humor factor at work here
is high. You've all seen this DJ, he can be found in so many music
scenes around the world. He promises only the phatest of beatz, and in
an effort win the crowd over with his charming skillzzz, he finds
himself trapped in a self-induced hypnotic loop, finger wobbling back
and forth over the shiney black slab-o-wax. And the sound of it is just
so inescapably curious! He can't stop, it's the degree of control and
the physics of the vibrationz that gets him all caught up, oblivious to
the crowd who's getting sick of it right about now. Shake it, shake
it...

06 The One After 808 - In one channel we hear, "123123123123123" while back
over on the opposite side we hear "123451234512345." All the while a
heavy 4/4 thump counts out a solid beat. The number streams overlap at
different, accumulating intervals. Get hooked on headphonics. A
similar technique to this rainbow-reading number-counting scheme has
showed up more recently on the album by Boards of Canada. Perhaps it's
a method of getting people more familiar with the various other time
signatures that the different instruments are following. Perhaps not.
Either way, this is a pretty cool track.

07 Double Adventure - What could that mean? The first 10 seconds is a dead
giveaway: this track is both fast *and* slow. The beat kicks in, and
this heavy rhythmic artillary tells us that Uwe has decided to take the
high road. It's more difficult, but it's quicker. So much going on
here. The synths squeak and squeal, tweaking in every conceivable
direction. That's the thing with this album, the chaos would sometimes
be too much if it weren't for the beats keeping everything in balance.
The beats keep you on the right track. This is some fluid, hi-res
fractal IDM, complete with stuttering, dyslexic drums.

08 Male Box - This track was included on the Real Intelligence II
compilation (RI041). Complex sequences of plastic basslines, popping
snares, and sprinkles of hi-hats fill the cracks in between. "It's a
male box." This track is really weird, cryptic and brief narrations
while the beats roll. There's not much in the way of melody on this
particular track, other then the typical RI chirps and the frantic bass.
But the track does go through several different phases, so there's
plenty here to keep you focused.

09 Backward - Here's a real smoker! We start out with the talking Mac,
"Forward" it says, followed by a tone that rises in frequency. And
then, "Backward" and the same tone comes back down. And this section
repeats, "backward [tone], backward [tone]..." and then you notice the
voice is shifted through a filter which constantly changes the quality
of the voice. Some pattern warm basseys get the song rollin'. This is
the preamble. "Back-Back-Back..." and we're in zone 2. A little melody
here and the warm familiar bass pulses propel you onward. At 2:50 we
get some freestyle piano thrown in, it's just what the track needed,
too. Backward... Backward... Backward... Backward... Backward...
drawkcaB

10 Music - It's the sound of it.

. . . . . . ..... . . . . . .
"D0n'+ b3 @ ph0n3y, h3@dph0n3y!
. . . . . . ..... . . . . . .



Date: Thu, 03 Jun 1999 19:43:18 -0700
From: "~(({[Endemic~Distortion]}))~" <jpklein@flash.net>
To: "It'ssupposedtosounDlikethat,moM" <idm@hyperreal.org>
Cc: Uwe and Friends <mother@hyperreal.org>
Subject: (atom) Flanger

Got my Flanger in the post today (Thanks Ninjas!!) Think 70s fusion jazz.
Think digital madness, incredibly tight/precise programming. Think cheesy
chunks (good cheese). Even think a spot of dub. NOW think of the way Senor
Coconut seemed to move between its faux Latin to cheese to digital mania
sporadically...sometimes seamlessly (e.g., that incredible Fx-ed snare drum
roll) so you'd find yourself "somewhere else" if you turned your head for a
minute and sometimes like falling off a cliff. Very acoustic sounding
drums interspersed with digitalia. Prominent fender-rhodes sounds and
lifelike (sometimes) bass. Neither Bernd nor Uwe sound out-of-sorts at
all....NUF gets jazzy at times, and, well, what DOESN'T Atom Heart do? It
seems to me like Uwe's influence is the most predominant, but maybe it's
because he's really identifiable. I like this record. Fun, flashy and done
with the high sense of humor we've come to expect (yet with great respect
to what they cop and great skill to boot) from these guys. Again, thanks to
the Ninjas for generosity - and with a bit of a break in form which this
release is

(btw, I'm pro-ninjatune).

--
jeff

"10,000 people all screaming the same thing at the same time are wrong,
even if they're right."

dancing/about/architecture "...with wandering steps and slow..." ICQ904008



Date: Fri, 4 Jun 1999 17:16:30 +0200 (MET DST)
From: Sebastian Herrfurth <seher@cs.tu-berlin.de>
To: Atom Heart mailing list <mother@hyperreal.org>
Subject: Re: (atom) Flanger

Hi,

I'm a bit late, but wtf:

On Thu, 3 Jun 1999, Mr. Tangent wrote:

> So... I've gotten mixed messages about the release of Flanger. The
> "Templates" ep released a few months ago was VINYL only, right? And it
> was my understanding that the material on "Templates" was just a taster
> for the material on the full length cd, right? And that the material on
> "Templates" would be also found on the full length cd with no bonus
> material, right?
>
> Has the full length cd been released? What is the title? Any other
> Flanger releases?

1) No. It will be out in mid-June.

2) 'Templates'

3) Yes and no. A second 12" (another 4 tracks) should be out by now (I
wasn't to record stores recently). The album will consist of the tracks
from the 2 12"s and nothing more (so if you have the 12"s you don't need
the album).

Beside that, there's no more Flanger stuff planned, from what Bernd told
me. But on the other hand, the both of them had a good time so they may
be working together later, who knows ?

You can also have a look at my Bernd Friedmann page
(http://user.cs.tu-berlin.de/~seher/bf/) for complete info on Flanger.

Bye

Sebastian

--
Sebastian Herrfurth (seher@cs.tu-berlin.de)

pages for Bernd Friedmann / Riz Maslen / Daniel Myer / Pole / Jazzanova/SK
at http://user.cs.tu-berlin.de/~seher/music.html



Date: Fri, 4 Jun 1999 10:42:41 -0500 (CDT)
From: pHonaut <njurcin@orion.it.luc.edu>
To: Mother <mother@hyperreal.org>
Subject: Re: (atom) Flanger (to begin with)

Isn't there a different "Music to Begin With" mix on the
Deutscher Funk 2? or is that version the same?

no@h

"|+'5 n0+ f@k3, end 0f c3n+ury, m@g|c d|5pl@y"
. . . . . . ..... . . . . . .



Date: Fri, 04 Jun 1999 17:51:31 -0700
From: "B. Yost" <byost@megsinet.net>
To: pHonaut <njurcin@orion.it.luc.edu>
Cc: Madre <mother@hyperreal.org>
Subject: Re: (atom) review: Brown & What would YOU ask Uwe

pHonaut wrote:

> Brown (RI036)
>
> 10 Music - It's the sound of it.

Oh no, Noah didn't comment on my favorite track from Brown. I love this
song. Slow, funky-beat-oriented, harmomelodic & smooth. Reminds me of
what Flowerhead might have sounded like had they been feeling a tad more
fonky.

What is that whispered voice in the background saying? "Make me want to
step out"?

It's a track that purports to be nearly 19:00 long, but from about 7:00 on
it enters a super-long fadeout with a few sustained tones & echoes and an
occasionally repeated synth voice saying "music". At about 12:00 the song
is officially over.

Regarding that recent thread on the list, "What would YOU ask Uwe", I would
be interested in hearing him elaborate on his interest in songs that fade
out REALLY slowly, over perhaps 5-10 minutes. He's certainly done it on
numbers of occasions. On one hand, it is sort of interesting to have a
song be extinguished this slowly, like a campfire. On the other hand,
these songs wreck the flow if you play such CDs on shuffle play.

-- Brad



Date: Fri, 04 Jun 1999 17:48:27 -0700
From: boomboomkid <galaxey@earthlink.net>
To: "B. Yost" <byost@megsinet.net>
Cc: pHonaut <njurcin@orion.it.luc.edu>, Madre <mother@hyperreal.org>
Subject: (atom) BSP: FREON JUNE 12th LA (was: Re: review: Brown & What
would YOU ask Uwe)

"B. Yost" wrote:

> pHonaut wrote:
>
> > Brown (RI036)
> >
> > 10 Music - It's the sound of it.
>
> Oh no, Noah didn't comment on my favorite track from Brown. I love this
> song.

AS DO *I*. I am spinning at an Ambient event in Los Angeles next SAT June
12th. The event is called FREON ('guess it's gonna be cold, or people are
gonna chill) Anyhoot, I'm for sure be playing this track, esp after the
6:00mark on the CD player.

For more info:
http://beam.to/freon (check it out)

> Regarding that recent thread on the list, "What would YOU ask Uwe", I
> would be interested in hearing him elaborate on his interest in songs
> that fade out REALLY slowly, over perhaps 5-10 minutes. He's certainly
> done it on numbers of occasions. On one hand, it is sort of interesting
> to have a song be extinguished this slowly, like a campfire. On the
> other hand, these songs wreck the flow if you play such CDs on shuffle
> play.
>
> -- Brad

Hey Brad

thanks for the questions. I've compiled all the questions so far, and I was
amazed that only 5people responded and even more surprised MR. TANGENT
didn't send me a question. But that's OK. I'll be finishing up this week,
so if you've thought of any more questions send them my way.

gilly

--

"atom heart will remix the record of the pope."- Atom Heart.



Date: Sat, 5 Jun 1999 11:45:45 -0500 (CDT)
From: pHonaut <njurcin@orion.it.luc.edu>
To: Madre <mother@hyperreal.org>
Subject: Re: (atom) review: Brown & What would YOU ask Uwe

> What is that whispered voice in the background saying? "Make me want to
> step out"?

No kiddin'... what the heck *is* it saying? I always think
it sounds something like "Step up the beat... step of the be-beat"

And some Spanish speaking listmember should get to work
translating the lyrics to the Rap on Senor Coconut, i know
people have asked this before. Git busy! ;-)

no@h
onnow: "Tan-do-ori Club!!"

. . . . . . ..... . . . . . .



Date: Sat, 5 Jun 1999 18:37:06 -0500 (CDT)
From: Jeremy J Graham <xor@utdallas.edu>
To: mother@hyperreal.org
Subject: (atom) does anybody have Dots?

Hello everybody. Would someone happen to have a copy of Dots for sale/
trade? I had a deal with Jason Tarr but he suddenly decided to sell it to
someone else even after I already bought one of the discs he wanted! His
excuse was that I he hadnt heard from me in a while, which was very poor
considering I told him exactly what was happening and that I was going to
get back with him as soon as I could get it resolved (which hasnt happened
yet). So Im stuck with a disc and I dont get a disc that I really, really
wanted. Very nice of him wasnt it...?

Anyway, you might want to keep that in mind if you decide to deal with him.
That isnt to say to avoid him; just be careful as he might suddenly leave
you (especially if someone comes along and offers a deal that he likes
better, which is my guess about what happened). So if anybody else could
offer a copy, Id really appreciate



Date: Sat, 05 Jun 1999 21:38:12 -0400
From: "Jason J. Tar" <tarjason@pilot.msu.edu>
To: Jeremy J Graham <xor@utdallas.edu>, mother@hyperreal.org
Subject: Re: (atom) does anybody have Dots?

At 06:37 PM 6/5/99 -0500, Jeremy J Graham wrote:

> Hello everybody. Would someone happen to have a copy of Dots for sale/
> trade? I had a deal with Jason Tarr but he suddenly decided to sell it
> to someone else even after I already bought one of the discs he wanted!

The trade was decided in April. It is now June. Lets be somewhat
realistic. I didn't here from Jeremy in about 3 weeks, so I sold Dots to a
source that could have me the money in 2 days. Things like that happen. I
can possibly get another copy, but guess I won't now.

Besides, there is only one "R" in "Tar".

JJTar
---
Peace Hugs and Unity Jason J. Tar
W. W. J. D?
(What would Jason Do?)
http://pilot.msu.edu/user/tarjason
ICQ@13792120



Date: Sat, 5 Jun 1999 21:18:45 -0500 (CDT)
From: Jeremy J Graham <xor@utdallas.edu>
To: "Jason J. Tar" <tarjason@pilot.msu.edu>
Cc: mother@hyperreal.org
Subject: Re: (atom) does anybody have Dots?

> realistic. I didn't here from Jeremy in about 3 weeks, so I sold Dots
> to a source that could have me the money in 2 days. Things like that
> happen. I can possibly get another copy, but guess I won't now.

I figured that would get you talking, as you completely ignored my inital
reply...

I told you way back in April that I didn't know how long it would take but
that I would surely do the trade with you without flaking. You agreed and
so everything seemed to be fine. I wouldn't try to to use that "took too
long" excuse because of this. Besides, if you would rather have done
money, you could have said so and I would have paid instead. Besides, I
TOLD you that the post office failed to deliver it for some reason and that
was the hold up. You knew that and you knew that I would get back to you
when I figured something out. As you can guess, these things are not
simple matters. I don't own the postal service and it's not my fault that
they screwed up. You know you did wrong...



Date: Sun, 6 Jun 1999 00:44:43 -0400 (EDT)
From: Christopher Miller <evil@digital.net>
To: ATOM HEART/LASSIGUE BENDTHAUS MAILING-LIST (#3) <mother@hyperreal.org>
Subject: (atom) lead - Lisa Carbon Trio

Howdy.

Marie's <MariesCDs@aol.com> has the following AH/related cd for sale
in their current list:

> Carbon, Lisa trio (Rephelex 94): Polyester 10 (11 overseas)

asil.
.`-).
| ;
christopher miller o o'
evil@digital.net =
'


Date: Sun, 6 Jun 1999 13:45:16 -0500 (CDT)
From: pHonaut <njurcin@orion.it.luc.edu>
To: Mother <mother@hyperreal.org>
Subject: (atom) cupple diskies

This guy has Lissigue Bendthaus "Matter" for 8$, a cut-out of
Lisa Carbon's "Experimental Post Techno Swing" for 6$, and
Inoue's "Psychoacoustic" for 8$.
no@h

---------- Forwarded Message ----------
Date: Sun, 6 Jun 1999 13:32:07 -0500 (CDT)
From: daniel <daniel@eliteware.com>
Subject: whitezone-l clearance items from the weekly sale.

These items did not sell the first time around, so I am going to discount
them. Remember, postage is not included

anyhow, the list is at:

http://monkey.eliteware.com

click on For Sale.

if you are web challenged email me and I will send a list.

-daniel
Head Monkey
Mad Monkey Records
http://monkey.eliteware.com

---------- End ----------



Date: Tue, 15 Jun 1999 17:20:43 +0200 (MET DST)
From: Sebastian Herrfurth <seher@cs.tu-berlin.de>
To: Atom Heart mailing list <mother@hyperreal.org>,
IDM Mailinglist <idm@hyperreal.org>
Subject: (atom) Atom Heart on Flanger / 2nd Atom Heart & Bernd Friedmann
session

Hi,

Bernd sent me the transcript of an interview of Mr. Heart on Flanger some
days ago, and now that it's online
(http://user.cs.tu-berlin.de/~seher/bf/flanger.html) I thought I should
tell you about.

He also mentioned a new album the two of them did called 'Midnight Sound'
(and now that it's official announced I can say that I heard some of the
tracks some weeks ago and that they're *really* nice).

Bye

Sebastian

--
Sebastian Herrfurth (seher@cs.tu-berlin.de)

pages for Bernd Friedmann / Riz Maslen / Daniel Myer / Pole / Jazzanova/SK
at http://user.cs.tu-berlin.de/~seher/music.html



Date: Tue, 15 Jun 1999 11:02:03 -0500 (CDT)
From: pHonaut <njurcin@orion.it.luc.edu>
To: Atom Heart mailing list <mother@hyperreal.org>
Subject: Re: (atom) Atom Heart on Flanger / 2nd Atom Heart & Bernd
Friedmann session

> Bernd sent me the transcript of an interview of Mr. Heart on Flanger some
> days ago, and now that it's online
> (http://user.cs.tu-berlin.de/~seher/bf/flanger.html)

Note the mention of "working with Lisa [Carbon]" !
She lives! :)

no@h
. . . . . . ..... . . . . . .



Date: Tue, 15 Jun 1999 17:03:25 -0500 (CDT)
From: pHonaut <njurcin@orion.it.luc.edu>
To: Mother <mother@hyperreal.org>
Subject: (atom) happily camping

Just thought i post a short note with a few words...
i'm a happy camper today, and that's an understatement!
Why am i so happy? Tom, at www.othermusic.com has really
pulled through. Today i received my own sealed copy of
Daisy World Tour for a mere 19.99$. Can ya beat that?
Complete with tracks from Paul Schutze, Tetsu Inoue & Jonah Sharp,
Pacific 231, and last but not least, ohhhh noo, certainly not
least, an exclusive track from the Heart, "Overcome the
Programming"

People still searching for this rare-ish disc, git on down to
othermusic! and now... for the oh so satisfying break of that
seal....

no@h
. . . . . . ..... . . . . . .



Date: Tue, 15 Jun 1999 17:44:32 -0500 (CDT)
From: phlux@ix.netcom.com
To: njurcin@orion.it.luc.edu, mother@hyperreal.org
Subject: (atom) Lisa

On 06/15/99 11:02:03 you wrote:

> > Bernd sent me the transcript of an interview of Mr. Heart on Flanger
> > some days ago, and now that it's online
> > (http://user.cs.tu-berlin.de/~seher/bf/flanger.html)
>
> Note the mention of "working with Lisa [Carbon]" !
> She lives! :)

Umm didn't the two of them have a child together ?

Rob


Codec! http://www.mindstorm.com/codec
LogiQ http://www.mindstorm.com/logiq



Date: Tue, 15 Jun 1999 19:58:20 -0700
From: "B. Yost" <byost@megsinet.net>
To: mother@hyperreal.org
Subject: Re: (atom) Lisa

> > Note the mention of "working with Lisa [Carbon]" !
> > She lives! :)

ESL grammar error (he meant "working ON Lisa" [projects]).

> Umm didn't the two of them have a child together ?

Wouldn't that make Dandy Jack jealous? :)

FWIW, still a "Lisathiest".

-- Brad



Date: Wed, 16 Jun 1999 13:26:19 -0400 (EDT)
From: Christopher Miller <evil@digital.net>
To: ATOM HEART/LASSIGUE BENDTHAUS MAILING-LIST (#3) <mother@hyperreal.org>
Cc: Jouni <alkio@hkkk.fi>,
Music That Sounds Like Stoves Talking To Refrigerators Mailing-List
<idm@hyperreal.org>
Subject: (atom) Re: Angel.

On Tue, 2 Feb 1999 Jouni <alkio@hkkk.fi> originally posted to IDM:

> I heard an interesting Mouse-On-Mars-like(?) cover of Aerosmith's "Angel"
> the other day - with synthetic-sounding vocals and all. Not that I ever
> liked the original, but this sounded really cool.
>
> I asked the DJ about the record and it was a 12" by something called "Pop
> Artificiale" or such and supposedly had a James Brown cover on the other
> side. I didn't ask about the label, though.

Just a follow-up to an old post... I just (finally) got the _Jealous
Guy_ cd by LB [Lassigue Bendthaus] a few weeks back and have deduced that
the song you heard was not a cover of the Aerosmith song "Angel", but
rather the LB cover of the Rolling Stones song "Angie". After listening to
"Angie" I can see where the confusion may have come from.

eigna.
.`-).
| ;
christopher miller o o'
evil@digital.net =
'


Date: Wed, 16 Jun 1999 13:33:20 -0400 (EDT)
From: David F Maier <dfm8@columbia.edu>
To: mother@hyperreal.org
Subject: Re: (atom) Lisa

On Tue, 15 Jun 1999, B. Yost wrote:

> > > Note the mention of "working with Lisa [Carbon]" !
> > > She lives! :)
>
> FWIW, still a "Lisathiest".

I believe the word you're looking for is "alisist" (or perhaps
"alisa-ist"). Incidentally, surely agnosticism is the more rational
position here...

BTW there's another crying baby somewhere in "Push the Little Daisies" on
Dropshadow Disease, lending credence to the biological reproduction theory
and thus to the reality of a female woman of the opposite sex in Uwe's life
--- Lisa??

Wondering,

D.



Date: Wed, 16 Jun 1999 13:43:51 -0500 (CDT)
From: pHonaut <njurcin@orion.it.luc.edu>
To: Mother <mother@hyperreal.org>
Subject: (atom) How many Angies how many Angies...?

> Just a follow-up to an old post... I just (finally) got the _Jealous
> Guy_ cd by LB [Lassigue Bendthaus] a few weeks back and have deduced that
> the song you heard was not a cover of the Aerosmith song "Angel", but
> rather the LB cover of the Rolling Stones song "Angie". After listening
> to "Angie" I can see where the confusion may have come from.

i think that track is one of the best on the disc... which, i've
noticed, is rather short, under 40 minutes.
Well, either Angie or Prince's The Future, which i wasn't too
crazy about 'till i heard' lb's version of it. Fantastic!

no@h
. . . . . . ..... . . . . . .



Date: Wed, 16 Jun 1999 19:20:32 -0700
From: "~(({[Endemic~Distortion]}))~" <jpklein@flash.net>
To: pHonaut <njurcin@orion.it.luc.edu>
Cc: Mother <mother@hyperreal.org>
Subject: Re: (atom) How many Angies how many Angies...?

pHonaut wrote:

> i think that track is one of the best on the disc...
> Well, either Angie or Prince's The Future, which i wasn't too
> crazy about 'till i heard' lb's version of it. Fantastic!

Major agreement - it's a hoot (Angie). Uwe has a great sense of humor.
Cheese upon cheese.

--
jeff

"10,000 people all screaming the same thing at the same time are wrong,
even if they're right."

dancing/about/architecture "...with wandering steps and slow..." ICQ904008



Date: Thu, 17 Jun 1999 17:06:37 -0500 (CDT)
From: pHonaut <njurcin@orion.it.luc.edu>
To: +49-69/450464 <faxlist@2350.org>, Mother <mother@hyperreal.org>
Subject: (atom) RadioActivities: Season II

Thought i'd drop this off here, a show without Fax or RI would be
like...like...well, i think it would be missing something crucial!
!)
no@h

---------- Forwarded Message ----------
Date: Thu, 17 Jun 1999 16:56:50 -0500 (CDT)
From: pHonaut <njurcin@orion.it.luc.edu>
To: Ohmbiont <ambient@hyperreal.org>, IDM <idm@hyperreal.org>
Subject: (amb) RadioActivities: Season II

Hi,
Just wanted to announce the kickoff of my summer radio show
which will air every Friday at Midnight Central Standard Time (an
hour earlier then last summer) here in the Chicago area on 89.3 fm
WNUR. Worldwide RealAudio streaming is also available during the
show at www.wnur.org

I won't say much about the content for this week, other then that
it will consist of a mix of various IDM/Ambient/DnB/Exprmtl
things and will be action packed and filled to the brim with
all kinds of neet things i've found and headphone tested since
last summer. Hope you can join me! :)

. . . . . . ..... . . . . . .
"|+'5 n0+ f@k3, end 0f c3n+ury, m@g|c d|5pl@y"
. . . . . . ..... . . . . . .

---------- End ----------



Date: Wed, 23 Jun 1999 10:13:53 -0500 (CDT)
From: Jeremy J Graham <xor@utdallas.edu>
To: mother@hyperreal.org
Subject: (atom) render?

Does anybody know if "Render" and "Render Audible" (from Lassigue
Bendthaus) are the same thing? If not, what's the difference.



Date: Wed, 23 Jun 1999 15:22:55 +0100
From: Orn Asbjornsson <orn@bodeind.is>
To: mother@hyperreal.org
Subject: Re: (atom) render?

IMO Render is cool while Render Audible (US Remixes) sucks! Maybe I'm being
a bit harsh here but WAY too much 303 does it for me any day. I thought at
first that these must be some sort of non-atom(TM) approved remixes, but I
find that unlikely, does anyone know?

cheers,

=O



Date: Wed, 23 Jun 1999 17:57:40 -0500 (CDT)
From: phlux@ix.netcom.com
To: xor@utdallas.edu, mother@hyperreal.org
Subject: Re: (atom) render?

On 06/23/99 10:13:53 you wrote:

> Does anybody know if "Render" and "Render Audible" (from Lassigue
> Bendthaus) are the same thing? If not, what's the difference.

Render is the regular CD.
Render Audible is acid style mixes of the tracks off render

Rob

Codec! http://www.mindstorm.com/codec
LogiQ http://www.mindstorm.com/logiq



Date: Thu, 24 Jun 1999 09:37:35 +0100
From: Orn Asbjornsson <orn@bodeind.is>
To: mother@hyperreal.org
Subject: Re: (atom) render?

> Render is the regular CD.
> Render Audible is acid style mixes of the tracks off render

I guess that explains the 303 overkill I complained about earlier,
I guess I was disapointed because Render is one fine album!

=Orn



Date: Thu, 24 Jun 1999 08:32:35 -0500 (CDT)
From: pHonaut <njurcin@orion.it.luc.edu>
To: Mother <mother@hyperreal.org>
Subject: (atom) Sieg Uber Die Sonne

Hi,

these discs are available From:

Rowland Atkinson <r.atkinson@socsci.gla.ac.uk>

Please email him if you're interested.
He's looking for Fax trades or cash offers.

Micropossessed
Sieg Uber Die Sonne - Dan
Sieg Uber Die Sonne - 1~



Date: Thu, 24 Jun 1999 09:18:13 -0500 (CDT)
From: pHonaut <njurcin@orion.it.luc.edu>
To: Mother <mother@hyperreal.org>
Subject: Re: (atom) Sieg Uber Die Sonne ++

Sorry, just a little clarification about Rowland's discs.
The disc listed as "Dan" is the first album by SUDS, while the
disc marked "1~" is 1-infinite, the full album.

. . . . . . ..... . . . . . .



Date: Thu, 24 Jun 1999 11:02:07 -0500 (CDT)
From: pHonaut <njurcin@orion.it.luc.edu>
To: Mother <mother@hyperreal.org>
Subject: (atom) Multi Poly Ester

Just a little tidbit for the overly anal collectors out there.
I received my second copy of Polyester early in the week, it's
for a freind and fellow listmember. Anyway, i took a look at
it, and something just wasn't quite right. I pulled out my own
copy and layed them side-by-side, unfolded the digipacks, and
lo-and-behold. One Polyester has the plastic disc sprocket thing
mounted on the far right panel, while the other has the disc
holder in the center panel! Pretty wierd, maybe there were
multiple pressings, with a different layout, or maybe it's just
a mistake. Just thought i'd mention it since i'd never come
across it before.

Review for Almost Digital "A.D." to come later today...

no@h

. . . . . . ..... . . . . . .
"|+'5 n0+ f@k3, end 0f c3n+ury, m@g|c d|5pl@y"
. . . . . . ..... . . . . . .



Date: Thu, 24 Jun 1999 16:08:00 -0500 (CDT)
From: pHonaut <njurcin@orion.it.luc.edu>
To: Mother <mother@hyperreal.org>
Subject: (atom) review: Almost Digital "A.D."

Almost Digital - A.D. (ht03) / rough trade

Here's an album from '95, back when Atom Heart's new Rather Interesting was
yet a fledgling label branching out from the Fax-related family. This new
label, Hypnotism, started out with some landmark releases, including those
by Andrew Lagowski and Victor Sol. And with Linger Decoree set to design
the visuals and graphics, it almost looked as if Hypnotism would be a
second launchpad for Atom Heart's many talents. At least the first few
releases from the label would involve graphic designs similar to some
Rather Interesting releases. Following in the minimalist tradition of VSVN
or Bitniks, the most prominent image on the cover of A.D. is a barcode on a
streaked background of different whitewashed colorscales. Also, the design
found inside the liners is patterned like Dots, a conglomerate of colored
dot-pixels. A final note about packaging: on the cover there's a product
number "1995074" The 1995 is obviously the year, but I'm going to put my
vote in for the "074" part as being part of the series of numbers that one
can hear MacTalked at the end of various RI releases. Musically, this
album is quite the chameleon. We can hear out influences from various RI
releases as well as other compositional techniques first tested on the firm
Lissigue Bendthaus projects. It's not readily apparent that Atom Heart
puts more effort into non-RI albums (for what can be assumed to be a much
wider audience), as this album would fit right in on that label. But
sometimes it does seem like the overall construction of non-RI albums are
tweaked a little differently. There's definitely a housey-influence and
some mild funk to be heard between the waves and rhythms on this album, and
fans of Flextone or Morphogenetic Fields, or people who missed those but
would like to hear the sound of that era, would do well to check this out.

01 9/8 (6:33) - House seldom gets any deeper then this. Warm bass, bulging
chord progressions, and a tight punchy beat. The synth in particular is
a velvety mixture of waves that punctuate the thumping rhythm and divert
you from its rigorous 4/4 nature. A playful monophonic melody takes
lead, is this 9/8 time? It's simple really, yet each note is perfectly
placed to achieve the desired effect. This one hits the spot
immediately, a worthy opening track for the disc.

02 serial (7:58) - The main 303 sequence here is strikingly similar to the
one in Molecular Trip, the remix of Molecular Modeling from LB's Render
Audible. But this track is a bit faster then the Render version. The
bass drops in, a healthy Roland thumping away. Exhilarating pitch-hiked
hyperdistorted tom sounds ricochet left and right in sequence along with
a 909's plucky rimshot.

03 meeire light (8:05) - We begin with a happily bubbling synth riff,
looped. The bassdrum drops in, and soon after, a host of other drums
and pseudo-hats join in the pattern. Many percussive elements at work
here, and that melody will keep you bouncing along if the drums fail to
do so (phat chants...) But look how everything gradually comes together
on this one. Different pieces of the puzzle, seemingly incompatible
ones, hover closer to one another until the moment of consensual
integration. An idiosyncratic technique, these waves aren't totally
sync'd up with the beats, resulting in broad aural slippage across the
tune. But Victor Sol's works should have prepared you for that sort of
thing....

04 centraal (12:08) - A 12-minute collage of moody drones and glistening
sweeps. This is the resident beatless track for the disc. A Dots
update, multiple resolutions. Slowly moving liquid surfaces mingle with
stretched computations and antique computer noises.

05 percuss (7:10) - This one reminds me somewhat of Milagro from
Morphogenetic Fields, but is quite a bit slower-paced, and actually
seems a bit more fancy. Both Milagro and this track have female voice
segments, with Milagro being a tad more housey. The track begins to
close with a native flute solo that plays along with the electronics,
and an added layer of lacey chimes.

06 selected cuts (10:11) - Starts out all detuney style, and there's
continuous build-up: drums and hi-hats, some backing synths and eerie
twilight. Here we get a little but sinister, 4/4 style at the
beginning, and later on some hypnotic undertones developing the darker
side much like Pane or Lightfast from Morphogenetic Fields. Toward the
end, there's a few beatless moments for deep breathing.

07 dollars & sense (4:15) - Heavy-handed IDM-ness. High quirk factor, and
more 4/4 sliderule beats. Compare the texture segment in this with tune
with the one in, say, Flextone's "Instant Replay." Makes cents...

08 cister (5:48) - A fast-paced bleeper. Inspires obnoxiously colorful
displays and happy visions of floating holographic Rubix cubes twisting
and turning. Again, 4/4 time. Bleepy, yet well polished.

09 number nine? number nine? number nine? number nine? (0:11)


Short Sample of "9/8" available on the extensive Uwe discography:
http://hyperreal.org/music/artists/atom_heart/almost-digital.aiff
Rather Interesting review archive at: www.datacide.org

. . . . . . ..... . . . . . .
"|+'5 n0+ f@k3, end 0f c3n+ury, m@g|c d|5pl@y"
. . . . . . ..... . . . . . .



Date: Fri, 25 Jun 1999 12:59:15 -0500 (CDT)
From: pHonaut <njurcin@orion.it.luc.edu>
To: Ohmbiont <ambient@hyperreal.org>, IDM <idm@hyperreal.org>,
Mother <mother@hyperreal.org>
Subject: (atom) RadioActivities Chicago show tonight

hello!
just wanted to announce the radio show for tonight, and to give
a little advance playlist....

Tonight (Friday!) at Midnight (Central Standard Time)
89.3 fm for Chicago area / www.wnur.org for streaming RealAudio

Summer Show 2 Advance Playlist:

Davie Bowie "Ashes To Ashes"
Lissigue Bendthaus "Digital Spacepop Replicant" [KK]
MASK500 12" Ashes Mutation [SKAM/MAS]
The Solid Doctor "Intranauts" [Pork]
Endemic Void "Oscillations Remix" [Languange Records]
Amp "Staircase" (Namlook & Dandy Jack) [Faxlabel]
4Voice "intro" (Namlook) [Faxlabel]
Quiet Logic "Waraitake"(MixmasterMorris & Jonah Sharp)[Daisyworld]
Decay Product "No.4 Delayed Intro" [Chain Reaction]
Pole-Decay Product remix [Fat Cat]
Basic Channel compilation-bonus track #1
Human Mesh Dance "In Pools" [12k]
MASK500 12" #1
Flanger "Options In The Fire" [N-Tone]

and much more...! Hope you can join us this evening!

. . . . . . ..... . . . . . .
"|+'5 n0+ f@k3, end 0f c3n+ury, m@g|c d|5pl@y"
. . . . . . ..... . . . . . .



Date: Sat, 26 Jun 1999 16:46:23 EDT
From: Shockvictm@aol.com
To: mother@hyperreal.org
Subject: (atom) FS: +N-built, Datacide-ondas

Figured I would offer these to the list before anyplace else::

:: +N - Built (ri039)
:: Datacide - Ondas (ri040)

$10 each. +$1 postage. these have only been played a few times, and
weren't my cup of tea. Shipping to North America only (sorry).
Will consider trades (make offer).

Thanks
-mike



Date: Sun, 27 Jun 1999 12:24:21 -0700
From: "B. Yost" <byost@megsinet.net>
To: mother@hyperreal.org
Subject: (atom) LB Overflow

I heard the Speedjack/LFO Eminar Mix of "Overflow" on an oddball Australian
compilation CD, and like it very much. Is Overflow just an EP release, or
is the original version found on a LB full-length?

Anybody have the track listing and/or review of the Overflow single or EP?

-- Brad



Date: Sun, 27 Jun 1999 18:35:15 EDT
From: Shockvictm@aol.com
To: byost@megsinet.net
Cc: mother@hyperreal.org
Subject: Re: (atom) LB Overflow -track listing

for the Kk version (i dont know about any others)

1. overflow
2. overflow fluid mix
3. overflow eminar mix
4. overflow sift mix
5. overflow extended mix

the sift mix is produced by speedjack and remixed by mark bell at lfo
studios. the rest are las.bend. produced/mixed.



Date: Tue, 29 Jun 1999 17:27:49 -0700
From: "B. Yost" <byost@megsinet.net>
To: mother@hyperreal.org
Subject: (atom) "Pop Artificielle" review

I don't know who this guy is, but his review is well-informed, thoughtful
and lengthy, and worth checking out:

http://www.awrc.com/review/l/pop_artificielle.html

Where's Christopher these days? He's been rather mute of late.

...etum...

-- Brad